After we broke up, my ex asked me to attack her

Chapter 213 Everything is in chaos

Christine stretched out her hand to wipe away the non-existent tears for the ugly Phantom of the Opera. The Phantom of the Opera stared at her blankly, not even knowing that the hand covering her disfigured face dropped unconsciously.

This scene is extremely beautiful to the audience.

Christine, who saw the cruel and ugly side of the Phantom of the Opera, forgave him like a saint and saw through his tearful heart. Her kindness suppressed her inner fear and chose to accept it.

How holy is this!
Although this is a plot beyond the script, it brings another level of touching to people.

However, this scene has another meaning in the eyes of those who know it.

Whether it was Aishiro Karou in the audience, Kohinata Moyo in the background, or Ayanokouji Chiyo who ran from the backstage to look at them behind the curtain, they all understood the true meaning hidden in her words.

"Fear can turn into love. I will learn to understand the man in front of me, the beautiful man hidden behind the monster. Don't be fooled by the ugly appearance, and discover your kindness and your warm heart."

On the surface, Kirizuna is talking about The Phantom of the Opera, but actually she is talking about herself.

Fear, monsters, ugly appearance - these all represent the harm she once caused to Kagura Hikari.

The ability to distinguish between truth and falsehood tells him that this is the taste of truth.

After the curtain fell, the lights on the stage came on. Kirizuna discovered that Kagura Hikari had walked off the stage in the dark, leaving only a dark figure behind.

She vaguely regretted it. She originally wanted to apologize, not confess, but the words changed somehow as she spoke.

Kagura Hikari did not answer directly, but Kiri Hina seemed to already know his answer, and lowered her head in despair.

Kirizuna straightened her expression and walked over slowly with a smile.

How can this be successful?

".Um."

A sudden confession without any foreshadowing is such a loss of points.

She hoped that Kagura Hikaru could look beyond those bad things, and even if she couldn't forgive, she still wanted to see her true feelings.

In her opinion, maybe all her actions are unreasonable.

The Phantom of the Opera reached out and grabbed the mask that belonged to Christine, took two quick steps past her, turned her back to her and put on the mask, bowed her head in silence for a while, and said: "Let's go, I'll take you back. If you don't show up again, the troupe's People should be anxious.”

Things have come to this point, it really has come to this point, why did I only tell him this now?

It's too late.

The lights on the field dimmed, the curtain lowered, and the audience wailed from the stage.

Kagura Hikaru is not stupid, he understands the deeper meaning of the lines faster than anyone else.

"I still want to see the follow-up!"

She was wearing male clothes, holding her hands and staring at others so coldly, which really made people feel uneasy.

"Hurry up, you're from the drama club!!"

That silent confession was conveyed extremely clearly.

Instead, there was Chiyo Ayanokouji standing at the entrance to the backstage, staring directly at her.

"That's it for the second act, and we have to prepare for the closing again?!"

Then he stopped just outside the approximate attack distance of Ayanokouji Chiyo.

The two looked at each other quietly.

People from the drama department around me came and went in a hurry, constantly changing the props on the stage.

"What exactly do you want to do?" Chiyo Ayanokouji asked after looking at each other for a long time.

"What do I want to do? As you can see."

"In other words, you must be against me." "I'm not targeting you, it's just that our goals happen to overlap."

Kirizuna said with a smile.

There was no trace of shame in his eyes.

It was as if the identity of someone else's boyfriend had no binding effect on her.

Ayanokouji Chiyo laughed in anger.

This kind of wanton behavior, doing whatever he wants, full of selfish behavior. He is indeed her old enemy, and every move he makes makes her feel disgusted from the bottom of his heart.

"I won't give it to you." Ayanokouji Chiyo said seriously.

"It depends on his own wishes, right? He is not your stuffed toy, Ayanokouji Chiyo-san."

"I will return this sentence to you intact. Don't forget what you did to him before."

Kirizuna's face changed slightly: "That was a misunderstanding."

"Ha." Ayanokouji Chiyo laughed out loud like a cat that had caught a mouse by its tail. "I don't know whether to call you naive or what. How do you still have the nerve to reconcile with him now?"

"That's Hinata Soyo-chan's fault!"

"It doesn't matter whose fault it is. What's important is that you don't have the ability to distinguish lies. This is the biggest mistake."

Kirizuna was stunned, suddenly not knowing whether to laugh or cry, and fell silent for a moment.

She suddenly realized that she seemed to be no different from Ayanokouji Chiyo in front of her.

They are all slaves of fate, clowns who make people laugh.

"That's enough, you should think about how to continue this scene." Suddenly losing interest in the conversation, Kirizuna waved her hands and walked off the stage.

Ayanokouji Chiyo looked back at her and frowned: "How to continue acting? What does this mean?"

"It means that it's time for you to read the new script. Don't screw up the performance then, President Ayanokouji."

If these words have any meaning.

Ayanokouji Chiyo seemed to remember something, her expression changed, and she quickly followed him down the stage.

Kiri Hina suddenly stole the lines of The Phantom of the Opera before, creating a strange atmosphere.

As someone watching the scene, Ayanokouji Chiyo could clearly feel that there was an invisible red thread connecting Christine and the Phantom of the Opera in the play.

According to the general logic of the drama, the subsequent plot should revolve around the emotional development of the two of them.

But the key point is that the play "Phantom of the Opera" was not originally about this kind of plot!
Where is Raoul? What will happen to the pure love warrior who was supposed to be Christine's original wife, fight against the control-freak Phantom of the Opera, and take back her beloved from the monster on this stage?

The plot points that Kiri Hina changed without authorization are exactly the hidden key nodes of the whole drama.

Christine chose to stay away because of her fear of the Phantom of the Opera, and the Phantom of the Opera became even more crazy because of the distance from her beloved, so much so that she committed a murderous tragedy, and then became more and more out of control.

It can be said that it was Christine's fear and rejection of the Phantom of the Opera that indirectly caused the series of tragedies that followed - although there is nothing that can be done about it. You can't force a woman to like her. Fuck another man.

But on the other hand, if Christine fell in love with the Phantom of the Opera and became a couple with him, then basically all subsequent tragedies could be avoided.

Christine can be a good controller, using love to suppress the rampage of the Phantom of the Opera.

At the end of the original plot, Christine also used love to influence the Phantom of the Opera, and took the initiative to throw away the original winning ending and return her to Raoul, her love rival.

But when Kiri Hina did this, the plot was completely messed up.

If Christine and the Phantom of the Opera were together, at least half of the script Ayanokouji Chiyo originally memorized would have to be overturned and rewritten! !
How much does Kirizuna like to cause trouble for others!

(End of this chapter)