Tokyo Reborn: Dark Superstar

Chapter 95 Fusion Technique: Crescent Moon Chong! ! ! !

"I remembered that the "Yomiuri Shimbun" newspaper reported that he donated billions of yen to charitable organizations related to the world's anti-drug and anti-drug epidemic, as well as foundations affiliated with UNODC."

"By the way, I read in the newspaper that the student union cadres of your school also participated in the fund-raising event."

"You went to Tokyo some time ago to participate in this activity?"

The rat girl Mayu Watanabe came back to her senses. She wanted to praise Takakura Bunta, but she was afraid of her mother asking, so she said vaguely:

"He is busy entertaining UNODC representatives and senior government officials. We students are not very familiar with him."

"That's a pity..."

Watanabe Mayu's mother said with some regret:

"I also want to show off to the other ladies. The housewives in our community have been gossiping about you studying at Malusuka Girls' Academy..."

Looking at her mother's disappointed expression, the rat girl Mayu Watanabe couldn't bear it. In the years since her father left Japan, her mother had been supporting the family business. The rat girl Mayu Watanabe had seen all the hardships and hardships in it.

"Mom, actually...it's not impossible..."

If it can make Mayu Watanabe's mother happy, the rat girl Mayu Watanabe is willing to take the risk. Besides, they are friends to begin with, and there is nothing to be ashamed of.

I just don’t know if Takakura Bunta is willing to...

....................................

1996年12月31日，23点45分，NHK红白歌会。

荍の光瓓の雪

The light of fireflies and the snow beside the window

书よむ月日重ねつつ

Years of hard study

いつしか年もすぎのとを

The old door in the trance season

あけてぞNow はfarewellれゆく~~

Opening today is a farewell~~

…………

Just as "Unforgettable Tonight" is sung at the end of the Red Earth Continent's New Year Gala, the song sung at the end of the Red and White Song Festival is "蛍の光" (Light of the Fireflies), the Japanese version of "Auld Lang Syne".

After the birth of "蛍の光", it has been designated as the "singing" taught in schools.

In Japanese school graduation ceremonies, "蛍の光" is often sung. In addition, it is also used for banquets, Christmas and other occasions.

At the closing ceremony of the 1964 Tokyo Olympics, the Olympic ceremony ended with a chorus singing "荍の光", establishing the song's status as the "national anthem" in one fell swoop.

Since the 4th episode, it has become a tradition for the audience and performers on stage (including singers, hosts, guest examiners, guests, choirs, etc.) to sing "蛍の光" together in the last song.

The chorus of "荍の光" lasts for 25 to 30 seconds. After the song ends, salute-shaped fireworks will be fired from the left and right sides of the stage to the top of the audience.

…………

The chorus of the NHK Red and White Song Contest ends,

Nakamori Akina and Tony Futaki, as usual, went to the cafeteria on the first floor of the NHK Broadcasting Center to attend the closing banquet.

It was a hearty victory.

According to NHK-FM radio station's real-time mobile phone SMS voting, this round of red and white confrontation between Kudo Shizuka and the Beast Rock Band.

Kudo Shizuka received 3 votes, and Beast Rock Band received 7000 million votes. It was a complete crushing instant kill.

…………

Takakura Bunta came to the elevator alone and received a call from the rat girl Mayu Watanabe.

After hearing the purpose of the other party's call, Takakura Bunta readily agreed.

"Recording a New Year blessing video?"

"Of course I do."

This kind of potential charity customer is an opportunity to gain favor, and can directly gain the favorability of the current head of the Watanabe family business.

The Watanabe family business is one of the top ten bulk trading companies in Japan.

He has a large office in the Tokyo Industrial Products Exchange and is a member of the Exchange's Delivery Quality Supervision Committee.

This opportunity must be grasped well. Rat girl Mayu Watanabe blushed and pushed Xuelan away, saying, "It's not convenient for me here. I'll beat you later."

"Ok."

Bunta Takakura hung up the phone and pressed the elevator button for the NHK TV station on the top floor.

..............................

After Takakura Bunta reached the top floor of the elevator, he climbed another level along the fire escape and reached the helipad on the rooftop of the NHK TV headquarters building.

Here you can overlook the night view of the skyscrapers of the entire Tokyo metropolitan area.

…………

A young woman wearing a black sports vest and gray overalls has been waiting for a long time at the helipad on the rooftop of the building.

She simply pulled her hair back and wore a black hat, looking neat and tidy. She put her hands in front of her body, holding a can of sports drink in her hands, and her abdominal muscles were obvious.

…………

Bunta Takakura can gain a firm foothold in this NHK Kohaku Uta Festival, all thanks to the help of Kayoko Naito.

This VIP charity fundraiser is not only the director of the Shennan Broadcasting Center in the Valley District, but also the director of the NHK Sports Department.

According to the information provided by Mrs. Rikako Takemoto, what is even more prominent is her family background.

His grandfather was the Minister of Education, Culture, Sports, Science and Technology, and his father was also a senior official at the Agency for Culture.

Uncles and uncles in the entire family are directors of the Ministry of Education, Culture, Sports, Science and Technology in each county or city, or senior affairs officers of the Ministry of Education, Culture, Sports, Science and Technology.

It’s just that Kayoko Naito has been working hard on NHK TV station on her own.

Only the NHK chairman and several executive directors of the board of directors know about this family background.

This is the hidden attribute of VIP charity fundraiser Naito Kayoko.

This is the reason why Bunta Takakura insists, "No matter how many ways you come, I will only go one way" to ensure that this important strategic channel must remain unimpeded.

…………

The two people started the upright combat mode after a simple warm-up at the helipad on the NHK rooftop.

Bunta Takakura, like the superhero in "The Black Robe", kept pushing Kayoko Naito to the edge of the tarmac on the rooftop of the building.

Naito Kayoko's explosive arm strength left half of her body hanging in the air. Only her limbs tightly hugged Takakura Bunta, relying on the third fulcrum to keep from falling.

Takakura Bunta is trying to spread his attention as much as possible to maintain a longer laning time.

He remembered Archimedes' famous saying: "Give me a fulcrum and I can lift the whole earth."

…………

Kayoko Naito's face was pale, hanging in the air, looking up at the bright moon, and behind her was the night view of the entire Tokyo metropolitan area.

Her hands tightened around Takakura Bunta's waist like iron pliers, while her feet kicked wildly in the air, all her strength resting on Takakura Bunta's fulcrum...

Bunta Takakura felt the strength of Naito Kayoko's muscles. His waist was painful from being hooped, but he had no intention of flinching.

The wind howled on the tarmac. He took a deep breath, stood up steadily, and used all his strength to hold on.

During the stalemate between the two sides for more than 40 minutes, Bunta Takakura and Kayoko Naito released their ultimate moves at the same time! !

"Combined Technique: Crescent Moon Chong!!!!"

(End of this chapter)