Entertainment: From the Octagon to the big screen

Chapter 242-Why did Dilraba accept bad movies? (Seeking for further reading)
Why would an artist or actor accept the script even though he knew it was so bad? It is really not convenient for Dilireba to answer this question in public.

In fact, this involves how artists and actors' teams choose projects and what specific factors they will consider during the negotiation process.

Although in an "ideal state", script structure, character setting and plot logic are the basic hardware conditions for judging whether a drama is good or bad.

However, as an artist or actor's agency, it must consider all aspects of its contracted employees and make a long-term career plan.

Therefore, we cannot just look at the pros and cons of the script, but also need to comprehensively weigh many other conditions, restrictions and even the subsequent aftermath.

Previously, when Yang Mi and Dilraba Dilraba were on the rise in their careers, the first thing their respective teams saw when accepting a role was the production team of the movie or series.

Agents with relatively average business skills will pay attention to who the directors, producers, and screenwriters are in the team.

Agents with more work experience will directly turn to the end of the first page of the plan text to read the issuer!

And straight to the point, who will sell this work?
And who will it be sold to after all the work on the film is completed?

Now everyone may be discussing more openly whether there is a confirmed broadcast platform for this work, whether it will be on the stars or on the Internet.

According to the tips summarized by Dilraba, two major categories of situations need to be considered when choosing issuance:

The first point is commercial value, that is, the publisher owns or has access to a good platform, which allows the work to be seen by more audiences;
The second point is the ability to compete for awards, that is, the distributor will elevate this work to a certain dimension so that the main actors have the opportunity to win honors.

For example, Yang Mi is currently filming "Baby" with all her heart and soul. She added relevant terms and details to the contract to make Yang Mi so serious.

Yang Mi's dedication and focus on the "Baby" crew have been unprecedented in the past seven years.

Producer Hou Hsiao-hsien and director Liu Jie were both full of praise for Yang Mi's work attitude in interviews.

Even Guo Jingfei, who had been in contact with Yang Mi before, thought that her body had been taken away and her soul had been replaced.

But in fact, it is because this film will 100% be shortlisted for the main competition section of the San Sebastian International Film Festival and Yang Mi has the opportunity to win it in one fell swoop.

But generally speaking, everyone will consider the first point first, that is, the completed movie or series can get more exposure opportunities and be seen by the audience.

Regardless of whether it is a star or a webcast, everyone must know that my artists and actors have filmed this work; and we must not let the artists and actors perform very well in this work, but not fucking show it to the audience. , fans are so happy!

Rising artists and actors are most afraid of wasting such critical opportunities.

After reading about the distribution and completely confirming the broadcast or release channel, the more experienced agents will go back and carefully look at the director and producer combination.

According to the crews that Dilraba has participated in, the director is still mainly responsible for controlling the artistic content in China, and the function of the producer is more focused or administrative.

However, situations like "Fire Song" where Dilraba, the producer and heroine, interfered significantly with the established script are by no means an exception.

However, the life of the director and the production team is not fixed either.

For example, if a director is on the rise and a very mature production partner, the latter will most likely help with issues such as actor auditions and script revisions.

On the other hand, if a director's abilities, resources, and status are enough to manage the situation on his own, he will find a producer who specializes in logistics support to help.

Therefore, who has the greater say, the director or the producer, depends on the specific situation.

As a new producer who "doesn't understand anything", Dilraba was able to dominate the cast of "Fire Like a Song" mainly because of the poor performance of the two directors.

Speaking of which, everyone can know the level of directors and producers through the projects they have participated in.

Or you can basically judge the director's specific production capabilities and status by looking at his resume.

Brokerage companies can generally provide a quality trend curve of a director or producer's work within three years.

In addition, Dilraba's team will also refer to the relationship channels behind the director and producer when taking on projects, even if Dilraba's student is now standing next to Chen Yu.

After reviewing the distribution, director, and production, agents with more experience will review the script.

After all, the plot logic, character settings, and character positions of the script directly affect artists and actors.

But based on Dilraba's past experience, if she is still in the mood to read the script after seeing the distribution and production team, then she will probably take on the project.

As for the number of roles you play in the work, how to order the roles, and whether the character setting is closely consistent with your future development direction, these are closely related to the cost issue that needs to be discussed later.
After talking about the above four items, we basically have to talk about cost, time and schedule. These are controllable factors that are relatively objective and easy to negotiate.

Many people outside the industry think that when talking about film and TV series projects, shouldn’t we talk about the schedule first?
Artists or actors must have enough time before they can join the crew and start filming.

To be honest, the start dates of most film and TV series projects are very vague. Some are divided into sections by month. For example, the production may start between March and May.

"The Worry-Free Grocery Store" starring Dilraba Dilraba will start shooting around May. As for the left or right direction, it is still unknown.

Now when she is interviewed, she can only say that she is ready to join the group and is waiting for the call from "Jieyou Grocery Store" at any time.

