China Entertainment: I really don’t want to live with the queen.

Chapter 237 Melancholy White Camellia

At 6:00 in the evening, Tokyo is ablaze with neon lights.

An izakaya outside Tokyo Tower in Tōoka District.

Second only to the Sky Tree, Tokyo Tower is a landmark building in Tokyo, and there is an endless stream of tourists checking in outside the izakaya.

Under the dim lights, men and women were drunk and slumped, exuding an air of decadence and downfall.

Kei Yoshida, vice president of Warner Japan, obviously has nothing to do with decadence and downfall.

The little Japanese was wearing a suit and leather shoes, and wore elegant, thin-framed gold-rimmed glasses.

Kei Yoshida was very polite to Xu Chen's arrival. He greeted him respectfully from afar. With his arms close to the trouser line, he bowed at 90 degrees: "Hi, hello Xu Chen. I, Kei Yoshida, admire Xu Chen very much." Talent, please take a seat Xu Chang."

There must be something wrong with the Japanese Japanese's respectful attitude. Xu Chen glanced at Zhou Jianbin.

Zhou Jianbin sat cross-legged on the couch, shrugged indifferently, and said with a smile: "Mr. Xu, your feat in Tokyo has spread throughout the Tokyo music scene. Mr. Yoshida admires Mr. Xu and specially asked me to meet Mr. Xu."

Sigh~

Zhou Jianbin was quite resentful, and his tone was yin and yang.

Zhou Jianbin said something sour, poured a glass of wine, and explained: "Mr. Xu, GLAY and Rainbow Band belong to different companies. Both groups are the hottest rock music groups in the Japanese music scene. They are constantly in contact and competing..."

"Japanese music scene titled The War between Gray and Rainbow."

"Yoshida-kun..." Zhou Jianbin glanced at Yoshida Kei. The Chinese he spoke was not understood by Yoshida Kei.

"Sodis is tired." Yoshida nodded and bowed, just thinking that Zhou Jianbin said good things about him.

Happy Chinese New Year to the uncle and aunt in Here Come the Devil~

"The Blue Bird created by Mr. Xu has refreshed the Japanese music scene, and Warner Japan intends to mix it up." Zhou Jianbin sipped his wine.

He was worried that Xu Chen would be affected by the concert protests in the Japanese music scene.

did not expect.

This incident actually contributed to Xu Chen's reputation in the Japanese music scene.

Warner Japan has suffered successive defeats in the competition from local music labels. The company's highly regarded singer Akina Nakamori suffered from depression and committed suicide by slitting her wrists before the album was released.

The news is abuzz.

Akina Nakamori fell, and Japan Warner lost an arm. To this day, there is no big cat and two or three kittens.

"Mr. Xu's single name is Chen. Chen belongs to the jade family and is cyan. Warner Japan intends to support Mr. Xu to make his debut in Japan and participate in the war between Ash and Rainbow." Zhou Jianbin clicked his tongue.

Gray and GLAY rock band, which debuted in 1988, are the most popular male rock band in Japan. In 97, their album sales exceeded 140 million.

Rainbow, Rainbow Band, debuted in 1991, is a Japanese male rock band. In 97, the album sold 160 million copies.

Warner Japan strongly favors Xu Chen and prepares to turn the war between gray and rainbow into a war between blue, gray and rainbow, in order to seek opportunities to break the deadlock of Warner Japan.

Thanks to Yoshida's respectful gesture.

Zhou Jianbin, who was afraid that Warner Japan would refuse to release Xu Chen's album, suddenly changed his humble posture. He pretended to sit cross-legged with all his pretentiousness.

Xu Chen wanted to give Lao Zhou some urine. Wake up and stop dreaming.

In fact.

Xu Chen is no stranger to the GLAY band. In 1999, this band set a new record for the number of people attending a Japanese music concert, with a total of 20 people participating in the concert.

In the Japanese music scene, the market is divided into singles and albums.

Rainbow Band released two new albums in 1999, with album sales of 226 million and 213 million copies respectively!

As the hottest song in the Japanese music scene and representing the pinnacle of rock music in the Japanese music scene, War of Gray and Rainbow.

The war spread to the Japanese music scene in 98, 99, and 2000, and even had a considerable impact on Asian pop music.

just now.

Xu Chen wants to lead Cyan, who represents himself, to participate in the [color] war in the Japanese music scene and seize the fruits of victory.

"Lao Zhou, you are fully responsible for the album's Japanese, Korean, Southeast Asian, European and American markets. You and Yoshida-kun can talk about it." Xu Chen sipped his sake.

Zhou Jianbin is here.

It would be hard for him to leave Zhou Jianbin behind and cooperate with Warner Japan. This thing is unethical.

Simultaneously.

