Prodigal son never prodigal

Chapter 188 The combination of strength and softness, poignant and profound

Yan Qing stood on the huge stage, surrounded by spotlights.

All he could see was that the entire world around him was as dotted with stars as the Milky Way.

The interaction created by tens of thousands of people waving mobile phone lights.

It was definitely much more shocking than the audience he had seen at the Youth Games finals before.

Similarly, in the Northern Song Dynasty, he could only be a busboy who performed tricks, killed people and swindled goods, but in this dynasty, he became a star surrounded by mountains and tsunamis.

In addition to lamenting this era, he also wanted to share it with Gai Qingyun.

During the performance, I looked back several times, feeling as if a child was attached to his relatives or even his parents.

He has lost his parents since he was a child and was given this life by his eldest brother. He relies on this kind of family affection far more than ordinary people.

I was reminded several times by the old man in the headphones.

So after singing the passionate song "The River is Red", Yan Qing ignored the roar of the audience and jumped into the sunken backstage behind the rock band.

He grabbed the phone and glasses from the fascinated He Shunzhi.

The backstage was already filled with excitement and cheers, and the mood was lifted by the deafening shouts of the audience.

As for the rock band on the stage and behind the DJ booth, Lao Pi was wearing headphones and pretending to be the commander-in-chief, waving his hand to urge Yan Qing to come on stage.

He is an old man who can use jokes for dozens of concerts a year for more than ten years and doesn't care at all that his concerts will make young people shine.

He is already successful and famous, but he only uses his concerts to maintain popularity. He can achieve the effect by being lazy without having to sing himself, and he will never sing more than a sentence.

Moreover, Lao Pi has signed a cooperation agreement with Song Siyu, and Yan Qing entered Lao Pi's music studio and became a strategic partner.

In the future, Lao Pi will be able to rely on his strong connections and industry status to assist in the promotion of Yan Qing's works, album sales, and advertising endorsements, and participate in the sharing.

In short, the new IP of "Gai Qingyun" is Lao Pi's new project, and of course he is happy to see it develop.

Speaking of which, this name is quite old-fashioned, and it is really suitable as a stage name, so there is no need to change it.

Now Song Siyu hurriedly bent down to help Yan Qing tidy up her clothes and pushed him to hurry up.

Yan Qing, who put on glasses and stepped onto the stage, took advantage of the fact that there was no microphone to collect the sound: "Brother, look at this grandeur. We are people who want to meet the world, how can we be held back by a woman?"

Gai Qingyun could only marvel, how could he see such a scenery in the palm of He Shunzhi's hand.

Yan Qing only said this more.

Being able to be together side by side gave him peace of mind.

Watching him walk back to the stage, the audience, who thought he was just singing this song, went from being disappointed to cheering, but it was unexpectedly unexpected and lively.

Especially looking at his extra pair of black-rimmed glasses, the graceful close-up picture of Zhong Ruan calmly adjusting his straps on the large screen and starting to play.

The whole audience immediately stopped talking and listened attentively to what kind of song it was.

It's amazing.

Concerts usually have to feature famous songs by singers and stars, otherwise the audience will be easily confused.

Unless the new song can reach the point where it is a blockbuster, you can fall in love with it at first sight, you will generally not take the risk to play a new song, which will easily lead to the audience losing their patience.

But the last song "Man Jiang Hong" has already labeled this young singer as a singer of ancient poetry?
So what is this one?
Curious.

As a result, following this distraction, when other instruments joined in, the spotlight that was originally deliberately focused on the rock band stage gradually spread like a DJ conducting.

It turned out that the orchestra accompanist's seat next to him was pushed up by an elevator, and there were a lot of girls dressed in Han costume and folk music.

The lights even obscured Lao Pi and the others.

The floodlit folk band and the spotlight-focused guy in a white shirt looked like a point and a surface when viewed from all directions.

But on the big screen, the effect of following the camera is that of modern casual attire, forming a temporal and spatial contrast with the blurred background of ancient Chinese costumes.

There was a round of applause.

nice!

Just watching this scene is a matter of thought.

Bright background, simple singer.

A very beautiful picture, and then continued to say: "When will the bright moon come? Ask the sky for wine..."

It has to be said that Yan Qing’s performance of her lyrics is standing on the shoulders of giants.

Including being able to stand at Lao Pi's concert now, he also borrowed from Lao Pi's general trend.

As for the singing of Tang poetry and Song lyrics, as long as it can get such a strong exposure opportunity and have such a big boss' endorsement, people will preconceptionally think that it is a work sung by a master and has a good reputation.

It’s so easy to resonate.

Moreover, Su Shi's "Shui Tiao Ge Tou" is famous and can be regarded as the swan song of Mid-Autumn Festival songs in the entire Tang poetry and Song Dynasty.

It can also be said to be one of the most famous modern songs among Tang poetry and Song lyrics.

Because in the 80s, the song "Shui Tiao Ge Tou. When Will There Be a Bright Moon" was composed to music and sung by Taiwanese stars. After the 90s, Hong Kong divas sang it again and it became a household name.

Now they have all become stepping stones for Yan Qing's singing.

This was Yan Qing's most popular chart-topping song in those days.

On the night of the Mid-Autumn Festival, Wu Song was tricked into having a banquet in the backyard of Zhangdu Prison and got a maid named Yulan. This was the song he listened to.

Such a beauty singing beautiful songs turned out to be a trap that could kill him, and Magnolia finally pushed him away.

