Don’t raise unruly people in extreme cold weather

Chapter 558: Underground Fight

When Sandrion controlled the huge first-generation god-killing armor and came to the underground altar, the first thing she saw was the four-sided skeleton statue standing in a prominent position.

"She's right, this thing is really dangerous!" Although Sandryong didn't know what this four-faced statue was, she sensed the danger of it at the first moment.

To be precise, the statue before us can be seen as an old god who is about to descend but has not actually descended yet.

The entire underground altar was able to withstand the torment of werewolf armor and skeleton beasts without collapsing, all thanks to the power of this statue that supported this area.

Even the giant skeleton beast in front of him that made the mysterious man feel uneasy was also provided with divinity by this statue, driving it to fight.

"It seems that the automatic combat still has some flaws! If she had come down by herself, she should have been able to see the key at a glance and smashed this broken thing long ago." Sandrion did not think that the mysterious man could not see the problem with the statue.

But it is obvious that what is seen through signal transmission across a distance of several hundred meters cannot compare to direct observation with the naked eye.

Having discovered the problem, Sandrion naturally did not waste time. She directly input combat orders to the first-generation God-killing Armor beside her, causing it to charge directly at the skeleton beast. At the same time, she also took control of the werewolf armor and ordered it to attack the statue.

The first generation of God-killer armor is huge in size, which makes it less flexible than the werewolf armor, but in return it has stronger attack power and higher defense.

Just like a heavy battering ram, it is better at smashing through solid defenses, or being used to withstand damage and attack.

Although theoretically, the first-generation God-killing Armor, which is more suitable for cracking walnuts, should be used to smash the statue, while the werewolf armor should continue to restrain the skeleton beast, but in fact it is not the case.

Because Sandrion knew clearly that the first generation of God-killing Armor had no divinity. It simply relied on combat effectiveness built up by numbers and equipment. It was fundamentally different from the second generation of God-killing Armor which was infused with divinity.

It is precisely because of this that the second-generation God-killing Armor is more professional in the aspect of "killing gods", and it can cause more effective damage to targets with divinity.

In short, Werewolf Armor is more efficient when smashing divinity-bearing objects and targets such as statues, because divinity has a counteracting effect on divinity, without having to be suppressed and weakened by divinity first like ordinary attacks.

Back then, Sandrion tried to break free from the shackles of legend, but was suppressed by the divinity and was cursed for a hundred years.

Now that she has figured out what happened back then, she naturally won't make the same mistake again.

As for the first generation of God-killing Armor, how can it inflict enough damage to the skeleton beast without divinity?

Not to mention that its own attack strength is already high enough, and it is also equipped with several powerful artifacts. Isn't there Sandryong?

Having broken through the shackles of legend and possessed divinity, she can now theoretically be considered a divine creature. If we have to classify her current state as an extraordinary level, we can even barely call her a demigod.

With her current strength, even if she is not a combat profession, it is not a problem to suppress or even destroy a divine creature. "I haven't fought with anyone for many years. I don't know if my hands are rusty?" Sandrion took out a staff that seemed to be made of glass. As it paused on the ground, several alchemical arrays appeared at her feet at the same time, combining into a larger alchemical array.

This is a very ancient skill, and it is considered a lost art for today's alchemists.

After using this move, one can drive several different alchemies at the same time, either strengthening oneself or weakening the opponent, while also providing defense and enhancing attack, enough to make one invincible.

After Sandrion deployed the alchemy circle, he began to suppress the skeleton beast.

Whether it was using air compression and dissociation of dust on the ground to create a dust explosion, or decomposing water on the ground to create hydrogen and oxygen to cause high-temperature damage to the target, or directly taking materials from the ground to shape four clay golems and then transforming them into rock golems...

Sandrion fully demonstrated how many tricks an alchemist can perform after fully launching an attack.

She even used her newly learned fantasy alchemy to create a brand new crystal puppet out of thin air.

This was a design she had made a long time ago, but she was cursed at the time and could not complete it. Now that her strength has greatly increased and she has the help of fantasy alchemy, Sandrion feels that she may be able to try to complete it, or even go a step further and turn it into a god-killing puppet.

After all, when this puppet was originally designed, it was also considered a weapon to be used against gods.

Theoretically speaking, this method of rubbing puppets on the spot cannot be used in actual combat, but for an experienced top alchemist like Sandrion, it is not impossible.

It's just that she doesn't have Perfecto's Philosopher's Stone, so she can't do it as easily as her.

But relying on her demigod-level strength after breaking through the shackles of legend, she was able to create a female-image puppet made entirely of crystal in front of her in the short time that the first generation of God-killing Armor suppressed the skeleton beast.

This puppet held a huge hammer in its hand and wore the same old alchemist robe and pointed hat as Sandrion's. It looked a bit strange, but when Sandrion used fantasy alchemy to make a divine core of the same type as the werewolf armor as its heart and energy source, the puppet immediately came to life.

"Come on, Alulu! Kill that ugly thing without aesthetic sense!" Sandrion shouted loudly to the puppet he made.

The crystal puppet raised its hammer and rushed towards the skeleton beast without hesitation, without showing any sign of awkwardness.

Soon, the crystal puppet called Alulu by Sandrion, in coordination with the God-killing Armor, struck the skeleton beast several times, even breaking one of its arms.

The spear in the hands of the first generation of God-killing Armor also pierced through the chest of the skeleton beast. Although it did not kill it directly, it also caused serious damage to it!

At the same time, the axe in the werewolf armor's hand seemed to have cooled down, and it turned into a giant sword again, slashing towards the four-sided skeleton statue!
"Dang!" Just as the giant sword of the werewolf armor was about to cut the statue in half, the statue suddenly came to life and raised the artifact blade in its hand to block the giant sword of the werewolf armor.

(End of this chapter)