I'm a teacher in Tokyo!

Chapter 282 A Starry Future
For Shirai, what she writes will have a kind of "attraction" force on the world, which will drive things to develop in a reasonable way in the direction of what she writes.

However, if the plot you write is too outrageous, then the content you write will collapse and fail to form a "story."

Therefore, Kuroko Shirai needs to write a plot that conforms to the logic of reality to push the world to develop in the most perfect direction predicted by herself.

No matter how you write the originally predicted plot, you cannot change your destined ending. Even if you know the despair of the future, you can only watch yourself fall into the abyss.

So, when I saw the only variable, Yoshizaki River.

She arranged this situation herself, but this also led to a deeper and deeper connection between herself and Yoshizaki Kawa, to the point that even her own future was constantly changing every moment.

After a period of adaptation, she got used to the sudden influx of countless information.

Even so, when faced with a major choice, the ever-changing future would still impact her consciousness. For example, the nosebleed just now was because when she was writing that plot, she saw a bigger future that shone like stars.

The ending is not good at all, but it is better than before.

This is enough to prove how many futures one's own choices will create. In this countless and distant future, if one wants to find the correct answer, one must undoubtedly go through the desert, under the dazzling sunlight, through millions of silver needles, find the only needle hole, and pass through it.

It is precisely because of this ability that she is often silent and unwilling to speak.

The future is like a giant net that spreads from my present time point to the entire world. On this net, the destinies of countless people are intertwined. Their destinies are nets of different sizes. A single word from me will make this already complex net even more intricate.

Because a random word from you might lead to countless futures - in which all your future experiences will end in tragedy.

Dismember, chop up, and bully.

But we cannot blame those who do these things to themselves, because this is the evil of human nature, and it is fate that determines all of this.

In other words, the reason why unique beings like herself and Kayako were born is because of this "evil".

It is also because of this that even good people will become extremely vicious after coming into contact with people like me.

This is fate.

When you hate something to the fullest, you always blame it on fate and think it's just a bad life.

This sentence does have a certain sense of letting go, but how can we let go? And why should we let go?

Therefore, resentment naturally accumulates in one's fate.

It became a curse and resentment. The accumulated resentment was like the venom accumulated in a poisonous snake, which must be released eventually.

Thus, people like me were born.

They are all just pitiful people, unlucky people who bear sins and can never be freed.

Being treated so unfairly, it is natural for him to hate and curse everything, continuing the curse of fate.

But Yoshizakikawa is not on this line of fate, so he has the opportunity to trial and error.

After Shirai Kuroko finished writing the "prophecy" of the future, the idea of ​​writing a note really came to her mind;

She pursed her lips, feeling the slightly better, more "continuous" future, smiled, then stuck the note in the middle of the comic, and then threw it downstairs casually;
There was only an address written on the note;

According to the future, Kayako will pick up this book, and because of Yoshizaki Kawa's teachings, she will find herself and return the comic.

Then I established a "fate" with her and could proceed to the second part of the story.

"Such a good girl is really a bargain for a playboy like you!"

At certain times, she can empathize with Kayako and the others and feel compassion for them because they have the same future and a similar past.

For those who are chosen by destiny, the value of their existence is to turn into a ghost.

Even if I also long for a better future——

Fate won't allow it.

So it's a bargain, it's better than the predetermined ending. And even if they didn't end up together, they are happy now, right?

Temporary happiness, even after the fall, may still be recalled occasionally, even the unlucky people may still have a trace of nostalgia?
Even a trace of hesitation and nostalgia, for the existence of ghosts, the unsolvable may become a "solvable". Death is a given, but liberation is uncertain.

That’s right, for Shirai Kuroko, she believes that the best future is still a tragic death, but in the future, there is a glimmer of hope for relief.

——This is the best ending.

……

"Master Kotoko, you still don't see him?"

In the hospital, the big bald enchanter stood respectfully beside Kotoko, whose face was exposed while the rest of her body was wrapped in bandages engraved with spells.

Hearing this, Qinzi said nothing;
Perhaps she was brewing something, after a long time, she finally spoke in a hoarse voice: "No."

"But, Master Kotoko, you made a pact for him. If..."

"Kinosuke."

"Do you really think it was me who made the covenant?"

Kotoko interrupted him. Since Ampe Chosai disappeared, in order to perfect her plan, Higa Kotoko dispatched another trusted person.

"That covenant was made between the thing inside him and that thing. I am just a witness, a less important witness."

"Inside him?"

Kinosuke was stunned for a moment. Although he knew that this guy was not normal, he did not expect him to be so outrageous.

"Well... before, I thought I might be able to control everything, but what happened in between made me understand some things."

"Some things are out of my control, and I paid a price for that."

The price that Kotoko was talking about was naturally her own limbs. Her eyes were no longer bright, but rather dim, as if she might leave this world at any time.

"But I'm still alive because I still have one thing I haven't finished."

——When necessary, she will take someone away personally.

Yoshizaki River is not a stabilizer, although he seems stable, but the longer those three are suppressed, the more terrifying they become.

This strategy was undoubtedly a failure, especially after what happened with Sadako, Kotoko kept thinking;
Higa Kotoko stared at the ceiling, thinking back to her life as an exorcist.
Born in a dilapidated shrine when he was young, he turned to this path because he was born with psychic powers. He signed a contract and deprived himself of his ability as a psychic - inspiration.

Inspiration is the ability to glimpse ghosts and gods, while spiritual power is the power that drives ghosts and gods.

He sacrificed his inspiration in exchange for powerful spiritual power, signed a contract, and was able to exorcise demons and gods. From then on, he became famous in the industry as a top-level exorcist, and the originally dilapidated shrine developed into the most popular shrine in Japan.

Recalling the past, the scenes are like falling snowflakes, falling and flashing in front of the window one by one.

"It's snowing again."

At this moment, a figure of a woman hanging upside down suddenly appeared on the snowy window glass. The woman had hands and feet, and her appearance was exactly that of Higa Kotoko.
However, the eyes of "Higa Kotoko" reflected in the window glass were sewn up with black needle and thread, and her hands were bound by a huge iron chain each, which extended backwards to an unknown place.

When she saw this figure, Kotoko was not panicked. Perhaps after experiencing so much, she would not panic even if faced with big things.

"Give me a little more time, the last little time..."

Before he finished speaking, the entire window suddenly exploded, and among the countless broken glass fragments, a huge stone door that could almost be called "vast" was faintly reflected;

The invisible chains naturally descended in an instant.

However, after just a moment of being close to Kotoko, he seemed to be frozen in place.

"I don't want to die, you can't take me away."

Her tone was still flat, full of deathly flatness.

PS: I will push the three women as quickly as possible and complete it normally with one million words (it is expected that there will be about 300,000 words left). I was stuck in the knowledge and understanding barrier before, and I couldn’t skip the plot, so I decided to bypass the brain-burning parts.

(End of this chapter)