Now, including major dramas, the launch time will not be stuck to a specific date, except for mission works assigned by superiors and subordinates.

In that kind of work, if you turn on the computer a minute late, you will be held legally and politically responsible. Therefore, while the management team is in touch with the project at hand, it does not delay the artists or actors from contacting other film and TV series productions.

Therefore, as long as artists or actors are not recruited into the "task crew" just mentioned, they generally will not be entangled with time issues.

"Operation Icebreaker" has not officially started shooting, but because the schedules of the leading actors did not conflict, they were put together to shoot for ten days.

Therefore, the time of this project is very controllable and adjustable.

The reason why Yang Mi was scolded for skipping the show was actually because she was jumping back and forth among the crews that started filming one after another, rather than working in a seamless manner.

In addition, Yang Mi also suffers a bit from the employment contract. Now Dilireba's contracts are based on stage intervals or number of days.

After staying in crew B for one week according to the contract, she turned around and went to crew C.

Since "Tiansheng Changge" was officially notified to start filming on May 20th, Li Yitong, who was filming "Begonia, Rain and Rouge", will take advantage of the contract terms to leave the crew temporarily.

After ten days of filming for "Tian Sheng Long Song", I will return to the crew of "Begonia Ching Yu Rouge" to catch up on the character's progress.

Of course, there are also artists or actors who will always be with the crew. Previously, Zhao Liying, Yang Zi, and Cheng Yi had basically never been with other crews when filming the "Qing Yun Zhi" series.

Not to mention that the question of whether she is popular or not depends mainly on her attitude. Now, didn't Yang Mi give up the opportunity to go to Thailand with Chen Yu to record "Chinese Restaurant" for "Baby"?

To be honest, if Yang Mi had helped watch Chen Yu, perhaps the series of conflicts between the guests and the program crew would not have happened.

Through the logical sequence and conditions for accepting projects summarized by Dilraba, we can see which factors she paid more attention to when her career was on the rise.

First of all, in terms of money, artists or actors who are on the rise care more about long-term development in the future, that is, whether she (he) can be tied to a good team.

It's a pity that the artists or actors under Shangjiaxing have done very poorly in this regard. I believe fans know the specific reasons.

Therefore, even if Yang Zi's experience as a child star is excluded, she was already several positions ahead of Dilraba from the moment she started.

As for why Yang Mi suffered the same losses again in Dilireba’s Jiaxing? It can only be said that Jiaxing cannot change due to its own limitations.

Secondly, Dilraba will also value whether this work can gain enough exposure and promotion on a larger platform.

The importance of this point is actually far better than that of Dilraba making a good work but it cannot be broadcast or the quality of the platform is too poor.

After all, during the rising period, a large number of appearances are needed to ensure that. If you sharpen your sword for three years, you will miss the golden time to make a breakthrough.

Therefore, Dilraba's team relaxed their requirements on the essence of the drama and focused instead on platform, team, quantity and money.

As for why excellent distributors, directors, producers, and artists or actors get together to invariably pick up bad movies, it probably involves human relationships.

Another possibility is the relationship of interest.

For various reasons and countless considerations, a certain employer wanted to smash such a promising drama. The budget was sufficient and the platform it was connected with was also very high-quality. The director and producer were among the top names in the industry. Only the script was It’s an obvious logical loophole, but artists or actors will pick it up if they want to sell investors and the platform.

Furthermore, artists or actors have already tied up other film and television projects when talking about this drama.

You come to my place to help with this film, which is of poor quality. According to the employment contract, you can join the crew again next month to "recover".

It was because of this that Dilraba took on "The Worry-Free Grocery Store". Wanda and Emperor asked Dilraba's studio to invest in "Detective Chinatown II" out of favor of Chen Yu, to compensate for the potential impact of this movie on Dilraba. Ba's various losses, after all, the script of "Jieyou Grocery Store" was changed too badly.

Otherwise, the producer, Mr. Ao Zhijun, would not have left his post angrily, and Emperor would have had to invite Mr. Dong Yunshi to take over the class.

Fans wonder why Dilraba took on such a shabby project. In fact, the employer or the platform has already secretly compensated her.

Therefore, Chen Yu thinks that Alice should mind her own business and there is really no need to worry about Dilraba taking on shabby projects.

This kind of funny behavior is basically equivalent to ogling a blind man.

In addition, Dilireba's work focus is currently changing.

She was planning to get married and have children with Chen Yu in two years, and she began to slowly move closer to her family.

Therefore, Dilraba, who is gradually becoming a Buddhist, has basically reached peace with her acting career except for paying attention to a few things.

In other words, it is moving toward a flat state.

Acting in another serious drama, creating a small-time hit puppet, stepping on Yang Zi and Zhou Dongyu and surpassing Li Yuchun in the fashion field, this is what Dilraba is thinking about.

The last one is easier to achieve because Chen Yu is there.

But the first two depend on opportunity.

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(End of this chapter)