Become famous another day.

March just passed and April arrived, and the Jose Antonio Film Festival announced the shortlisted films for this year's main competition unit.

The Chinese films "Love Letter" and "Can't Even Fake My Death" were both shortlisted.

Not only that, three other films were shortlisted for other categories.

This has resulted in a sudden increase in the number of Chinese-language films at this year's Netherlands-Spain Film Festival.

Lu Yanhe had known for a long time that Love Letter would be shortlisted. In a sense, he enjoyed the treatment of a "direct descendant" and had been promised that it could be shortlisted for the main competition unit. Of course, the Jose-La Roche Film Festival made this promise in order to prevent Love Letter from being snatched away by other film festivals.

The same is true for "I Can't Even Faking My Death".

This is director Liu Bige's second film after Late Spring. Although it is a romantic comedy, this genre has always been a regular at film festivals.

It is not surprising that the second work of a director who won the Silver Lion Award at the Venice International Film Festival for his first work received such treatment.

This also means that two Chinese-language films will compete in the main competition unit of this year's Netherlands-Spanish Film Festival.

According to media comments, Lu Yanhe and Li Zhibai will compete fiercely for the Best Actor award at this year's Netherlands-Spanish Film Festival.

Lu Yanhe couldn't laugh or cry.

He knew that his performance in "Love Letter" had basically made him have no chance of winning the Best Actor award.

It's a completely symbolic role.

He himself has watched the film countless times and he is very satisfied with his performance in the film. Having acted in so many movies, he can still appear in a movie in such a young, clean and somewhat immature state, which is hard for him to imagine.

The purer and cleaner the state, the harder it is to act. But that is not the difficulty in acting. Lu Yanhe feels that if there is a vote for the audience's favorite character, the male Huai Jingshu he plays may win in this selection, but it is almost impossible to compete for the best actor in acting.

In fact, the movie "Love Letter" is not a movie that wins in terms of acting. Even Chen Bi Ge's performance of playing two roles is not the kind that can win an acting award. It is a very special movie. In terms of artistry and depth, there is no comparison. However, because it captures the emotions of secret love and regrets in life to the extreme, it has become a classic in the hearts of the audience.

It seems that the two films will be rivals at this film festival, but in fact, neither of them is a hot candidate for an award. Lu Yanhe thinks that "Love Letter" may be able to compete for the Audience Choice Award or the Best Screenplay Award - unfortunately, the Jose-La Roche Film Festival does not award other technical awards except the Best Cinematography Award, otherwise, the Best Original Score Award should also be contestable.

As for "Even Fake Death", Lu Yanhe has not seen the film yet, so he doesn't know what style the film is presented in. He also doesn't know whether Liu Bige treated it more commercially or with more personal style. Only after watching the film can we know whether it has a chance to win an award.

"The pressure is quite high. Both of our films have been shortlisted for the main competition. Now everyone has high hopes for us. If we don't win any awards, they will probably be very disappointed."

When Lu Yanhe met Liu Bige, he smiled.

Liu Bige said: "Love Letter should still have a chance to win an award, right? I like this movie very much."

"I don't know. Who knows?" Lu Yanhe shook his head. "Although it was filmed in an artistic way, I know that what it talks about is not the kind of topic that film festivals favor the most."

The values ​​expressed in "Love Letter" are too shallow and not deep enough.

Liu Bige: "The audience votes at the Jose-La Roche Film Festival. Judging from the results every year, Love Letter still has a chance of winning an award."

"It's not certain. I don't think audiences in Europe and America will be able to accept the style of this film." Lu Yanhe said, "But no matter whether they accept it or not, this is the way the film is. I am very satisfied with it, and that's enough."

"When will your movie be released?" Liu Bige asked.

"It will probably be in July, or around Valentine's Day in August," Lu Yanhe said. "Because the box office of this movie is expected to be between 1 million and 3 million, it's not a big box office, so we have a wide range of choices for the release date."

"Your box office estimate for Love Letter is so low?"

Liu Bige was very surprised.

After all, the cast of this movie is very gorgeous. Lu Yanhe and Chen Bige are the leading actors, and Wan Xin, Li Songfan and other powerful actors have joined. The cast list is very shocking.

Lu Yanhe: "This movie is not very commercial in style, it is quite restrained. Given the current market situation, it is a good estimate to get 1-3 million. The subject matter and style determine the upper limit of the box office of this movie. But I believe that this movie will ferment over time and bring in a steady stream of copyright income from video websites and other authorizations."

