Ke Xuezhuo's son-in-law

Chapter 313 A box office hit
  Akira Sakemaki is a legend in the film industry. His works have not only won numerous accolades domestically, but are also renowned internationally. The Rainbow-Colored Handkerchief is one of Akira Sakemaki's masterpieces and is widely acclaimed for its touching plot and outstanding artistic expression.

The most important thing is that he has actually seen this movie.

"Then Fujiwara-kun is coming to participate?"

"Of course, I must take such a good learning opportunity."

Fujiwara said in a somewhat excited tone, although he didn't know what he was excited about.

In my memory, Director Shumaki's memorial service led to another major event, that is, the first time Haibara Ai drank Laobaigan and became bigger. It seemed to be the first appearance of Belmod, and it was also the first time since the bombing of the video game company. The black organization emerged from the water for the second time.

But these things are things for later, after all, one billion yen has not yet appeared, let alone the woman from the dark organization.

The other end of the phone laughed dryly and said, "I knew Fujiwara-kun would be very interested, so we'll see you tomorrow and celebrate the release of the movie. By the way, the famous screenwriter Tokuo Iwase will also be there this time, saying Maybe you can get to know each other."

Thinking that this may be the relationship bridge that Director Ueki hooked up for him, even if Fujiwara is new to the world, he still understands its meaning. It is probably the kind of people in the circle who want to get familiar with each other. If you introduce him, the other party will also cooperate in the follow-up. More or less deflected towards him.

As the saying goes, it is difficult for one person to make a forest, and Fujiwara doesn't mind getting to know more industry leaders. Although he never expects to learn anything from them, the network of connections can be useful sometimes.
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  The next day, Fujiwara followed Director Ueki and his party to Director Sakemaki's studio.

This time we took a bus to go there. On the bus, Fujiwara looked at the people around him with some guilt. He found that almost everyone present was a big boss. It was not a study meeting for young talents as Director Ueki talked about. One of them is even a director as famous as Akira Sakemaki.

So this is not a gathering of young talents at all, but a spontaneous memorial service for the industry's top bosses to their deceased predecessors. Although it is not that formal, it is grand enough.

Fujiwara thought that he was just a transparent person and remained silent until the well-known screenwriter came over and chatted with him about White Night Walk. Fujiwara understood that almost everyone in this circle knew what he was hiding.

But this is actually normal. After all, Neon is so small and there are only so many authors who publish a book. These things are easy to know.

"It's hard to imagine that Mr. Fujiwara, who is so young, can write such an old-looking text. This is so rare."

Several people traveling with me also gave equally high evaluations. One of them said in a joking tone, "Actually, I suspected that there was a middle-aged man ghostwriting Fujiwara-kun for the first White Night Journey, but the successive publications made me I am completely convinced that a bright star may be born in the neon literary world.”

They can still say that someone has ghostwritten one movie, but they can't say that four people have ghostwritten it for four consecutive movies. And with such creative ability, who would be stupid enough to have someone ghostwrite for him? Moreover, the literary world has always recognized the existence of geniuses, and right now Fujiwara Hoshikai is obviously one of the geniuses.

"Ha ha ha ha."

After this, the atmosphere in the car became joyful, and everyone was praising Fujiwara, making him think that he was a genius and that these works were really what he wrote.

Although Fujiwara felt a little embarrassed, he humbly accepted everyone's compliments. He understands that there may be some exaggeration and polite words, but he can also feel the recognition and encouragement from industry leaders.

During the bus trip, Fujiwara was fortunate enough to have some exchanges with other directors and screenwriters present. They shared their creative experiences and perspectives, and discussed industry dynamics and future development. Although Fujiwara did not dare to speak easily in these discussions, he listened carefully and tried his best to absorb the wisdom and inspiration.

When they arrived at the studio, they were greeted by a strong artistic atmosphere. Well, this strong artistic smell is actually the smell emitted by the paint used for painting soaked in water, which is not a pleasant smell.

The interior of the studio displays director Sakemaki's works, sketches and film equipment, and is where his creative inspiration comes from. The walls are covered with his movie stills and award certificates, making people marvel at his achievements and talents.

Director Sakemaki's prototype Fujiwara is not comparable, but he is still a genius to achieve such an achievement.

In a corner of the studio, there is a thick manuscript with "Rainbow Colored Handkerchief" written on it. This work is one of director Sakemaki's masterpieces and a precious legacy he has left to the world. Fujiwara and others sat around the table and began to study the contents of the manuscript carefully.

Director Terao picked up the manuscript he had prepared in advance and began to tell the storyline and Director Sakemaki’s creative experience.

(Looks like he came prepared.)

He pointed out some details and techniques and explained the expression techniques and intentions used by the director in the film.

The movie images are reflected on the screen, full of director Sakemaki's unique artistic style and in-depth expression. Fujiwara sat in his seat and watched with rapt attention. Other directors and screenwriters also fell into the world of the movie, quietly enjoying this precious moment.

Director Sakemaki's son, who came after hearing the news after the movie, also thanked several people and invited them to attend the memorial service for Director Sakemaki to be held at the Abeido City Hall Building next month.

"On behalf of the family, I invite you to attend the memorial service to be held next month at the Abeido City Hall Building. Let us reflect together on my father's outstanding achievements and contribution to the film industry."

When Fujiwara heard about the memorial service, he immediately thought of the plot of the original work, but who can judge how long a month is? After all, Xiao Ai is not here now, so there is no use thinking about it.

In the evening, Fujiwara was led by director Ueki to have dinner with the film's creators to celebrate the upcoming movie.

After the preview screening of the movie, after receiving countless feedbacks, reshoots were made on the length and content of the movie. This can be said to be a true celebration of completion.

When the upcoming Death Note was mentioned, everyone unanimously raised their glasses and shouted, "Wish you a great box office success."

Seeing that everyone was so supportive, Fujiwara hesitated for a moment before everyone raised their glasses and shouted loudly.

When everyone was immersed in joy and guessing the movie's box office, Yoko, as the heroine, quietly approached Fujiwara who was drinking and gently pulled Fujiwara. After he turned his head, he quietly came over and said, "Did Fujiwara change his mobile phone number? "

"Yes, I changed it once."

"Can you tell me your new mobile phone number?"

"it is good"

(End of this chapter)