Therefore, blood spattered Yuanyang Tower and killed fifteen members of Yulan's family, including Yulan, men, women, and children. From then on, he started the killing mode until he fell into the trap.

So when these felons talk about women, especially beautiful women, they are either debauched or treacherous. How can they be even remotely attached to them?

In Liangshan, lust is the most despised behavior. If you are not careful, you will be chopped down by an iron bull with an axe.

Yan Qing, on the other hand, is a bitch and likes to deliberately sing this song around the fake Tutuo, making Tianshangxing, who may rarely win the hearts of men and women in his life, snort and sneer.

Singing very familiarly.But this tune is completely different from the Baodao and Tianhou versions.

With this alone, you can already write a large paper in academia.

The composition of the Baodao version is based on the writing style and mood of the entire poem, which is elegant, gentle and sentimental.

But in fact, the four characters "Shui Diao Ge Tou" should be Shui Diao. Ge Tou.

Shui Tiao is a large piece of music from the Sui and Tang Dynasties, a large work similar to a symphony. The title song is just a cut of the first chapter of the preface of the second part.

He just pinched a short melody to perform, the repertoire was fixed, and Su Shi just used this genre to write lyrics.

"Shui Tiao Song" was composed by Emperor Yang of the Sui Dynasty when he was digging the Bianhe River.

The main characteristic is that it is swaying freely, not sideways, and quite majestic.

It is not advisable to be side-colored, which means that the lyrics of this song should not be too colorful or flashy.

During rehearsals and assignments, everyone commented that the song that seemed more in line with the style of this tune should actually be the teacher's song "Water Melody Song. Swimming."

“...no matter the wind or waves,
Better than taking a leisurely stroll,

To be lenient today.

The son said in Sichuan:
The deceased is like Suffo!

The wind blows,
Turtles and snakes are quiet,
Have a grand plan..."

This is how it sounds when sung.

The entire audience was as frozen as clay sculptures.

How did the sweet and melodious tune that everyone is familiar with become like this!
Every note is different!

It's a bit like Xin Qiji dancing with his sword and asking what year it is in the palace in the sky. It's also a bit like Li Bai who drank a few drinks and staggered up to the sky and became drunk.

This reminded everyone that this was a man, an old man who was about to turn forty, singing the song.

How could she be so gentle and affectionate?

Less sugar and more ice!
The song conveyed the atmosphere of a bright moon in the sky, relatives thousands of miles away, and loneliness.

Qiu Wenfang took advantage of the VIP seat in the front row, held up her selfie stick and stretched it in front of the iron railing to take a picture.

Maybe she was the only one who saw something about Yan Qing's attitude, a bit like the folk singer they saw in the bar at the end of the world, with a slumped face and an emotionless expression.

I want to laugh, but I also want to record this scene.

But in the eyes of other viewers, this is arrogance, confidence performed with talent.

Involuntarily intoxicated.

The whole audience was intoxicated.

After singing this song, everyone actually felt that this young singer was a character comparable to the two queens of Taiwan and Hong Kong.

This is also a shortcut to stepping on the shoulders of giants.

Song Siyu's face was filled with joy. She looked around and chose to go over and hold He Shunzhi's arms to share this feeling.

Lao Pi was also beaming with joy with a group of masters behind the DJ booth.

This is tantamount to digging a gold mine, and it is also an Olympic rich mine that produces its own gemstones. It guarantees a profit without losing any money.

Only Yan Qing didn't have so many thoughts.

He just enjoys the life in front of him with his brothers.

After singing the song, amidst the cheers that filled the sky again, he stepped away from the microphone and joked: "How about this scenery experience, compared with your sesame seeds..."

At this time, the lights just dimmed.

It felt like the singer was just resting and adjusting for a moment.

Over there, under the soft light of the orchestra, led by the pipa master, a new tune was played.

The audience quickly quieted down, and once again they were full of curiosity. After famous poems such as "The River is Red" and "When Will the Bright Moon Come?", what was the surprise?

In fact, Tang poetry and Song lyrics have a very high literary and artistic temperament and status in the minds of Chinese people.

A combination of hardness and softness, poignancy and profound beauty, heroism, gracefulness, and all kinds of colorful temperaments appear in these eternal masterpieces.

It is so exciting that these popular poems can be re-presented in this way.

But when this truly moving song "Die Lian Hua" was performed, two dancers actually appeared on the stage.

In fact, from the time of "Man Jiang Hong", Song Siyu and Yan Qing proposed that they could use martial arts team members like Wang Lijuan to perform routines according to the way they originally performed the poem, showing some traditional elements.

But Lao Pi and the others are the masters of concerts. They are very particular about how the dancers perform in this part, what effect they achieve, how they start and how they end.

A martial arts routine performance came out of nowhere. It looked like a fool doing some flips, and it didn't look good.

Until Liu Yong's "Die Lian Hua", this kind of studio music has a tender and honeyed pink atmosphere.

Singing and dancing are natural.

The audience quickly rubbed their eyes to look at the figure in the center of the stage or the close-up on the big screen.

The two female dancers wore danjiao gowns, which are also known as female pleats in the jargon.

They are light pink green and goose yellow respectively.

On top, she wore a wig with a lump on her forehead and temples, and two long braids on her head and face.

A bit of the long white skirt is exposed at the feet, which is very dignified.

Beautiful.

(End of this chapter)