Especially five or ten years later, as this movie becomes a symbol of secret love and regret in everyone's mind, if it is re-screened in theaters, the box office may be higher.

These are all achievements of the original film.

"Also, if this movie can get 1 million at the box office, it will start to make a profit." When Lu Yanhe was filming "Love Letter", he was very concerned about ruining it, so he controlled costs very strictly.

Many people believed that with the appeal of Lu Yanhe and Chen Bige, this movie would definitely hit the box office very high. However, Lu Yanhe himself was very calm and sober. He always used the worst possible outcome to control the production of the movie in order not to put too much pressure on himself later.

It is also because of this that Lu Yanhe was able to edit the film completely according to the original appearance of "Love Letter" in the later stage, without making any commercial adjustments, thus restoring the original appearance of the film to the greatest extent.

Of course, Lu Yanhe’s films are indeed different from other Chinese-language films.

His movies have many profit channels, not just relying on domestic box office revenue. The overseas copyrights of his movies alone can bring in eight figures in US dollars - not counting subsequent revenue.

The reason why his films’ overseas copyright basic income can reach such a high level is not only because of his own fame and appeal - in fact, there are only a handful of movie stars in the world who possess such appeal.

The main reason why this figure can be achieved is that Lu Yanhe's Linghe Film and Television Production Company has established sales channels and maintained friendly cooperative relationships around the world in recent years. In addition, the fact that "Love Letter" was shortlisted for the main competition unit of the Jose Antonio Film Festival enabled it to achieve such basic revenue.

To put it bluntly, "Love Letter" is a good product that has become popular before it was released. A large number of audiences have been waiting to buy it. Linghe has a sales channel that basically covers the world. Although it does not have its own distribution network like Hollywood film companies, they can at least connect with many distribution companies to sell "Love Letter".

Why do Chinese films have to rely on domestic box office in most cases? The main reason is that they don’t have much contact with overseas distributors. Even if there are good works, in most cases, it is difficult to sell them on a large scale. They are only released in a few markets - the conditions and results of the release are still very average. Even if they are sold, the price cannot be sold at a high price.

In fact, do TV shows and movies have to be shot very well in the country in order to be sold?
This is not actually the case.

To give an example, Tangren, which has been left far behind in the eyes of many people, has basically flopped in the TV series and movies it produced in recent years. However, it may not have really lost money. Relying on the advantages it established in the early years, even if a TV series flopped badly in China, it can still be sold to many overseas TV stations and websites for broadcast.

For example, if Chief Jia's films really relied on domestic box office to make back their investment, they would have lost everything long ago. In fact, relying on the fame he has accumulated at international film festivals and the connections he has made with distributors from various countries over the years, his films don't even need to be released in China. Just relying on overseas sales is enough to make him a lot of money, and he doesn't need this little bit of income.

The same is true for Lu Yanhe's movies now.
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Maxine, HP and Parameter, three streaming media companies, all bid for "Love Letter".

Generally speaking, the price of other copyrights of a movie is often determined based on its box office performance in theaters, and the difference can be huge.

However, with the rise of streaming media, more and more movies are not released in theaters but are directly screened on streaming media around the world, and the copyright pricing of streaming media has therefore entered a new stage.

Lu Yanhe's "Love Letter" will definitely be shown in theaters in Asia. As for Europe and the United States, it is not mandatory to show it in theaters. Unless "Love Letter" can win an award at the Jose-La Roche Film Festival or get a lot of discussion, in this case, "Love Letter" may be able to get millions of dollars in box office in Europe and the United States with the momentum of the Jose-La Roche Film Festival. Otherwise, with the subject matter and style of this movie, it is difficult to achieve a good box office result.

Maxine wanted to directly acquire the global distribution rights except for mainland China, and screen the film globally on Maxine instead of in theaters. To this end, they also offered a high buyout fee, which was a very attractive figure, 30 million US dollars, to buy out the five-year exclusive screening rights outside mainland China.

This number is actually very high. Of course, if "Love Letter" gets a big hit at the Jose-La-Ciel Film Festival, that's another story. Maxine is offering this price now, in fact, she wants to grab the first chance to get the movie before we know how it will perform at the Jose-La-Ciel Film Festival.

Lu Yanhe held a meeting with the company's people to discuss the matter and rejected Maxine's current offer.

They all agreed that they could wait until the film's world premiere at the Jose Antonio Film Festival to see how the media reviews work, and then decide whether to directly screen the film globally on streaming media or sell the distribution rights separately.

