This director needs to apologize

Chapter 362 Why is this sister so mysterious?

Today was an unplanned "date". Mitu didn't do any "psychological construction" before sitting in the cinema, but now that she saw it, she still had certain expectations for the movie.

It seems that his idol has created a sci-fi fantasy film. On the surface, it is the story of Pan Yueming investigating the disappearance of his friend, but behind the scenes, it is actually a process of gradually getting closer to the truth.

Thanks to the huge amount of film viewing in the past, Mitu has been able to predict the subsequent development of several classic science fiction films. Of course, out of her trust in Chen Yiming, she is constantly overturning herself.

This also made her look forward to the next plot even more, looking forward to the moment that surprised her and finally arrived.

After a thrilling parkour session, the pace of the movie slowed down again.

The camera turned to the handsome uncle policeman Pan Yueming had visited before. The actor Mitu thought he looked very familiar, but he couldn't pronounce his name.

It is very unexpected that there is a young policewoman next to the handsome uncle. According to the lines, it is still a partnership. This makes Mitu feel a little weird. Logically speaking, the plot has advanced to nearly 1/3. It is not right to introduce an additional new character next to a supporting character. A good idea, since this movie is obviously not a road movie.

The conversation between the two people in the police car also had a sense of dissonance. Master and apprentice did not look like master and apprentice, and colleagues did not look like colleagues.

But the next moment she focused her attention on the movie again, because as the police car stopped on the bridge, the camera once again showed the male protagonist Pan Yueming, and Song Jia also appeared together.

The little policewoman asked again, what next?
Uncle Shuai replied, then it has nothing to do with us.

Uncle Shuai is still calm and calm. If the superiors deem it necessary, they will give us instructions.

Then, as if he had a premonition that the little policewoman was going to cause trouble, Uncle Shuai told me with a serious look on his face, please don't investigate in private behind my back, and give me a guarantee, otherwise I will immediately apply to change my partner when I return to the station.

Before Mitu could further reflect on the secret, the famous sunset river view of Chongqing was gorgeously displayed on the big screen, and another wave of uncontrollable low-pitched exclamations arose above the screening room.

The faces of the neighbors were not even shown, as if they were afraid that the audience would make unwarranted associations. The camera was only filming the two policemen outside through the door that opened outwards.

The "Emperor of the Night" on the yacht didn't show his face, and it was obvious from his body posture and facial contour that he was Chen Kun.

This made Mitu feel even more awkward. The last time they met, they said they would investigate Shen Ming's disappearance together, but when the perspective switched back, Song Jia disappeared without warning. This rupture in the plot made Mitu feel uncomfortable. The old movie fan felt uncomfortable all over.

Although he knew that he shouldn't think so, Mitu couldn't help but speculate, could this film really be a Chongqing tourist scenery film?

The little policewoman smiled and nodded.

By deducing this, Song Jia, who was "aimed at from a distance" by Chen Kun, is most likely the female researcher at the beginning. As for how she came to this real world of Chongqing, the answer is also obvious. The big guy with a strange painting style is dormant. Cangbai.

The camera turned and returned to Pan Yueming's dwelling again, and Song Jia disappeared again!

Uncle Shuai's answer was very direct. He should keep records and file them.

The camera returns to the police again. He and his girl partner drive across the river to investigate a disappearance case.

But why didn’t the husband change his face, but the wife did?
How did Chen Kun accurately locate his own mother-in-law who had changed her appearance through the air?
The further she thought about it, the more mysteries Mitu couldn't figure out, but the plot would not stop waiting for her, but would continue to advance like a wild horse.

The little policewoman asked Uncle Shuai enthusiastically, how should we investigate next?

The little policewoman is anxious, why don't we continue the investigation? A big living person is missing. The neighbor's testimony and surveillance video all show that this is not an ordinary disappearance case.

However, Mitu's guess came to nothing again. This disappearance case was a new case and seemed to have nothing to do with Shen Ming's disappearance. After visiting the neighbors step by step, the two returned home.

What is this, a couple performing a love affair that travels through time and space?

Now Song Jia appeared inexplicably again, and Pan Yueming's attitude was natural, which made Mi Tu unreasonably suspect that the cuts were excessive.

Less than halfway through the movie, the director laid out almost all the cards that had been held up and played them. The so-called "Emperor of the Night" who seemed to have a high profile was actually the corpse-laying husband (boyfriend) of the female researcher at the beginning, because Chen Yiming was afraid that the audience wouldn't notice, so he deliberately gave a close-up of the photo of the two of them, freezing Chen Kun's handsome face for several seconds.

Then came Chen Kun's arrogant appearance, which he had covered up but didn't think about covering up at all. He even shot Song Jia on the cable car, which was full of hints.

At this time, the other person in the room became the handsome Wu Yue who ran away before. The latter explained to Pan Yueming what Shen Ming and himself had discovered.

Wu Yue admitted frankly that he was not sure whether the unknown space he named "Thirteenth Floor" was the mysterious medium discovered by Shen Ming, but he did get inspiration from the notes left by Shen Ming.

