This director needs to apologize
Chapter 110 The shock is dangerous
Chapter 110 The shock is dangerous
Chen Yiming understood in seconds.
Lin Xiao's point is to put it bluntly, as a director, you must be able to let go of power but also be able to hold it tight.
So can you do it yourself?
In other words, have you achieved it since the establishment of the group?
Chen Yiming put this issue aside after a brief evaluation. The introspection and summary can wait until the movie is released.
He did not answer Lin Xiao's question. Instead, he sat back in front of the monitor and continued to watch the footage.
For now, this is what he should do most.
The weather with occasional light rain lasted for two days, and Duan Yining and Liu Dongjun also crawled in the mud for two days.
The two climbed out of level and experience. Because they climbed too skillfully, Chen Yiming had to give a reminder.
Everything in this area is completely unfamiliar to them. When shooting, be sure to be a little more obscene and don't act like you are visiting your own community.
On April 4th, Qingming Festival, the weather finally cleared up.
The crew still got up early and rushed to the location. The artillery position across the mound was equally noisy, and both sides were stepping up their preparations.
The ground is not dry yet, so we can only continue the drill.
After being exposed to the sun for half a day, after having lunch and lining up again, Lao Duan found that dirt was starting to coat his body.
Unfortunately, there wasn't a cloud overhead, and the camera's shadow hit the actors brightly, but it still couldn't be filmed.
Everyone can only continue to wait, hoping to take advantage of the afterglow after the sun goes down so that we will not return empty-handed today.
Waiting until 4:45 in the afternoon, the shooting of this artillery scene with countless twists and turns finally started.
The artillery battalion soldiers were also very tired these days. Lieutenant Colonel Yang specifically informed Chen Yiming that they would fire live ammunition throughout the filming process, without the need for Luo Baohe to "set off fireworks" in the depression.
Of course, Chen Yiming wanted it. In this way, all the smoke and gunfire could be recorded in real time, without having to wait until later to add special effects.
All departments were ready, and Xiangrui gave an order. Behind a wall of sandbags on the top of the mound, Yang Xiaoguang, wearing a nutty old-fashioned military helmet, pulled the trigger of Browning BAR1918.
Among the weapons and equipment used by the crew, apart from the two 59 car casings, this machine gun is probably the only one that is pure and genuine.
The branches and leaves of the trees more than ten meters away from Duan Yining were flying and falling, and the slightly thicker trunks were beaten so that the bark was scattered everywhere.
The machine gun fired blank ammunition. As for the tragic appearance of the bushes, it was of course Luo Baohe's masterpiece.
Duan and Liu cooperated tacitly with the chasing camera behind them. As soon as the gunfire rang out, the two men immediately fell to the ground. The camera continued Duan Yining's direction and covered the bushes in front of them that were shot.
After using an empty mirror to bury the editing point, Duan Yining, who was dragging behind, moved the Chicago typewriter on his back to the front of his body, then slightly raised his upper body and crawled forward quickly, reentering the frame below and connecting the action logic.
As Duan Yining gradually approached Liu Dongjun, the camera dropped to almost touching the ground. At the same time, it rotated ninety degrees clockwise. While turning, it pushed the camera forward at a constant speed, pushing away the weeds in front of the camera, giving a close-up of the two people's faces.
Duan Yining made a downward movement with one hand towards Liu Dongjun, and began to slowly twist his body and raise his head, indicating with his body movements that he wanted to observe the situation.
The camera continued to rotate clockwise, and then rotated [-] degrees at the same rate as Duan Yining, giving him a close-up of his front.
In the monitor, the top of Lao Duan's military hat, which was tied with a straw ring as a camouflage, had just popped up when a muffled sound of "bang, bang" suddenly came from the other side of the mound.
Duan Yining quickly lowered himself down, and the electronically controlled base raised its height, driving the lens vertically downward at [-] degrees.
Extensive rehearsals allowed Duan and Liu to coordinate extremely smoothly with the camera without making any mistakes.
But Chen Yiming in front of the monitor suddenly thought of a problem, that is, Duan Yining's standing up to observe was a little abrupt.
There was deadly machine gun fire from high up, and Duan Yining didn't know whether he was exposed. Without subsequent gunshots, it seemed a bit too reckless to rashly observe the enemy high up from a high profile.
Chen Yiming made a note in his notebook. An interaction needs to be added to fill in the logical loopholes.
The long sequence that followed was the culmination of two days of crawling around in muddy water between Duan and Liu.
