Tokyo Reborn: Dark Superstar

Chapter 181 Wife’s Circle, Night Tokyo Charity Welfare Institute

The backstage of the 1997th NHK Red and White Song Festival in 48 was even more crowded than last year. There were too many celebrities, and many artists with less qualifications were forced to share a dressing room.

For example, two newcomers from One Piece Entertainment, Hamasaki Ayumi and Utada Hikaru, under the operation of Keiko Kanda, used One Piece Entertainment's fashion resources and media resources to become very popular in the second half of this year.

But the qualifications are too low and the position is weak, so he can only cooperate with one dressing room.

In fact, they are quite good, and they are one of the highlights of this year's NHK Red and White Song Festival.

Like Mai Kuraki, a newcomer who also participated in the NHK Red and White Song Festival, she is not even qualified to share the dressing room. After putting on her makeup in the unified dressing room, she goes to the backstage hall and corridor to find a place to wait. If she is lucky, she will get a seat. If she is not, she will just stand. Wait.

That's the strength of the band.

Even Bunta Takakura from last year would not be treated the same as Ayumi Hamasaki and others, because when the band Beasts was formed, there was a diva-level Akina Nakamori as the bassist and vocalist.

And now Takakura Bunta, who has become the lead singer of Asia's new band, has even more easily obtained the treatment of an independent dressing room. To be precise, the three members of the band Beasts have an independent dressing room each.

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Bunta Takakura, who has participated in the NHK Red and White Song Festival for the second time, can be considered an old man.

Backstage, I bumped into the behind-the-scenes production staff who had attended the NHK Red and White Song Concert together last year, and we greeted each other familiarly.

Compared with the young and restrained newcomers attending the NHK Kohaku Song Festival for the first time, Takakura Bunta looks like the "big boss" of the NHK Kohaku Song Festival.

However, big bosses also need to maintain big customers.

Bunta Takakura packed up and went to the office of Kayoko Naito, a VIP charity member of Night Tokyo Charity Welfare Institute, who was promoted to vice president of NHK this year, director of NHK Sports Department, NHK full-time director, and president of Shibuya-ku Kamnan Broadcasting Center.

This is the most persistent fitness fanatic and muscular woman at Night Tokyo Charity Welfare Institute.

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After Totland Capital acquired Night Tokyo Charity Welfare Home.

In order to avoid overlapping functions with One Piece Entertainment, this charity has stopped recruiting artists from within the industry as members, except for two insiders, Sachiko Kokubu and Makoto Ozawa, and is more inclined to develop resources from outsiders.

Night Tokyo Charity and Welfare Institute, run and managed by Totland Capital, focuses on a high-level platform and a resource exchange. If you want to take something, you must first give it to it.

Naito Kayoko can go from the director of Shibuya-ku Kamnan Broadcasting Center to the president, and then further to become the vice president of NHK, which includes a lot of resources invested by Totland Capital.

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The real circle of upper-class ladies can never be composed of five or six ladies of similar worth, whenever it comes to playing.

For example, the most famous businessman in later generations, "Two Horses and One King".

Their wives have never organized a "ladies' party" and invited the top 100 wealthy wives to participate.

No, and absolutely impossible.

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The normal rich lady circle is an ecological distribution of one billion, three hundred million, and more than ten million levels.

It is based on a billion-level "top rich lady" as the core, a three-billion-level "second wife", usually the wife of the deputy, or the wife of the downstream supplier, and a dozen peripherals who can rotate at any time.

Their "ecology" is to work together to flatter the "eldest wife".

This kind of relationship is not "concentric", but "concentric".

More than a dozen people work together to make one person happy.

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The customers that Night Tokyo Charity and Welfare Institute wants to win over are the core "billion-level wealthy ladies" who are the core of the ecological niche. The other 300 million-level people and the dozen or so 10-million-level people are not qualified to enter the Night Tokyo Charity Welfare Institute at all, and can only be invited by members to participate in some cocktail parties and charity activities.

This means asking the thief to capture the king first.

Once that core is captured, the network resources of the other second wives and peripheries will naturally be used by the club.

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Of course, a woman who is in the ecological position of "second wife" and has the potential to be a "top billionaire" can be promoted to become a top woman through Totland Capital's network resources.

Such is the case with Kayoko Naito.

Kayoko Naito's grandfather was the Minister of Education, Culture, Sports, Science and Technology, and her father was also a senior official at the Agency for Culture. My uncles and uncles are all members of parliament or senior affairs officers.

According to the customs in the Minato area of ​​Japan, Kayoko Naito had to wait until marriage before she could complete her evolution and establish her own ecological niche.

However, with the support of Totland Capital, Naito Kayoko has become a powerful player in NHK TV station and a strong competitor for the next chairman of NHK.

When she held a cocktail party at the Night Tokyo Charity Welfare Institute, she immediately attracted the wives of several TV stations and major advertisers, as well as more than a dozen senior female editors-in-chief of magazines, newspapers, fashion magazines, and famous female reporters.

The stability of the ecosystem was completed in one fell swoop.

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Totland Capital's investment in Kayoko Naito is definitely worth every penny.

NHK is a public broadcasting and television organization and the largest television organization in Japan. Its status in Japan is similar to that of CCTV in the Red Earth Continent.

In fact, it is much higher. The person in charge of NHK is a member of the "Central Disaster Prevention Council" established by the Japanese central government as the highest decision-making body for disaster prevention and reduction.

NHK does not have advertisements. It relies on state funding and external charges for its funding. This charging system has also given it a bad reputation, but in fact the documentaries produced by NHK are very good, especially in the humanities and social fields.

Moreover, NHK's political orientation is very neutral, and it is NHK that has the deepest reflection on the war.

NHK generally focuses on news programs and documentaries, and produces very few TV dramas, but it also has two flagship programs - morning dramas and Dahe dramas.

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The seeds planted by Totland Capital in Kayoko Naito blossomed in the NGO organization of Mimihaki PMC.

This is the benefit of the consortium model. The inextricable and vague connections between enterprises can make the general public dizzy, and they seem to be completely independent existences.

In addition, we should avoid wasting fruits and vegetables and bypass some obstructive laws and regulations to the greatest extent.

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The 1997 NHK Taiga drama "Motonari Mori" is a series produced to commemorate the 500th anniversary of Motonari Mori's birth. The story depicts Motonari Mori, who is generally remembered as a strategist, as a man who is quite honest in family matters.

As a family drama, this drama has a high reputation among female viewers.

Kayoko Naito defied public opinion and filmed this Taiga drama in Hokkaido.

Many of them were filmed in museums, tourist resorts, and publicity centers established by NGO organizations such as the Shakusain Foundation, the Hokkaido Industrial Workers Federation, the Ishikari Carbon Field and Iron Workers Union, and the Hokkaido Fisheries Federation.

Coupled with the promotion of online and offline media such as One Piece Entertainment Telegram, "Tokyo Shimbun", "Osaka Mainichi Shimbun", "Kyushu Daily News", "Nihon Kogyo Shimbun", "Tokyo Sports Metropolis" and other online and offline media.

This has greatly increased the exposure of these NGO organizations.

According to calculations based on the information provided by Mayu Watanabe, it probably helped these NGOs shorten their publicity and promotion cycles by two to three years, making the originally unknown local NGOs suddenly become well-known to women across Japan.

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After returning from the show, Takakura Bunta went to Koizumi Kyoko again and successfully checked in 2/3 of Showa's top three singers! !
(End of this chapter)