China Entertainment: Starting from 07 Kuainan

Chapter 598: A clear conscience

Chapter 598: A clear conscience (finale)

Chapter 596: A clear conscience (finale)

The unreleased album was ultimately never released.

Press the bottom of the box.

You can also sing it to others in the future.

Now that you have decided to seal the wheat, then seal the wheat completely!
In the blink of an eye, it's summer again. The biggest highlights of today's summer are the release of "The Three-Body Problem" and "Nine Rebirths," Lu Yuan's more literary film.

In July, the two episodes of "The Three-Body Problem" were broadcast half a month apart, and in late August, they were concluded by "Nine Rebirths."

Fans are looking forward to these three movies.

no way.

This guy Lu Yuan is very Buddhist.

After the Spring Festival Gala, he never appeared in public again. Those fans and movie fans pointed to Xuanfa to learn about his current situation.

In fact, Lu Yuan was quite busy during the period when he didn't show up.

Every day when he opens his eyes, there are tens of thousands of people waiting to eat, and he can't stop even if he wants to.

In the past, I didn't feel any pressure when I was a business owner.

Well now.

Tremendous stress.

The closer he gets to the time point of time travel, the more he is walking on thin ice.

Nowadays, the TV series, movies, and animations proposed by Star Media have long been out of reference. All he can do is to change his sincerity for sincerity.

Don't engage in such messy crooked ways.

He could hold his breath.

Even if the ratings of the new TV series are not very good, he has not decided to change the trend.

When the tide goes out, you will find out who is swimming naked.

He will not refuse to embrace the market, but he will not cater to the market without any bottom line.

Like the "Trainer" program, Canxing Culture also has similar variety shows, but shady things like that are absolutely prohibited.

What kind of old man's son or daughter wants to knock on the door of Star Media by spending money?
Please go out and turn left.

Some production companies have tended to favor artists with obvious flaws.

The logic of this is also very simple. I can hold you up, and I can destroy you at any time.

Your appearance is not outstanding and your professional skills are average. Why would you continue to be popular without me?

From the perspective of capital logic, this is understandable.

Capital likes obedient tools. Artists with too distinctive personalities and outstanding business abilities can easily escape the control of the company.

Most of the young and talented people who emerged in the 90s followed this route.

After making money, how could these people be willing to just be used as tools?

People go to higher places!
They also want to be chess players, step into the ring and take charge of the chess game themselves.

Finally, artists with outstanding personalities and strong professional abilities are not just leeks in the field, they can be found casually.

The cultivation cycle is long, the quantity is small, and it is easy to run away when it becomes popular. These shortcomings are obviously unacceptable to capital.

The efficiency is too low!

Capital prefers assembly lines, pushing a hundred people according to the same model. If there is a big hit and a few small hits, that is where profits are made.

The key is that she/he is replicable.

As for what to do if an artist’s peak period is too short?
That's not something that capital considers. If this doesn't work, then replace it with another one. Whether the artist can survive or not has nothing to do with capital.

It's a tool anyway.

However, the current situation is different from the previous life. If a market is full of stars of the same type or genre.

Over time, the aesthetics of fans and moviegoers will tend to be unified.

However, Star Media and its allies are different from those companies that pursue efficiency. If two dishes are put together, who tastes good and who tastes bad, can the audience still not be able to tell the difference?
Since Lu Yuan traveled through time, what he is most proud of is not how many albums he has released, nor how much money he has earned, nor how powerful Xingchen Media is.

There are three things that make him happiest.

The first piece.

There are two confidantes and two children.

The second thing. Created a Chinese song chart!

An authoritative list has more than a simple ranking.

With the surging wave of mobile Internet, everyone receives tens of thousands of information every day.

With the advancement of digital technology, it is becoming easier and easier to release songs. Tens of thousands, hundreds of thousands, or even millions of new songs are born every day.

Most fans are already very tired, so how can they find time to find music?

At this time, the role of music critics and lists comes into play.

They are all people/organizations whose livelihood depends on music. They are immersed in music every day. Since they make money from this, they must be dedicated to their work.

In each sub-list of the list, as long as the quality of the work is good enough, no matter how niche it is, it can gain a certain degree of exposure.

Exposure ≈ money.

Only when you can fill your stomach can you have the motivation to continue creating.

Next step.

Lu Yuan is planning to join forces with record organizations from both sides of the Taiwan Strait, including Midi, Taihe Maitian, Warner, and Rolling Stone, to jointly develop the performance market.

From the top concerts to the bottom livehouses, we are building a healthy performance market bit by bit.

Eat first, then talk about anything else.

As for the popularization of music education, Lu Yuan really can’t push it forward and can only call for strengthening basic music education.

In the future, he will set aside a period of time every year to promote music into classroom projects, practice it personally, and rely on his personal influence to slowly promote basic changes.

Only when the base is large enough can we cultivate enough outstanding talents.

To give an inappropriate example, if Milk Cha Lun lived in a remote town, even if he was very talented, it would be difficult for him to become the king of the Chinese music scene.

There are more than one billion people in China, how many potential Jay Chou have been drowned?
The current situation of the Chinese music scene is very similar to that of the national football team.

It’s not that there are no geniuses, it’s that there are too many buried geniuses.

As for the third thing, that is the beginning of the blockbuster era 2.0.

The process is faster.

Those veteran actors with excellent business skills have also gained a certain degree of exposure, although they are not as 208 as traffic stars.

But if you take it one step at a time, you still have a chance to get ahead.

The living environment is much better than in the previous life.

In the last life, that circle was too deformed and filled with an atmosphere of eagerness for quick success and quick gain.

Newcomers want to reach the top in one step.

The director hopes to achieve success in one step and the box office of a movie will reach billions.

The company hopes to promote one hit after another, make one hit, and consume it to death. When the remaining value is consumed, the artist will be left to fend for himself.

The overall industry environment is full of utilitarian elements.

Those artists and companies that work hard and down-to-earth are all half-dead.

Typical bad money drives out good money.

Are those TV series and movies made for ordinary audiences?

No!

Those were obviously taken for fans to see.

There are also all kinds of crooked ways, with cows, ghosts, gods and snakes mixed in, which can be called a chaotic dance of demons.

Fortunately, the current situation is different.

The above three things are probably the best and most important things Lu Yuan has done in his life.

If anyone studies the history of contemporary music and film in the next few decades, his name will be among them.

In a sense, this can be regarded as leaving a mark in history.

With such achievements, this life is not in vain.