The 18 artillery pieces on the other side of the mound were divided into 6 groups and fired one after another 15 seconds apart.
After Duan Yining grasped the pattern, he quickly climbed up a section every time the sound of artillery was heard, using the cover of grass and short trees to move away from the artillery.
The traveling route of the two people was of course designed in advance. It was roughly a zigzag movement of many Z-shaped lines connected back and forth, so that the camera moving in circles on the disk could always be kept directly above the heads of the two people.
After two rounds of gunfire, the two of them gradually approached the ridge at the end of the mound. Duan Yining, who was in front, lay on the outside of the low slope and slowly adjusted his body posture from a lying position to a kneeling position.
At the same speed, the camera gradually lowers its position to Duan Yining's over-the-shoulder perspective.
The next step is the crucial turn of the head to observe. Duan Yining slowly pokes his head out of the ridge, and the camera behind his shoulder slowly pans, showing the audience the full picture of the artillery group's warning position bit by bit.
The two Pershing tanks were facing the camera sideways, facing the opening of the depression on the west side of the ridge, extending their long barrels. In the middle of the tanks was a double-layered firepower point, and the three recoilless guns on the second layer also had dense muzzles.
Duan Yining shrank his head at the speed of light and left the camera in place for the second time.
This is the second hidden editing point. Paul carries the F35B camera onto the scene, and the original aerial lens seamlessly replaces the F35 controlled by the keyboard.
After receiving Paul's signal, Duan Yining naughtily moved forward and retracted again. Paul synchronized a good swing of the camera and controlled the camera to retract behind the ridge with Duan Yining.
The sound of artillery sounded again, Duan Yining waved to Liu Dongjun, resumed his lying position, crawled off the ridge, and moved southwestward with the help of the cover of grass.Paul then operated the camera to move the lens to cover Liu Dongjun, who was sitting at the back, and brought both people into the viewfinder, while slowly moving towards the photography ditch.
This is another high-end operation with three separate tasks. Fortunately, the moving distance is not long, and there is no fire interference like the opening scene.
Duan and Liu just crawled forward close to the ditch, with a bright camera next to Liu Dongjun's cheek.
The camera's perspective gradually turned across the field, and the previously blocked artillery gradually emerged from the lineup. One barrel after another entered the frame, until it formed a jungle of barrels, filling most of the frame above the two men's bodies.
The two of them controlled their movement speed while making secret preparations until a series of roars came from behind them.
18 artillery pieces were fired at the same time, and the muzzle flash and violently expanding smoke were even more violent at a low viewing angle.
The camera even recorded the shaking of the ground beneath the two of them.
Of course, Paul and the camera on his shoulder were shaking, too, and he was also within the sphere of influence.
Duan and Liu tried their best to control their bodies, and turned their heads to look back in shock as per the rehearsal.
After Duan Yining was shocked, he quickly recovered and continued crawling, gradually leaving the viewing frame, while Liu Dongjun completely turned into wood, lying on the ground with his head twisted, stagnant in a very twisted posture.
After waiting for a moment, Duan Yining turned around and crawled back again, facing Liu Dongjun head to head.
Lao Duan gave the man in front of him a pinch, and Liu Dongjun woke up from his sleep.
The gunpowder smoke raised by the volley slowly fell to the ground, and the messenger duo used this as a cover to speed up their crawling progress.
The artillery behind them returned to the natural frequency of three salvoes. Accompanied by the sound of a "bang" every 3 seconds, the two-person shot gradually moved away from the artillery position.
The photography ditch reaches the end, where there is a short tree planted by Lu Ping.
At this time, the position of the two people had changed from front to back to side by side. Lao Duan stood up first, threw himself behind the tree on one side of the photography ditch, and then slowly squatted down against the trunk of the tree.
Still using the cutting technique of dividing the front and rear scenes, Liu Dongjun lay still on the spot while the second and third photography assistants stepped forward to fix the scene.
In fact, everyone knows that this scene must be another rehearsal, because it is almost dark at this time, the timeline cannot correspond to the plot, and this material has been effectively scrapped.
Despite this, several assistants still completed their jobs very seriously.
Chen Yiming looked at his watch. The two-in-one long shot only lasted seven and a half minutes. It was not yet 7 o'clock. The night came unexpectedly early today.
He crossed the mound to find Lieutenant Colonel Yang and expressed his gratitude to the officers and soldiers of the artillery battalion for their strong cooperation. At the same time, he embarrassedly said that he would have to take another photo early tomorrow morning.