The Asian Superstars concert is over, and Xu Chen's journey in the Japanese music scene has come to an end. The competition for hegemony in the music scene in June is about to begin, and Xu Chen has no extra energy to waste on the Japanese and Korean music circles.

In fact.

The Chinese music scene has always kept a respectful distance from the Japanese, Korean, and European and American music circles. Japanese, Korean, and European and American songs are also not accepted by the Chinese-speaking public, and the market is small.

The simplest example. Li Wen became famous in the Chinese music scene, but failed to secure his position in the music scene. He changed his focus and entered the European and American music circles, preparing to become a pop diva in the European and American music circles, while reducing his dimension to attack the Asian music scene.

The results are obvious.

European and American singers such as Blainey, Celine Dion, Avril Lavigne, Maria...

After being escorted by several big guys, Li Wen had a bruised nose and face, and fled back to the Chinese music scene in despair. As a result, the four big and three small companies in the Chinese music world fought for power, and there was no room for her to survive.

The Chinese music scene is what gave Xu Chen the confidence to ascend to the throne of "World King of Pop".

Zhou Jianbin and Kei Yoshida discussed the release of Xu Chen's new album "Master Wang" in Japan.

Xu Chen was bored.

He has a 30% share of the entire album, and the remaining 70% is left to Zhou Jianbin and Yoshida Kei.

With Zhou Jianbin's ferocity.

Xu Chen looked pitifully at Kei Yoshida, who kept nodding and bowing. The poor little Japanese would probably have to pay Zhou Jianbin a lot of money.

…………

Izakaya, Japanese style.

Japan is very addicted to alcohol, regardless of gender. It can be called a country with drunkards per capita.

This izakaya outside Tokyo Tower is considered the most upscale izakaya in Japan, and its customers are either rich or expensive.

According to Kei Yoshida, this izakaya is a conventional resource exchange place in the Japanese entertainment industry.

Many practitioners in the Japanese entertainment industry will come here to discuss cooperation or resource replacement.

That's why.

The environment of the izakaya is quiet, the lights are dim, the red lanterns are very far apart, and the Japanese plain white curtains make the reflected figures look like evil ghosts.

Xu Chen sat for a moment, feeling anxious.

He said something to Zhou Jianbin and Yoshida Kei, and simply walked to the wine table.

The lights on the wine table were also dim. Xu Chen sat on a stool, whistled at the bartender serving drinks, and ordered a glass of plum wine.

"Another cocktail please."

Sitting opposite Xu Chen, a petite, disheveled female drunk muttered drunkenly to the bar and stared at Xu Chen with squinted eyes. The female drunk muttered drunkenly: "Man, you can't drink plum wine from a woman's house. , please give him a cocktail too..."

As he spoke, he smiled with a smile on his lips, held his forehead with one hand, covered his cheeks with his messy hair, and mumbled drunkenly: "Please clink glasses with me!!"

Xu Chen, the old man on the subway, looked at his cell phone.

Japan has ended its gender war, and poor female drunkards have become a long-standing tradition in Japan. In addition, widows, villains, and troubled girls are all popular occupations in Japanese classic movies.

Xu Chen was too lazy to answer and just drank his plum wine and thought about the new album.

"Please clink glasses with me!"

The warm, pungent smell of the cocktail is felt in the ears, heated by the body temperature of the mouth, and the ears are itching.

Xu Chen frowned slightly, his eyes cold.

Under the dim light, you can clearly see the fair and beautiful cheeks of the female drunkard under the messy black hair, the soft and cold temperament, and the yandere of a broken beauty.

"Please clink glasses with me." The female drunkard held her forehead with one hand and glanced at Xu Chen. She was stunned for a moment and smiled at the corner of her mouth: "You are very handsome, don't you dare to drink? Mom doesn't allow it?"

Xu Chen, the old man on the subway, looked at his mobile phone, feeling disillusioned, while holding a glass of green plum wine.

"You can't do this." The female drunkard leaned sideways and drunkenly grabbed Xu Chen's bottle.

A pair of charming fox eyes stared at Xu Chen and muttered seriously: "Man, you can't drink plum wine from a woman's house, drink this."

The wine bottle stained with lipstick was handed to Xu Chen.

"Nakamori Akina, why have you become like this?" Xu Chen sipped his cocktail, frowning and staring drunkenly in front of him.

A decadent, down-and-out woman.

There is no way to compare the female drunkard in front of me with the most beautiful woman in the Showa era in my impression, the melancholic White Camellia Nakamori Akina, who is also known as Japan's national beauty, the passionate red rose Shizuka Kudo.

"Isn't it good that I look like this?" Akina Nakamori was so drunk that her eyes were blurred.

He muttered a few words, staggered, stood in front of Xu Chen, bowed neatly at ninety degrees, and muttered drunkenly: "I'm sorry to disappoint you."

(End of this chapter)