As he described, the void steps he used to draw strength in parkour were an unknown space that was invisible but tangible.

If you want to touch it, you don't need special abilities or skills, as long as you dare to imagine and try.

So he called it the legendary 13th floor that never existed. Wu Yue demonstrated to Pan Yueming again on the spot how to jump out from the balcony and then use his strength to turn back in mid-air.

Pan Yueming excitedly asked Wu Yue to do it again, because he saw the steps Wu Yue took advantage of, and a patterned halo like a matrix code clearly appeared in the air.

Wu Yue was a little surprised and relieved, and said that telling you the secret was indeed the right choice, but if you want to wait a little longer, if you touch the thirteenth floor continuously in a short period of time, the man in black will be killed again. Although I'm not afraid of him, it's troublesome.

Wu Yue added, or you can try it like me. Believe me, it's very exciting.

Of course Pan Yueming refused, and that was not how he was looking for death.

However, Pan Yueming was convinced that the disappearance of his friend Shen Ming must be somehow related to his notes, so he proposed to borrow the notes and take a look at them himself.

Wu Yue readily agreed, and the two immediately set off for Wu Yue's home.

It was a shabby community than Pan Yueming's. Wu Yue took the opportunity to show Pan Yueming another space parkour. He jumped from the railing of the overpass where the two of them were, and after using his strength, he climbed directly into his balcony on the 6th floor. .

This time, the distance between the Void Staircase and Pan Yueming was even closer, just within eye level distance, and the dissipated light of those mysterious characters was even within reach.

He couldn't help but reach out his hand. What surprised him was the real touch and the matrix code that was constantly changing at the point of contact.

From a fingertip, to a finger, and then to the entire palm, as the code spreads, the touch becomes more and more real.

Watching Pan Yueming's expression change, Mitu actually had an immersive feeling, as if Lao Pan had transferred the touch of his hand to her palm through the big screen.

Just when Pan Yueming put his hands on the empty steps through the railing, pulling up Mitu's heart, Wu Yue's voice suddenly came from the voiceover.

Then the scene switched to a shot of Pan Yueming laboriously climbing stairs, and the sound of complaints mixed with laughter broke out in the screening room.

After talking about it, in Wu Yue's room, the two had a brief discussion about the steps composed of codes in the void, but they couldn't get the point, so they decided to read the notes.

After opening the safe and taking out the document bag containing the notes, both of them were shocked the next moment because the note inside was clearly an invitation.

Pan Yueming's expression changed even more, because he immediately thought of what Shen Ming took from the mysterious old gentleman in the surveillance video provided by Song Jia.

He also thought about the warning given to him by the police before, someone who didn't even mention it.

Pan Yueming's eyes were glazed over and his face was pale. Wu Yue's questioning became more intense, and the camera movement and lighting suddenly got worse, giving him a voyeuristic perspective, which made Mitu, an old man, unable to help complaining about Chen Yiming's bad taste.

But I have to say that the routine is not afraid of aging. After a simple combination of a few Sanshou moves commonly used in horror movies, the effect is still great. Mitu himself felt that the screening room was a bit chilly.

After a while, Pan Yueming came back to his senses and told Wu Yue about the connection between the missing Shen Ming and the invitation in front of him. However, Wu Yue was not ignorant about the invitation. He pointed to a certain symbol on it and said that it was the logo of a big shot in Chongqing City. There is no semicolon in this family, and no one dares to imitate it.

There was another burst of laughter in the screening hall, because most of the audience recognized it. It was clearly a classic image from a certain national cartoon.

The more serious and tense the two actors act, the more the audience will gain the joy of breaking the dimensional wall.

Unconsciously, Mitu forgot where she was and had loosened the thread. She could only continue to drift with the flow according to Chen Yiming's rhythm.

At Chaotianmen Pier, under the watchful eyes of the bustling crowd, the luxury yacht docked again. This time Chen Yiming generously gave a multi-angle panorama, allowing the audience to find more happiness on the boat.

The red carpet rolled down and the gentleman appeared. The process was exactly the same as last time.

The little policewoman squeezed forward desperately in the crowd, and when she was about to reach the front row, she was suddenly grabbed by a hand from behind.

It was the handsome uncle policeman who took action. He sighed and said, you promised me!
The little policewoman was a little ashamed, but she immediately became confident. She said that more than one disappearance case was related to this yacht, and we should not ignore it.

While the two were arguing, the old gentleman had finished his speech, and the dressed-up men and women began to board the ship holding invitations.

Seeing that it was almost too late, the little policewoman broke away from the policeman and rushed out of the crowd. She flashed her police badge at the old gentleman.

The police had to run up, but unexpectedly found that the person walking up the spiral staircase in front of the little policewoman was Pan Yueming.

It was Song Jia who boarded the boat side by side with Pan Yueming who made Mitu call her Wucao.

Why is this sister so mysterious?

(End of this chapter)