Lieutenant Colonel Yang still smiled and had a kind attitude, and agreed simply.
By the time everyone packed up their equipment and officially returned, it was almost 8 o'clock, and it was even past 10 o'clock when they returned to the station.
There was nothing I could do, it was too late to get up quickly on the dirt road in the dark.
The first thing Chen Yiming did after arriving at the station was not to eat, but to go straight to the barracks of the University of Madam production.
He arrived before anyone else arrived, "Dazhuang, please help us find two authentic nut-mouths."
I rushed into the house and found that no one was in the room.
When he went out and returned to the corridor, his big head just popped out of the next room, "Tie Zhu, what are you looking for me for here?"
Chen Yiming quickly walked into the next room and saw a table of playing cards. There were two people sitting at the table, who were the assistants left by the other two producers.
Three people are playing cards together.
"Da Zhuang, tomorrow's play requires a voice actor with a Nut accent. It must be an authentic foreigner's accent. It would be better to have a local accent with a hint of Nut."
Da Zhuang was dumbfounded. He raised his hand and looked at his watch. It was 5 minutes to 10:[-]. He was still in the military camp in the ravine in the middle of the night. How could he find someone?
When Mr. Ma turned around and saw the two assistants, he immediately thought of the two runaway producers, so he directly made demands to the two partners, especially the assistants of the Golden Shield producer.
Northern Shanxi is close to the imperial capital. As a local leader, Jin Dun will definitely be able to find suitable voice actors as quickly as possible.
Unexpectedly, after hearing Chen Yiming explain the reason, Jin Dun's assistant named Yu smiled confidently.
He spoke directly in Nutspeak, and he changed two accents to speak the same paragraph.
Chen Yiming is only a level [-] college student, and his listening and speaking skills are even worse, but Assistant Yu's nutty speech is very slow, so he can still understand the general meaning.
More importantly, the difference between the two accents is very obvious, although Chen Yiming doesn't know where the two accents come from.
Chen Yiming and Ma Yunteng were both dumbfounded. This was really too fantasy.
Due to a sudden need, a person who usually has a very low sense of presence just jumps out and says to you, "Yes, I am exactly what you are looking for."
Chen Yiming said to himself, I am just an ordinary time traveler, I don’t have any luggage with me!
(End of this chapter)
Chen Yiming understood in seconds.
Lin Xiao's point is to put it bluntly, as a director, you must be able to let go of power but also be able to hold it tight.
So can you do it yourself?
In other words, have you achieved it since the establishment of the group?
Chen Yiming put this issue aside after a brief evaluation. The introspection and summary can wait until the movie is released.
He did not answer Lin Xiao's question. Instead, he sat back in front of the monitor and continued to watch the footage.
For now, this is what he should do most.
The weather with occasional light rain lasted for two days, and Duan Yining and Liu Dongjun also crawled in the mud for two days.
The two climbed out of level and experience. Because they climbed too skillfully, Chen Yiming had to give a reminder.
Everything in this area is completely unfamiliar to them. When shooting, be sure to be a little more obscene and don't act like you are visiting your own community.
On April 4th, Qingming Festival, the weather finally cleared up.
The crew still got up early and rushed to the location. The artillery position across the mound was equally noisy, and both sides were stepping up their preparations.
The ground is not dry yet, so we can only continue the drill.
After being exposed to the sun for half a day, after having lunch and lining up again, Lao Duan found that dirt was starting to coat his body.
Unfortunately, there wasn't a cloud overhead, and the camera's shadow hit the actors brightly, but it still couldn't be filmed.
Everyone can only continue to wait, hoping to take advantage of the afterglow after the sun goes down so that we will not return empty-handed today.
Waiting until 4:45 in the afternoon, the shooting of this artillery scene with countless twists and turns finally started.
The artillery battalion soldiers were also very tired these days. Lieutenant Colonel Yang specifically informed Chen Yiming that they would fire live ammunition throughout the filming process, without the need for Luo Baohe to "set off fireworks" in the depression.
Of course, Chen Yiming wanted it. In this way, all the smoke and gunfire could be recorded in real time, without having to wait until later to add special effects.
All departments were ready, and Xiangrui gave an order. Behind a wall of sandbags on the top of the mound, Yang Xiaoguang, wearing a nutty old-fashioned military helmet, pulled the trigger of Browning BAR1918.
Among the weapons and equipment used by the crew, apart from the two 59 car casings, this machine gun is probably the only one that is pure and genuine.
