After we broke up, my ex asked me to attack her

Chapter 219: Cheating Girl
"The Triumph of Don Giovanni" is one of the Mozart operas of the same name. It tells the story of a romantic man named Don Juan who used cunning and deceptive methods to seduce women, and was eventually killed by a ghost because of his romantic affair.

The prototype of this character comes from the protagonist of the long verse novel "Don Juan" written by the British poet Byron. He is also characterized by being romantic and popular with women.

It's just that in the opera "The Triumph of Don Juan", Don Juan appears as a villain-like protagonist. He has done all bad things and has no regrets. In the end, he is dragged to hell by the people he once killed.

"The Triumph of Don Juan" adapted by the Phantom of the Opera himself is a brand new story based on the original opera.

At the beginning, with a luxurious European-style mansion as the background, two male actors playing Don Juan and his servant Pasrino walked out from both sides of the stage.

Don Juan: "Pasrino, my friend, tell me the plan again!"

Pasrino: "Let me repeat the plan once and make the master think that I am you and you and I are Don Juan and you are the servants."

Don Juan laughed proudly: "Put on my cloak, put on my mask, and meet him. He thought it was me having dinner with him, in this luxurious masquerade! You are here Eat and drink, I’ll go have a tryst with the girl.”

Pasrino took over Don Juan's mask and cloak flatteringly: "Poor girl, she has nowhere to escape."

What they were discussing was how to deceive the owner of the mansion into thinking that the servant was Don Juan dining with him.

At that moment, a spotlight suddenly fell on the stage, revealing Raoul, the troupe manager, and several policemen wearing dark blue police uniforms and holding long guns lurking in the corner.

"Owner."

They did not rush onto the stage immediately, but carefully formed an encirclement under the stage to prevent him from escaping.

However, the only thing he didn't expect was that on the edge of the stage, Christine did not follow the plan, but went on stage to perform despite the dissuasion of the troupe members.

After talking to the servant, Don Juan laughed and walked into the dressing room, intending to exchange clothes with him.

He is no longer dressed like a big bat. His cloak has been replaced by a black one-shoulder cape. His upper body is a white low-cut shirt and slim vest, and his lower body is tight leather pants, which accentuate his tall and tight figure and long legs. There is a masculine sex appeal.

Because the Phantom of the Opera wore the same mask as the disguised Don Juan, the actor playing the servant outside was not recognized at all.

The actor of the servant did not have the slightest suspicion, thinking that everything was going smoothly according to the script. After bending down and saluting, he turned around and left the stage quickly.

The real Don Juan went to have a tryst with the daughter of the owner of the mansion.

But what came out a few seconds later was the Phantom of the Opera dressed in black.

The Phantom of the Opera stood not far away, staring fixedly at Christine, who was walking from the other side of the stage, holding a flower basket and wearing a long dress.

Raoul had planned everything.

The stage will be stopped next, and the performance will resume after the police have arrested the person. I believe the audience will not blame this little episode.

This is the dastardly plan of the philanderer Don Juan.

After he left, the Phantom of the Opera slowly lowered her cape.

The Phantom of the Opera raised her hand and covered the lower half of her face and body with her cloak.

"Go, Pasrino, the trap has been set, just wait for the prey to appear."

As the Phantom of the Opera lowered its cover, they immediately realized that the Phantom of the Opera had appeared and was still in the center of the stage, and they immediately became alert.

The last time the Phantom of the Opera ruined a play and drew swords against the noble Viscount Raoul in an undeclared war, this had violated the law. Raoul took the initiative to call the police to intervene in the arrest. To ensure nothing goes wrong.

The spotlight shines on her and moves with her as she walks.

"There is no other dream in her heart, except the dream of love. When I come here, I don't know why I came."

Christine plays the aristocratic daughter who will have an affair with Don Juan: Ella Villa.

She came to the center of the stage, looked around the audience, sat down slowly, made a waiting gesture, and fiddled with the roses in the basket, looking uneasy. This uneasiness is the uneasiness of the character in the play who is about to have a tryst with her lover without telling her father, and it is also the uneasiness of Christine about the Phantom of the Opera going to the meeting alone.

She didn't know if the other party knew that Raoul had laid a dragnet to catch him.

Christine broke the plan and came to the stage just to remind the Phantom of the Opera of this - when the last resort comes, she can be used as a hostage and hold her hostage to escape.

The Yuqiu students in the audience may not be able to appreciate this meaning, but they can roughly understand that Christine must have wanted to sacrifice her life to help the Phantom of the Opera despite the obstruction.

The feelings between the two of them are already coming out.

Raoul, who had not expected this at all, could only stop the police and ask them not to act rashly, so as not to force the Phantom of the Opera to hurt Christine. He was spinning anxiously in the audience.

"What do you want, Christine?!"

"You're here, here, pursuing your deepest impulses, pursuing that desire."

The Phantom of the Opera moved, singing lines from "The Triumph of Don Juan" as she walked down the stairs toward Christine.

This line is no longer limited to lines, but the Phantom of the Opera's inner monologue to Christine.

"I have shown you that this passion will melt and combine. In your heart, you have surrendered to me, dropped all your defenses, surrendered completely to me. Now you are with me, there is no second intention, you have made up your mind. "

The Phantom of the Opera stretched out her hand, and Christine looked at him blankly, and also stretched out her hand to take it.

The Phantom of the Opera suddenly pulled her into his arms with force, went around behind Christine and hugged her, caressing her neck with one hand, and her singing became rough.

"Furious emotions will engulf the soul! Abundant desires will burst out, and sweet temptations lie ahead."

As the Phantom of the Opera approached, Christine whispered to him: "Be careful, Raoul is waiting for you, and the police."

"I know."

The Phantom of the Opera also whispered in response, and then continued to sing: "We have crossed the starting point of no return. This last threshold, the indescribable secret is waiting for us, just after the starting point of no return."

Christine gently broke away from him, took a step forward, and stroked her chest: "You have let me see your love. At that moment, the words flowed out and dried up. At that moment, the words disappeared without a trace and turned into silence."

The words gradually became low, profound and unpredictable.

"When I came here, I didn't know why I came. I had already imagined in my mind that our bodies were intertwined, silent and undefended."

She turned back, looked at the Phantom of the Opera affectionately, and slowly approached: "Now that I am with you, there is no second intention - I have made up my mind."

She showed a firm gaze that did not belong to a stage actor.

Ella Villa, who falls in love with Don Juan, and Christine, who is determined to advance and retreat with the Phantom of the Opera.

Also, Kiri Hina, who loves Hikari Kagura.

The three become one at this moment.

The lines in a drama do not represent the actor's true heart, so Kagura Hikari can only smell lies on the stage, which is normally the case.

But once again, he smelled the real fragrance of vanilla from Christine, who was deeply in love with the Phantom of the Opera, and Kirina Hina, who played Christine opposite him.

It was the taste of truth, with no lies hidden in it.

She said she had made up her mind.

What determination?
The Phantom of the Opera was shaken for the first time on the stage. As if stung by the dazzling emotion in Christine's eyes, he avoided Christine's sight.

(End of this chapter)