Chapter 45 Qu Yuan
Su Yue said: "Those who have been to high school should have studied "The Biography of Qu Yuan", let's review it."

King Qu Pingji was not sensible when he heard it, the frame-up obscured the light, the evil music harmed the public, and the uprightness was not tolerated, so he wrote "Li Sao" with sorrow and meditation. "Li Sao" means "Li Sao".

Heaven is the beginning of human beings; parents are the foundation of human beings. When a person is poor, he goes against his roots, so when he is extremely tired from work, he does not stop calling out to heaven; when he is sick and miserable, he does not stop calling his parents.

Qu Ping went straight on the right path, served his king with all his loyalty and wisdom, and slandered the world, which can be said to be poor. If you are trustworthy but you are doubted, if you are loyal but you are slandered, how can you not feel resentful? Qu Ping's "Li Sao" is based on self-pity.

"Guofeng" is lustful but not lewd, "Xiaoya" is complaining but not chaotic. If it's "Li Sao", it can be said to be both.

He is called Emperor Ku at the top, Qi Huan at the bottom, and Tang and Wu are described in the middle to clarify world affairs. The morality of the Ming Dynasty is widely respected, and the order of governance is endless. His writing is simple, his words are subtle, his ambition is clean, and his conduct is honest.

It is said that the text is small but its meaning is huge, and its meaning is far-reaching. His ambition is pure, so he is called "Fang Wu"; his behavior is honest, so he will not tolerate death.

From the dredging mud, the cicada is sloughed off from the filth, except for the floating dust, and does not get the filth of the world, and is immersed in the mud but not soaked.

If you push this ambition, you can compete with the sun and the moon.

……

The PPT Su Yue made was obtained from a teacher, so it can definitely bring back some people's childhood shadows.

Sure enough, a group of people wailed in the comments section.

I send my longing to the bright moon: Ah, ah, senior Qu Yuan, do you know how uncomfortable it is for me to recite "Li Sao"?

Not allowed to grow old in this world: Ahhhh, the shadow of my childhood. Qu Yuan, Qu Zi, if we feel wronged, we will go to Qin. Do you know how much psychological shadow your poems have caused to us?
Wan Ning couldn't sleep: That's right, I almost vomited at that time.

Fuling: College students are fearless!

……

Su Yue said: "Then let's take a look at the historical evaluation?"

Sima Qian's "Historical Records: Biography of Qu Yuan and Jia Sheng": "Although Qu Yuan was in exile, he paid attention to the Chu State because he had the king in his heart and did not forget his desire to rebel. He hoped that the emperor would realize it and change the customs. He saved the emperor and rejuvenated the country but wanted to rebel, an article Among them, there are three aspirations."

Ban Gu's Preface to Li Sao: "Although he is not a wise man, he can be called a wonderful talent."

Wang Yi's "Preface to the Songs of Chu": "The quality of loyalty and the purity of the body are as straight as stone and the face is as beautiful as a painting; when advancing, one does not conceal one's plans, and when one retreats, one does not care about one's fate. This is an act of unparalleled sincerity, and it is also the hero of a handsome man. .”

Liu Xie's "Wen Xin Diao Long·Bian Sao": "Without Qu Yuan, there would be no "Li Sao". Astonishing talent and elegance, high ambitions. Endless mountains and rivers, emotional and practical work. Metal and jade style, overflowing with beauty."

Hong Xingzu's "Supplementary Notes to the Songs of Chu": "Qu Yuan and Chu have the same surname. The same surname has no meaning." "The same surname combines kindness and righteousness, but Qu Yuan can survive?" "There is no one in Chu. If Qu Yuan leaves the country, Chu will be He will surely perish." "Although Qu Yuan was exiled, he wandered around and did not go to Chu. The meaning was that he could not fight for strong advice in life, and he would still hope for his feelings in death." "Although he is dead, he will not die."

Li Bai's "Yin on the River": "Qu Ping's poems and poems hang over the sun and moon, and the King of Chu's terrace is empty on the hills."

Su Shi: "I have been admiring my writing all my life, but I can't reach it by any chance. Only Qu Zi has one ear."