The branches and leaves of the trees more than ten meters away from Duan Yining were flying and falling, and the slightly thicker trunks were beaten so that the bark was scattered everywhere.
The machine gun fired blank ammunition. As for the tragic appearance of the bushes, it was of course Luo Baohe's masterpiece.
Duan and Liu cooperated tacitly with the chasing camera behind them. As soon as the gunfire rang out, the two men immediately fell to the ground. The camera continued Duan Yining's direction and covered the bushes in front of them that were shot.
After using an empty mirror to bury the editing point, Duan Yining, who was dragging behind, moved the Chicago typewriter on his back to the front of his body, then slightly raised his upper body and crawled forward quickly, reentering the frame below and connecting the action logic.
As Duan Yining gradually approached Liu Dongjun, the camera dropped to almost touching the ground. At the same time, it rotated ninety degrees clockwise. While turning, it pushed the camera forward at a constant speed, pushing away the weeds in front of the camera, giving a close-up of the two people's faces.
Duan Yining made a downward movement with one hand towards Liu Dongjun, and began to slowly twist his body and raise his head, indicating with his body movements that he wanted to observe the situation.
The camera continued to rotate clockwise, and then rotated [-] degrees at the same rate as Duan Yining, giving him a close-up of his front.
In the monitor, the top of Lao Duan's military hat, which was tied with a straw ring as a camouflage, had just popped up when a muffled sound of "bang, bang" suddenly came from the other side of the mound.
Duan Yining quickly lowered himself down, and the electronically controlled base raised its height, driving the lens vertically downward at [-] degrees.
Extensive rehearsals allowed Duan and Liu to coordinate extremely smoothly with the camera without making any mistakes.
But Chen Yiming in front of the monitor suddenly thought of a problem, that is, Duan Yining's standing up to observe was a little abrupt.
There was deadly machine gun fire from high up, and Duan Yining didn't know whether he was exposed. Without subsequent gunshots, it seemed a bit too reckless to rashly observe the enemy high up from a high profile.
Chen Yiming made a note in his notebook. An interaction needs to be added to fill in the logical loopholes.
The long sequence that followed was the culmination of two days of crawling around in muddy water between Duan and Liu.
The 18 artillery pieces on the other side of the mound were divided into 6 groups and fired one after another 15 seconds apart.
After Duan Yining grasped the pattern, he quickly climbed up a section every time the sound of artillery was heard, using the cover of grass and short trees to move away from the artillery.
The traveling route of the two people was of course designed in advance. It was roughly a zigzag movement of many Z-shaped lines connected back and forth, so that the camera moving in circles on the disk could always be kept directly above the heads of the two people.
After two rounds of gunfire, the two of them gradually approached the ridge at the end of the mound. Duan Yining, who was in front, lay on the outside of the low slope and slowly adjusted his body posture from a lying position to a kneeling position.
At the same speed, the camera gradually lowers its position to Duan Yining's over-the-shoulder perspective.
The next step is the crucial turn of the head to observe. Duan Yining slowly pokes his head out of the ridge, and the camera behind his shoulder slowly pans, showing the audience the full picture of the artillery group's warning position bit by bit.
The two Pershing tanks were facing the camera sideways, facing the opening of the depression on the west side of the ridge, extending their long barrels. In the middle of the tanks was a double-layered firepower point, and the three recoilless guns on the second layer also had dense muzzles.
Duan Yining shrank his head at the speed of light and left the camera in place for the second time.
This is the second hidden editing point. Paul carries the F35B camera onto the scene, and the original aerial lens seamlessly replaces the F35 controlled by the keyboard.
After receiving Paul's signal, Duan Yining naughtily moved forward and retracted again. Paul synchronized a good swing of the camera and controlled the camera to retract behind the ridge with Duan Yining.
The sound of artillery sounded again, Duan Yining waved to Liu Dongjun, resumed his lying position, crawled off the ridge, and moved southwestward with the help of the cover of grass.Paul then operated the camera to move the lens to cover Liu Dongjun, who was sitting at the back, and brought both people into the viewfinder, while slowly moving towards the photography ditch.
This is another high-end operation with three separate tasks. Fortunately, the moving distance is not long, and there is no fire interference like the opening scene.
Duan and Liu just crawled forward close to the ditch, with a bright camera next to Liu Dongjun's cheek.
The camera's perspective gradually turned across the field, and the previously blocked artillery gradually emerged from the lineup. One barrel after another entered the frame, until it formed a jungle of barrels, filling most of the frame above the two men's bodies.