The special thing about the movie "Love Letter" is that everyone believes that this movie will be able to achieve good box office results in several major Asian box office markets such as Japan and South Korea, because the theme of youth love has always been popular in these two countries. Lu Yanhe himself is very clear that the movie "Love Letter" will definitely have a good box office in Japan, after all, the original version is a Japanese movie and has achieved great success.

In addition, although "Love Letter" is not a mainstream commercial film, if it can win at the Jose-La Roche Film Festival, it will not be difficult for it to earn tens of millions of dollars in box office in Europe and the United States with the influence of the Jose-La Roche Film Festival. In recent years, the hits of the four major international film festivals, even art films, have basically been able to earn tens of millions of dollars in box office worldwide, and some even exceed 100 million.

Rouge has also earned tens of millions of dollars in overseas box office thanks to its reputation and awards at the Jose-La Roche Film Festival, especially in South Korea, where it has earned more than five million dollars in box office revenue. Otherwise, TVN would not have wanted to remake this movie into a Korean drama so quickly.

Maxine didn't expect that they all offered a high price of 30 million US dollars, but Lu Yanhe and others refused.

After hearing HP, Tom White immediately realized that Lu Yanhe and his team were definitely not dissatisfied with the price. Thirty million US dollars was already a very high price for a non-commercial film. Is it a cooperation model? Tom White has always understood Lu Yanhe's ideas better than Zhong Benshuo. He soon realized that Lu Yanhe himself should still hope that "Love Letter" can be released in theaters.

Generally, filmmakers who have some ambition still hope that their films can be released in theaters. This is because so far, no movie exclusively shown on streaming media has had a super high influence and achieved a cultural influence that exceeds that of theatrical movies. Even if many filmmakers can get twice the salary from a streaming movie than they usually do, they will still choose movies from traditional film studios based on this consideration.

Whether it's media reviews, audience impressions, or mainstream awards, a movie that has grossed over 100 million dollars is definitely a greater blessing to a creator than a popular film that has won the weekly championship on streaming media.

People still value the real money earned from selling every ticket in the theaters.

It is not surprising that Lu Yanhe has such thoughts.

Tom White thought about it and decided to give up the exclusive rights and only wanted the streaming rights for the entire world except for mainland China. Of course, in this way, the price they offered would be much lower. However, Tom White believed that Lu Yanhe and his team would agree to this condition. Sure enough, Lu Yanhe did not reject Tom White's proposal immediately, but only said that they would discuss the specific details after the film was screened at the Jose-La Roche Film Festival.

That means there is something to talk about.

For the current streaming media, the basic pattern has been formed, and the strategies of major streaming media have entered the next stage from spending money to seize the market. The Asian region is a new growth point for their users. How to expand the Asian market as much as possible is what they have been working hard on in recent years.

HP is not as good as Maxine in this regard. Maxine has won several Chinese dramas that performed well in the Asian market, such as "River of Silence", "Friends", "The 17th Floor" and "Squid Game". With the help of Jong Ben-suk, HP has almost gathered the first-line creative talents in the Korean film and television industry. In recent years, Maxine's market share in Asia has always ranked first.

Of course, this cannot be blamed on Tom White. HP entered the Asian market later than Maxine. When Tom White took charge of the Asian market, Zhong Benshuo had already been operating here for several years.

In fact, under Maxine's offensive, HP can still maintain its current market share, which has proved Tom White's ability in this matter.

The dramas "The Seventeenth Floor", "Friends" and "Squid Game" were not collaborations between Lu Yanhe and Maxine. When Lu Yanhe was working on these dramas before, his say was not as high as it is now. All the decisions were made by Beijing Tai and Northern Lights.

Because of Tom White's relationship with Lu Yanhe, Lu Yanhe's new dramas have basically been discussed more deeply with HP. Whether it is "The Legend of Sword and Fairy" that Lu Yanhe is preparing to develop, or the movie "Burning Fire" starring Lu Yanhe, Tom White had contacted them early and reached a preliminary cooperation intention.

Tom White was not only interested in Lu Yanhe's project, but also bought Washe, starring Li Zhibai, after the Gold Rush, which was recommended by Lu Yanhe to HP, achieved good results. After that, Tom White signed a cooperation agreement with Lu Yanhe, and Lu Yanhe became HP's recommendation officer, recommending suitable TV series and movies to HP.

When these dramas are put on HP shelves, the promotional pictures will have the following words prominently written on them: Recommended by Lu Yanhe.

On HP, there is also a search tag called "Lu Yanhe Recommended", which has become a selection tag for HP users to watch dramas.

