This director needs to apologize

Chapter 328 Auditing and changing plays are normal operations
Chen Yiming tried his best to restrain his inner urge to complain, kept his face and politely bid farewell to Teacher Liu.

His understanding of the three characters is only relatively close to Chen Yiming's thoughts about the police. The male protagonist's seems to be over-interpreted, while the female protagonist's husband's is simply irrelevant.

With the script at hand being incomplete, it is understandable that he would let his imagination run wild. Chen Yiming did not feel offended, on the contrary, he very much welcomed such whims.

However, when it comes to performance, he still hopes that the actors' creations and his own ideas can be as consistent as possible. After all, the crew is a place where work is intensive and it is not suitable for debates and quarrels.

Putting aside his immediate plan, he continued the audition process and let Pan Yueming, who was last in line, come in.

It has been more than a month since I last met with him and his agent.

Facts have shown that it is not natural for neighbors who live in the same building to want to meet. Except for the few days when they went to Bangkok for business trips, Chen Yiming and An Xixi went in and out many times in the morning and evening, but they never bumped into Pan Yueming.

It can only be said that that "chance encounter" was arranged by Steins;Gate.

The Pan Yueming in front of him has nothing to do with the haggardness of that day. His handsome three-quarter hair is meticulously combed, his fair face is smooth and smooth, his suit is crisp and his leather shoes are shiny. He stands there like a emerald green tree. bamboo.

Teacher Pan’s looks are still impressive!
Because there was a camera in the corner, Chen Yiming did not exchange greetings and strictly followed the formal audition, assuming that this was the first time the two of them had met.

Compared with Chen Kun and Liu Yijun's interpretations, Pan Yueming did not give a definite answer. It seems that both explanations are reasonable.

His lines are very personal, and Chen Yiming feels like a combination of stage drama and translated accent, with intense emotions and pretentious exaggeration.

Chen Yiming glanced at the camera in the corner to confirm that it was still working as usual, and decided to leave his thoughts until after the audition.

It seems that for him, this is another COSPLAY performance.

When Lao Pan performed, his body was facing Chen Yiming, and his eyes were firmly locked on Chen Yiming's. At that moment, the latter clearly received the other party's message.

Pan Yueming immediately read the atmosphere. After introducing himself formally and in detail, he took out the script, pointed out the passages he selected, and began to perform.

The downward tightening of his jaw and the slightly raised corner of his mouth unabashedly released his inner sarcasm.

For example, Liu Yijun's performance just now is not in the same paragraph, but because he believes that the heroine's husband in the consciousness space is just a "container" and the purpose of the female scientist is to search for lost "memory fragments", his performance is closely related to This logic.

Because after Pan Yueming tidied up a little, he started the second performance immediately.

I didn’t even think about using the 15 minutes of preparation time. I put down the script, stood back up and started performing. It was obvious that I had a plan in mind.

The first thing he performed was the last scene of the heroine's husband, the "emperor" of the consciousness space, who took the initiative to enter the link cabin to "upload" consciousness.

Chen Yiming's hair exploded from the roots, good guy, let's do a sneak attack!
This sincerity dazzled him.

As for Pan Yueming, Chen Yiming noticed that from the beginning of his performance, his conversations with the heroine's incarnation were condescending.

This time I played the role of a police officer, and I chose the scene where I meet the female player for the first time.

There is only a very simple line description in the script of this scene. There are no movements, no expressions, not even a single adjective. How to perform it depends entirely on the actor's own understanding.

The open ending belongs to yes.

I know what you're going to do, but I don't mind playing with you.

In the consciousness space after the generation of autonomous AI and the entry of real characters, what exactly is the carrier of the heroine’s husband, NPC? Autonomous AI? Or his consciousness? This point is not clearly stated in the script. Chen Kun acted according to the third understanding, while Liu Yijun acted according to the second understanding.

Just when Chen Yiming thought he would perform the entire paragraph in this style, Lao Pan suddenly paused as he entered the hatch. After freezing for a moment, he turned his head, looked at Chen Yiming indifferently, and then said softly "Goodbye".

Under his interpretation, the heroine's husband behaves like a shallow-level split personality. Most of the time, he is the character's true character in the consciousness space, and occasionally he shows a crazy, chaotic and illogical look.

It turns out that as long as the emotions are well laid out, a lack of expression can become a "steep peak" in another dimension. Who can say that the mountains in the sea are not mountains?
Can't you just drain all the water?

This scene is a continuous dialogue, and the scene is in a car. The policeman and his female partner drive to the scene of the crime according to the dispatch of the police station.

Lao Pan sat sideways on the chair, stretched his hands forward to imitate playing with the steering wheel, and turned his head to Chen Yiming from time to time to say his lines.

His hair was a little messy, with the three-quarter length parting turned into short hair covering his eyebrows. The tie in his suit jacket was removed, and the top two buttons of his shirt were opened.

