Entertainment: From the Octagon to the big screen

Chapter 738 - Even You Are Squeezing People In

The Hollywood shutdown has lasted for 41 days, and the Screen Actors Guild and the Alliance of Television and Television Producers still have no intention of restarting negotiations.

This has led many low-level American actors to pack their bags and head to Canada, Mexico, Colombia, Europe, South Korea and Japan to make a living.

Recently, the number of erotic videos in North America has increased dramatically, and several well-known adult erotic websites have even experienced a backlog of submitted videos.

A number of high-quality goods have also been introduced to strip bars in major cities such as Ottawa, Toronto, Miami, New York, Bogota, and Cali.

After all, a group of low-level American actors need money to maintain their lives and dreams, so going north or south to sell sex is a good choice.

As for those comrades who travelled across the oceans to England, France, Germany, Spain, Italy and the Netherlands to play small roles and hone their skills, to be honest, they only accounted for a minority of this group.

In addition, those who can cross thousands of miles and successfully enter the East Asian and South Asian film and television markets all have connections behind them.

The two actors who acted as Chen Yu's stand-ins for the car racing scenes in "Fast & Furious Hobbs & Shaw" and "Sicario 2" flew to South Korea, Japan and China to make money in a very cool and comfortable manner through Chen Yu's introduction.

The two brothers are currently in Shanghai. Dilraba Dilmurat, for the sake of her husband, put them into the idol drama crew as action and stunt instructors.

The two brothers are actually just there to make a name for themselves and get paid. As long as "The Mystery Story" is restarted, they will immediately return to Chen Yu and continue to be his stand-ins for dangerous stunts.

The crew that the two brothers were listed in was the idol drama "Dear, Loved" starring Li Yitong, and there was no fighting or car racing scenes at all.

In addition, Chen Yu’s loyal follower in China, Luo Weilin, also served as the production director of the "Dear, Beloved" crew.

Today, Luo Weilin is a representative example of a person who has made a comeback. He has successfully transformed himself from an unknown small stage manager to a dignified production director by cursing at domestic media, opening the head of a Vietnamese reporter with a glass ashtray, and beating up a Russian band together with Chen Yu during the rehearsal of the New Year's Eve concert.

Luo Weilin’s current achievements are entirely due to his courage to fight and take risks.

On the other hand, the presentation of fish is also extremely particular.

However, it caused the two directors of "Dear, Loved" Xiang Xujing and Li Qingrong to suffer a lot and complain secretly.

After all, Luo Weilin had worked as a grassroots theater manager before, so he knew very well how to squander the investors' funds.

Naturally, Yemen Qing does not know how to curb such behavior. Xiang Xujing, Li Qingrong and others now want to buy some small things and use their power for personal gain, which is a great difficulty and a great effort.

To be honest, all functional departments of the crew have a very good reputation for Luo Weilin.

Because this guy never cares about normal losses, he never says a word when it comes to spending money, and he can guarantee the quality.

With this pragmatic attitude alone, he is better than more than 80% of production directors.

At least Xue Dan, who took over the crew from Dilraba Dilmurat, had a very good impression of him. Luo Weilin did not neglect his duties and wait for death just because he was Chen Yu's close follower.

Many times, Xue Dan even had to play the role of peacemaker and directly mediate the conflicts between the production director and the director.

Luo Weilin has excellent control over the two tasks of finance and procurement.

But he also has obvious shortcomings, that is, he is too tough, or too domineering when facing the media. It has become a regular feature for Luo Weilin to scold reporters and paparazzi on the set.

He made a comeback by insulting reporters.

Nowadays, Luo Weilin still remembers his original intention.

Xue Dan once received complaints from more than 20 media outlets within two hours.

They all strongly demanded that the mad dog be replaced, or that a strong rope be found to tie it securely to the fire hydrant.

In addition, fans of actors such as Li Yitong and Li Xian also frequently filed complaints.

Because Luo Weilin also strictly manages interactive behaviors such as fan club members, big fans taking photos for them, visiting the set, and sending drink (dessert) trucks.

All activities organized spontaneously by fans must be reported to the crew in advance, otherwise no support will be given.

Although fans hate Luo Weilin, Li Yitong and Li Xian are very grateful. Dealing with fans is a job in the entertainment industry, but artists will inevitably want to be lazy after work or when they are tired.

Now that Luo Weilin has taken the initiative to step forward as the first line of defense, he will naturally win the favor of the artists.

It’s just that Luo Weilin has Chen Yu’s support and doesn’t care about the young artist’s opinion at all. He does this purely because of his duty.

As Chen Yu's loyal lackey, the level of people he comes into contact with is completely comparable to that of Xue Dan, who is the second-in-command of Dilraba Dilmurat's studio.

Di Lieba Studio has outstanding performance, healthy financial reserves and turnover, and is not short of high-quality film and television resources, which makes executives such as Xue Dan, Yan Zi, and Ling Ling very confident.

If Di Lieba and her management were not unwilling to expand the scale of operations, domestic media would have already praised Di Lieba Studio to the skies.

To be honest, the leaders of Dilraba Dilmurat's studio are very clear-headed.

They know very well that the studio's current success is due to external support.

How to get high-quality film and television resources?
Other companies and artist teams have to spend real money or even sacrifice their looks, but Dilraba Dilmurat's studio can just call the boss lady.

Mobilize overseas resources for replacement.

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Domestic producers and large platforms have always wanted to move beyond Asia and squeeze into the European and North American markets to promote China's power and make money for themselves.

Therefore, Di Lieba Studio became a relay station.

Moreover, he is a stable, reliable and affordable broker.

As long as Chinese filmmakers remain ambitious to reach Europe and North America, the Di Lieba Studio will be able to maintain healthy development.

On the contrary, if domestic peers wake up and break away from the European and American film and television markets, then Di Lieba Studio will inevitably close down at the first opportunity.

Although Tencent, Youku and iQiyi are much larger than Dilraba Dilmurat's studio, they are not accepted and trusted by old European and American capitals like Chen Yu.

Chen Yu's roots are all in Europe and America, and most of his assets are also here. Now his child is about to be born and will be an American citizen!

So it no longer matters whether Chen Yu becomes an American citizen.

Of course, the situation is also clear in China.

No one is blind or stupid, they just take what they need.

Jiang Wen's efforts to persuade Dilraba Dilmurat to invest in "Turandot" is basically the same as the above situation. It must be a win-win situation for everyone if they can achieve a joint cooperation.

Even if Di Lieba was not fooled, there was no need for her to grit her teeth and stamp her feet. The purpose of establishing a channel of communication with Chen Yu had already been achieved invisibly.

In short, Jiang Wen always gains something.

As for the specific reason why Dilraba didn’t like the performance of “Turandot”, it was mainly because the first version of the adapted script looked particularly confusing.

Because Zheng Xiaolong and Wang Xiaoping wanted to tell the story so clearly, and were also thinking about laying out suspense for the second part, the behavioral logic of a number of characters is questionable.

And Di Lieba doesn’t think Guan Xiaotong can support the female lead.

Di Lieba always felt that this girl was similar to herself, and she could only be a vase to show off her looks while she was young and beautiful.

As for business ability, that is not the century-old problem they need to consider.

Anyway, in her heart, Guan Xiaotong's professional skills are not as good as that of the talkative princess from Tianjin.

It’s just that Song Zuer always likes to take risks and take shortcuts.

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(End of this chapter)