Basically, all the TV series and movies that were recommended by Lu Yanhe and purchased by HP can achieve pretty good results in HP.

HP also acquired the overseas broadcasting rights for "The Mountain". This drama mainly features Yan Liang, who has a certain influence and popularity among overseas streaming media users. Several dramas are named after him, so even if people don't know who he is, they must have heard of the dramas he starred in.

As soon as "The Mountain" finished airing in mainland China, it was seamlessly put on HP.

HP attaches great importance to this drama and has specially carried out a series of promotions for its launch.

Among them, the main creators of "Friends" and "The Gold Rush" recorded videos to recommend the drama "The Mountain" to everyone.

Zhong Benshuo was very unhappy when he saw that the main creative staff of "Friends" actually collectively recorded a recommendation video for "The Mountain".

But there was no way he would get angry or anything because of this.

These two dramas still have many loyal fans overseas. As soon as the two promotional videos came out, they immediately attracted a lot of attention to "The Mountain Top".

HP was also very cruel. Three days before the broadcast, it announced that "The Mountain" would not require HP membership, but would be broadcast for free to the global audience. It was clear that it was using the free broadcast to attract registered users.

Of course, they were able to broadcast the first three days of the show for free because the purchase cost of the show was much lower than other self-produced shows, which was just right for such a commercial attempt. The show itself had a certain reputation, with Yan Liang as the lead actor, the most popular show in China this year, and the recommendation of the creators of Friends and The Gold Rush, which was enough to attract a certain amount of audience to watch the show.

The three days of free broadcasting brought the drama "The Mountain Top" "within 500 hours of its premiere, the number of global viewers exceeded million."

The drama reached the fourth place on HP's global hot weekly chart in just three days.

Three days later, "The Mountain" became available only to subscription members.

According to HP's backend data, "The Mountain" brought more than 12.99 new subscribers to HP on the first day of its conversion to paid membership. These more than new subscribers were users who had never paid for subscriptions at HP. HP's standard membership is $ per month, which means that "The Mountain" directly brought HP more than $ million in revenue on that day. Not to mention, there are many viewers who were originally subscribers and who could potentially be converted into subscribers in the future.

Even because of the popularity of "Top of the Mountain", another drama "The Gold Rush" starring Yan Liang on HP also began to rise along with the data. After watching "Top of the Mountain", many viewers clicked on "The Gold Rush" because of the protagonist Yan Liang.

Compared with the purchase price of "The Mountain Top", HP's return on the drama "The Mountain Top" can be said to be very considerable.

Back to Yan Liang, whether it is "The Mountain" or "The Gold Rush", in the context of global film and television dramas, they can be described as boutique dramas that are popular in a small range. Although they are not global hits, they have accumulated loyal fans.

Zhou Ping'an bluntly described Yan Liang as an internationally renowned actor in the press release about him.
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"When they are tied together, they really can't be underestimated. Even Yan Liang has been pushed to such a high position."

In the circle of agents, the resurgence of the drama "The Mountain Top" and Yan Liang's luck in having several hit dramas in a row have become the subject of their envy and heated discussions.

"We all fight alone, fearing that others will take advantage of us. How can we compete with them?" Liu Zefan's agent Li Xia was very helpless. "They support and push each other. It's too cruel. There's no comparison."

In fact, Liu Zefan, who became popular again with "Squid Game", is no less popular and well-known overseas than Yan Liang, because the role of the young policeman played by Liu Zefan is so popular that it is basically the most popular role besides the male protagonist.

However, despite this, the limitations of an actor were revealed at this moment. No one pushed him, no one helped him, and Liu Zefan, who had left "Squid Game", was not in the eyes of those streaming media. Of course, other dramas starring Liu Zefan were still snatched up by major platforms in China, because Liu Zefan was indeed very popular, but compared with Yan Liang, he was much weaker.

Both "Gold Rush" and "Mountain Top" were selected by HP because of Lu Yanhe's recommendation, and the dramas were effectively broadcast on HP because of HP's attention and effective publicity. No matter how others talk about Yan Liang, it is entirely thanks to Lu Yanhe that he has come to this point today. At least, now Yan Liang has several popular dramas in his hands, and his fame, popularity, and influence are all firmly on his head.

It turned out that Lu Yanhe was the only one who was far ahead, leaving the male actors of the same age behind. Now, he is not the only one. Yan Liang has also established a firm foothold in the drama circle after three consecutive hits, and has the momentum to become a top actor in the drama circle. Compared with Lu Yanhe, his achievements in the drama circle seem to be comparable.