The two of them controlled their movement speed while making secret preparations until a series of roars came from behind them.
18 artillery pieces were fired at the same time, and the muzzle flash and violently expanding smoke were even more violent at a low viewing angle.
The camera even recorded the shaking of the ground beneath the two of them.
Of course, Paul and the camera on his shoulder were shaking, too, and he was also within the sphere of influence.
Duan and Liu tried their best to control their bodies, and turned their heads to look back in shock as per the rehearsal.
After Duan Yining was shocked, he quickly recovered and continued crawling, gradually leaving the viewing frame, while Liu Dongjun completely turned into wood, lying on the ground with his head twisted, stagnant in a very twisted posture.
After waiting for a moment, Duan Yining turned around and crawled back again, facing Liu Dongjun head to head.
Lao Duan gave the man in front of him a pinch, and Liu Dongjun woke up from his sleep.
The gunpowder smoke raised by the volley slowly fell to the ground, and the messenger duo used this as a cover to speed up their crawling progress.
The artillery behind them returned to the natural frequency of three salvoes. Accompanied by the sound of a "bang" every 3 seconds, the two-person shot gradually moved away from the artillery position.
The photography ditch reaches the end, where there is a short tree planted by Lu Ping.
At this time, the position of the two people had changed from front to back to side by side. Lao Duan stood up first, threw himself behind the tree on one side of the photography ditch, and then slowly squatted down against the trunk of the tree.
Still using the cutting technique of dividing the front and rear scenes, Liu Dongjun lay still on the spot while the second and third photography assistants stepped forward to fix the scene.
In fact, everyone knows that this scene must be another rehearsal, because it is almost dark at this time, the timeline cannot correspond to the plot, and this material has been effectively scrapped.
Despite this, several assistants still completed their jobs very seriously.
Chen Yiming looked at his watch. The two-in-one long shot only lasted seven and a half minutes. It was not yet 7 o'clock. The night came unexpectedly early today.
He crossed the mound to find Lieutenant Colonel Yang and expressed his gratitude to the officers and soldiers of the artillery battalion for their strong cooperation. At the same time, he embarrassedly said that he would have to take another photo early tomorrow morning.
Lieutenant Colonel Yang still smiled and had a kind attitude, and agreed simply.
By the time everyone packed up their equipment and officially returned, it was almost 8 o'clock, and it was even past 10 o'clock when they returned to the station.
There was nothing I could do, it was too late to get up quickly on the dirt road in the dark.
The first thing Chen Yiming did after arriving at the station was not to eat, but to go straight to the barracks of the University of Madam production.
He arrived before anyone else arrived, "Dazhuang, please help us find two authentic nut-mouths."
I rushed into the house and found that no one was in the room.
When he went out and returned to the corridor, his big head just popped out of the next room, "Tie Zhu, what are you looking for me for here?"
Chen Yiming quickly walked into the next room and saw a table of playing cards. There were two people sitting at the table, who were the assistants left by the other two producers.
Three people are playing cards together.
"Da Zhuang, tomorrow's play requires a voice actor with a Nut accent. It must be an authentic foreigner's accent. It would be better to have a local accent with a hint of Nut."
Da Zhuang was dumbfounded. He raised his hand and looked at his watch. It was 5 minutes to 10:[-]. He was still in the military camp in the ravine in the middle of the night. How could he find someone?
When Mr. Ma turned around and saw the two assistants, he immediately thought of the two runaway producers, so he directly made demands to the two partners, especially the assistants of the Golden Shield producer.
Northern Shanxi is close to the imperial capital. As a local leader, Jin Dun will definitely be able to find suitable voice actors as quickly as possible.
Unexpectedly, after hearing Chen Yiming explain the reason, Jin Dun's assistant named Yu smiled confidently.
He spoke directly in Nutspeak, and he changed two accents to speak the same paragraph.
Chen Yiming is only a level [-] college student, and his listening and speaking skills are even worse, but Assistant Yu's nutty speech is very slow, so he can still understand the general meaning.
More importantly, the difference between the two accents is very obvious, although Chen Yiming doesn't know where the two accents come from.
Chen Yiming and Ma Yunteng were both dumbfounded. This was really too fantasy.
Due to a sudden need, a person who usually has a very low sense of presence just jumps out and says to you, "Yes, I am exactly what you are looking for."
Chen Yiming said to himself, I am just an ordinary time traveler, I don’t have any luggage with me!
(End of this chapter)
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