The lines were spoken accurately and the intervals were just right. Chen Yiming couldn't find any faults even if he compared the script.

The tone is a dry, mechanical one, and no emotion can be heard throughout it, which is in strange contrast to the large number of modal particles that appear in the lines.

The drama is all in the eyes!
After the routine greetings, Lao Pan picked up the female player and started the car again. After the female player excitedly asked where he was going, he turned his head and looked at her for the first time.

Chen Yiming could read the melancholy and sentimentality in his eyes.

It is precisely because it is incompatible with the relaxed atmosphere created by the lines that this kind of sadness makes Chen Yiming feel more sympathetic.

Of course, this look is not for the female player, but for the "passed" NPC friend.

The conversation continued, and the sadness disappeared in an instant. Lao Pan entered the reading mode again, as if the glance just now was completely Chen Yiming's illusion.

In the second part of the conversation, the two began a series of analyzes of the serial disappearances. Regarding the female player's various wild speculations, the police responded with a serious "There is no evidence to support it." The female player was annoyed, and she revealed He looked through the car window at the cable car on the river in the distance, and suggested taking a ride on it, under the guise of recovering the victim's whereabouts.

Of course, this unreasonable request was rejected by the police. The female player asked him, "Have you ever ridden on that cable car?"

The police officer replied, "I haven't sat there."

The female player happily begged, "This is a rare opportunity, just let me take you for a ride."

The police officer turned his head for the second time and watched Chen Yiming refuse again word for word, "It's not easy to take the cable car to the crime scene."

But unlike his harsh lines, his eyes are soft and gentle.

Using the same method, the female player's vexatious behavior was batch processed. The car stopped and the two got out of the car.

Pan Yueming hurriedly took a few steps to catch up with the female player who was "leading the way" and pulled her to a stop.

"You are my assistant and should walk behind me."

"You protect me? No, no, no, you got the situation wrong. This is my territory. You must obey my command."

"Listen, follow me, and don't touch anything without my permission."

Finally, Lao Pan, who was circling sideways, turned his head and looked over for the third time, "Remember my advice, this is not a game, you have to be serious."

This time, his eyes showed helplessness.

At the end of the performance, Chen Yiming couldn't help but clap his hands together.

It's a good show with distinct layers, and it's still exciting even if the opponent plays it alone.

Not only does the hidden meaning in the lines come out appropriately, but there is also a third level of derivative creation.

From sadness, to tenderness, to helplessness, the police, as an awakened autonomous AI, once again faces the player. It seems that he said nothing, but in fact he said everything.

Everything in the past is no longer a program, but his own memory.

Pan Yueming, who was opposite, put his hands together and bowed slightly, then asked if he could start the third performance.

Chen Yiming pushed back all the compliments that were already on his lips.

Lao Pan put his hair up into a chicken coop, took off his coat and put it aside. He pulled out the hem of the shirt underneath and rolled up his sleeves, one side high and the other low.

He paused before starting, giving his shirt a few extra rubs.

Very good. Young Master Pianpianjia, who had just entered the house, has now turned into a miserable drowned dog.

Only then did Chen Yiming realize that there was another level of consideration in the order of his performances. It was certainly easier to operate from upright to embarrassed than the other way around.

Pan Yueming chose another segment for the male protagonist, which was different from the two segments in the second appearance.

This section is the first time that the male protagonist masters the power of the rules of the consciousness space. He is detected and hunted by "white blood cells" and then narrowly escapes.

No wonder it has such a look.

This scene is actually very simple. The male protagonist walks down the street, enters the building, presses the button for the elevator, gets off the elevator, enters the door and turns on the light.

The whole process was just walking, without a single line.

There are no rules for emotions, excitement, loss, joy, confusion, determination, anger, any expression is possible.

During the second interview, not many actors were selected for this segment, because without understanding the causes and consequences, it is easy for the acting to go off track.

It's like if you get the wrong question in the college entrance examination essay, you won't get a zero score, but you will definitely get no chance of getting a high score.

The few two talented actors who dared to choose this part acted in the direction of "being poor for a long time and then getting rich". After all, "superpowers are possessed". After the initial panic, excitement and joy are natural.

Even if I'm not good at breaking down emotions, I've still watched "Spider-Man".

Lao Pan's performance still has a clear sense of layering. On the ground, he was shocked at first, then in disbelief, then he was eager to try, and then he stopped at the cliff with lingering fear.

He was thoughtful while waiting for the elevator, and was distracted after entering the elevator. When he was about to press the elevator button, he suddenly froze in place.

His fingers trembled uncontrollably while hanging in front of the elevator button, and the expression on his face twisted uncontrollably. After a long time, he slowly moved his fingers down to the first floor and pressed it.

The next moment, he rushed out of the elevator like a madman.

Sure enough, changing the scene during the audition is the normal behavior of the protagonist of the online novel!

(End of this chapter)