Especially the overseas fame and influence that domestic actors currently lack.

Yan Liang's several effectively broadcast dramas have made him far ahead of other male actors of the same age in China.

"Zhou Ping'an's eyebrows are about to fly up to the sky recently."

"How can he be so lucky?" Another agent was puzzled and depressed. "One after another, they leave and another one comes up, one after another, endlessly. Did he pray to some bodhisattva to give him such a good life?"

Li Xia's face immediately turned dark.

Meng Li was her artist before, but was poached by Zhou Pingan.

Although Meng Li was not easy to deal with in her hands, she was a first-line actress after all, and the income she brought to her every year was seven figures. Did Zhou Ping'an poach an artist? No, it was her property!
Li Xia took a deep breath.

"Actually, Sister Xia, you are very lucky. Zefan starred in "Squid Game", and so many people died in the first season, but Zefan's character is still alive. It is obvious that he will have a more important role in the second season. It's really enviable."

Li Xia immediately waved her hands, "That was Zefan's own hard work, and he auditioned for the role. Luckily, Li Yuefeng gave up the audition, otherwise the role might not have belonged to Zefan."

"I heard that Li Yuefeng and Lu Yanhe have a pretty good relationship now. Maybe Lu Yanhe will write another role for Li Yuefeng in the second season."

"That's hard to say. But if that's the case, he and Zefan have similar characters. Will Zefan's role in the second season be weakened?"

Li Xia: "This all depends on Lu Yanhe's arrangement. What opinions can we have? Who dares to make comments on the script written by Lu Yanhe?"

"Don't say that. We should still fight for what we should fight for. Zefan's character is so popular. If I were you, I would definitely ask for Zefan to have a bigger role in the second season. This is a reasonable request in itself."

"What will you do if Lu Yanhe doesn't give you the bonus?"

"If he doesn't want to give you the bonus, then don't give it to me. Of course, there's nothing we can do about it. But who knows? Maybe he will give it to you? He also hopes that the sequel to the show "Squid Game" will be more popular, right?"

Li Xia smiled and didn't take what this person said seriously at all.

She would have to be crazy to accept such instigation.

However, with the attitude Lu Yanhe is showing now, as long as Liu Zefan does not stab him in the back and continues to cooperate well, Lu Yanhe will definitely not treat Liu Zefan unfairly.

They should also show more sincerity.

After being reminded, Li Xia immediately contacted Chen Siqi.
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Chen Siqi brought the phone screen to Lu Yanhe and showed it to him.

"What?" Lu Yanhe was watching the latest episode of "Jump Up" when suddenly a mobile phone screen popped up in front of him and he looked down.

Chen Siqi said: "Liu Zefan's agent Li Xia sent me a message, asking if the Jump Up Theater needs Liu Zefan to act in a play. If so, they can coordinate their schedule before August this year, and he can come to shoot at any time. We can set the salary."

Lu Yanhe was a little surprised and asked, "Did she send this on her own initiative?"

"Yeah." Chen Siqi nodded. "I didn't expect that she would take the initiative to send me a message like this."

Lu Yanhe said: "Liu Zefan is quite popular now, right? He should have no shortage of roles to play?"

Chen Siqi said: "Of course, he is much more popular than you guys now. You may be popular, but you may not have as many real fans as him. His female fans are exaggerated. You can see it by looking at his Weibo. Every repost and comment has over a million."

Lu Yanhe: "Then why is Li Xia so humble and wants Liu Zefan to shoot the jumping scene?"

Chen Siqi rolled her eyes at him.

"Are you stupid? They are just trying to return the favor and express their gratitude to us."

Lu Yanhe came back to his senses and exclaimed.

He didn't think in this direction, mainly because he didn't feel that Liu Zefan needed to express his gratitude to him in return.

Liu Zefan got the role in "Squid Game" through a thorough audition, without any backdoor or connections. During the filming process, he worked diligently and hard.

He chose Liu Zefan because he was the best choice. Moreover, Liu Zefan was not a newcomer at the time. He was already the leading actor in a popular Xianxia drama. It was a mutually beneficial cooperation.

What's more, Liu Zefan is going to shoot the second season.

Before Lu Yanhe started writing the script for the second season, he contacted Liu Zefan's agent Li Xia and asked them to reserve time for it.

At this time, Liu Zefan really didn't need to do these things to express his gratitude. They would continue to cooperate in the future.

But Li Xia did it at this moment.