Zhu Xi's Annotations to the Collection of Songs of Chu: "Entrusted with this journey, he traveled up and down, and then died back to Chu Yan; this is also the end of benevolence, and the end of righteousness."

Liang Qichao: Qu Yuan is "the ancestor of Chinese writers."

Lu Xun's "Outline of the History of Chinese Literature": "Compared with "Poetry", its words are very long, its thoughts are very illusionary, its writing is very beautiful, its purpose is very clear, and it speaks from the heart and does not follow the rules... Its influence on Later articles may even number more than 300.”…

Su Yong said: "Qu Yuan, as the source of romanticism, is highly praised by literati of all dynasties and generations. It's a pity that someone wants to snatch such a great figure."

Not allowed to grow old in the world: Little Xiba just steals the country and wants to steal everything.

I send my love and affection to the bright moon: Little Xiba is a thief, and Little Neon is a robber. They are indeed good brothers.

Wan Ning can’t sleep: Hey, if someone else’s application for World Heritage is successful during the Dragon Boat Festival
No trace of it: Qu Yuan's great achievements in his life were not destined to him, but the noble feelings carried by his words have long been integrated into the blood of the nation. When we suffered setbacks and faced hardships, Qu Yuan stood by our side and told us how to walk.

Community of contradictions: Qu Yuan, his life was romantic and romantic, his moral character was noble, and his beauty was unlike any ordinary person.

……

Warring States Period
Qu Yuan looked at the sky and suddenly smiled. The source of romanticism? It's good, at least someone remembers him.

He looked at the bamboo slip in his hand. The word "Li Sao" was very obvious on it. He remembered those who complained about the difficulty of "Li Sao" in the comment area, and couldn't help but smile, so he would write more.

And the future generations of students in this plane can't help crying, why do you plant trees to make me suffer?

Look at Qu Yuan's "Li Sao". It's thicker than a dictionary. Is he normal? That so-called Tianmu, and that Su Yue, I hate you!
汉朝
Sima Qian looked at the "Biography of Qu Yuan Jia Yi" he had just started writing, and was a little speechless. How could Tian Mu know everything. How do you ask him to write this?

Tang Dynasty
Li Bai looked at Qu Yuan's deeds and took a sip of wine. He always felt that he and Qu Yuan had many similarities.

How about writing some poems for Qu Yuan? It doesn't seem impossible.

Li Bai is thinking about new poems here, and Su Yong has already started talking about another person: "We know that the full name of "The Biography of Qu Yuan" is "The Biography of Qu Yuan and Jia Yi", and the other protagonist is Jia Yi. He is also the author of "The Theory of Guo Qin", we Let’s talk about him by the way.”

Jia Yi (200 BC - 168 BC), a native of Luoyang (now Henan), was a political commentator and writer in the early Western Han Dynasty, known as Jia Sheng in the world.

Jia Yi has a rare reputation for talent. When he was eighteen years old, he was known as a good writer by the county people.

Emperor Wen of the Han Dynasty was a doctor at that time and moved to Taizhong to be a doctor. He was ostracized by ministers Zhou Bo and Guan Ying and was relegated to Changsha Wang Taifu, so later generations also called Jia Changsha and Jia Taifu.

Three years later, he was recalled to Chang'an and became the Taifu of King Huai of Liang. King Huai of Liang fell from his horse and died. Jia Yi felt deeply guilty and died of depression. He was only thirty-three years old.

Sima Qian sympathized with both Qu Yuan and Jia Yi and wrote a joint biography of them. Later generations often referred to Jia Yi and Qu Yuan as "Qu Jia".

Jia Yi's works mainly include prose and poetry. His political essays commented on current affairs, with a simple and solemn style and lively discussions. Lu Xun called them "Hongwen of the Western Han Dynasty". His representative works include "On the Passage of Qin", "On Accumulation and Storage", "Chen Zheng Shi Shu", etc.

His poems and poems are all in Sao style, and their forms tend to be scattered. They are the forerunner of the development of Han Fu, among which "Diao Qu Yuan Fu" and "Song Bird Fu" are the most famous.

I send my thoughts to the bright moon: they are depressed and frustrated, they are really alike.

Don’t let the world grow old: Yes, they really look alike.

……

(End of this chapter)

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