Lu Yanhe: "Then let's see if there is a script suitable for Liu Zefan and send him a script."

"You just accepted it so readily?" Chen Siqi asked. She was a little surprised, thinking that this was not Lu Yanhe's usual style. Lu Yanhe hated being thanked by others, and he hated taking advantage of others at such times.

"What do you mean by gladly accepted?" Lu Yanhe said, "Li Xia may think that letting Liu Zefan perform in Jump Up Theater is a way to express gratitude to me, but I don't think so. All the scripts that have passed the review of Jump Up Theater are of good quality, otherwise they would not have passed our three-party evaluation. He is willing to perform, which is a win-win situation."

Now the Jump Up Theater has not officially started broadcasting, so it is still an unknown in many people's minds. Only Lu Yanhe knows what a great thing the Jump Up Theater is doing -

Although the investment in this theater's plays is currently not high and it is impossible to film them into large-scale dramas with particularly exquisite and high-end costumes and props, the requirements at the script level are very high.

Every script that enters filming needs to be evaluated by Yuehutai, Northern Lights Video and Tiaoqi. Otherwise, it will either be sent back for revisions or a new screenwriter will be found to re-adapt it.

The importance that Jump Up Theater attaches to scripts is far higher than the industry average.

Lu Yanhe didn't think that the Jump Up Theater had taken advantage of Liu Zefan by choosing him to act in the movie, nor did he think that Liu Zefan's choice to act in the Jump Up Theater was his luck. Lu Yanhe felt that this kind of cooperative relationship was very good. Under such circumstances, there was really no need to talk about returning a favor.
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That day, Lu Yanhe and Luo Yuzhong made an appointment to meet and prepare to quickly complete the casting for "The Legend of Sword and Fairy" before the Jose-La Film Festival in May. After all, if "The Legend of Sword and Fairy" needs to start filming in the second half of this year, the preparation work must be done quickly.

They had already decided in the early stages that due to the budget for the film's salary, the three main female characters of "The Legend of Sword and Fairy", Ling'er, Yueru and Anu, would all be newcomers.

Unexpectedly, Luo Yuzhong proposed to meet Yan Lingyu, the heroine of "Late Spring".

He felt that Yan Lingyu's temperament was quite suitable for Ling'er.

Lu Yanhe was a little confused for a moment and didn't react.

Lu Yanhe originally thought that the role of Ling'er was the most difficult to find an actor for. After all, it was a classic role of the Fairy Sister. It took twenty years in the original time and space to find a second person with the same appearance and temperament as the Fairy Sister, which shows how difficult it is. Who knew that Luo Yuzhong already had a candidate in mind.

But, Yan Lingyu?

When Lu Yanhe was filming "Late Spring", Yan Lingyu's acting was the most ordinary among the actors. She was completely close to Yin Yue in the story by her image and temperament, so Liu Bige took a fancy to her and asked her to play the role in her true colors.

Subconsciously, he didn't want to work with an actor with average acting skills again.

But the person who proposed this idea was Luo Yuzhong, his teacher and the director he respected from the bottom of his heart. Of course, Lu Yanhe could not refuse at this time. He sent a message to Yan Lingyu, asking her when she was free.

Yan Lingyu is one year younger than him and just graduated this year.

After "Late Spring", she starred in two more movies, but they didn't make much of a splash and weren't well received, including her acting skills, which were criticized by many people. I don't know if it was because of this that Yan Lingyu only starred in these two movies in the past few years.

Yan Lingyu quickly replied to Lu Yanhe, saying that she was in Yuming, but she didn't want to be an actor anymore, which confused Lu Yanhe.

Lu Yanhe quickly called her and asked what was going on and why she suddenly didn't want to be an actor anymore?
Yan Lingyu said: "I may not be very good at acting and I am not suitable for this profession."

Lu Yanhe: "..."

At this moment, Lu Yanhe suddenly felt a little guilty, guilty for having previously disliked Yan Lingyu's poor acting skills.

"You just graduated from acting school, and you will have many opportunities to improve your acting skills in the future. Why are you giving up so early?" Lu Yanhe advised, "Director Luo wants to meet you because Director Luo and I are going to work together on a play, and there is a role in it that he thinks you are very suitable for, and he wants to talk to you in person."

Yan Lingyu said frustratedly: "Yan He, please say thank you to Director Luo for me, but I really don't want to be an actor anymore."

Lu Yanhe was really shocked.

This was something he had never thought of before.
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Recommended old book "I Became the Scandal Heroine Overnight" (End of this chapter)