The Best Actor in the Vase of Meiyu

Chapter 274 Sorting out the sparks
Anson raised his chin slightly, showing a look of understanding, but did not speak in a hurry. Kristen's idea was correct, but he also needed to organize his thoughts:

The key, where is it?
Mary Jane fell in love with Spider-Man, and then fell in love with Peter Parker. Here, the screenwriter played a trick. It was a natural and logical thing for the audience, because they knew that Peter Parker was Spider-Man. When watching the movie Complete the handover without any hiccups.

But for the actor, there was a missing piece of information, how Mary Jane fell in love with Spider-Man while also falling in love with Peter Parker, and she was dating Harry Osborn at the time.

In the previous life, the "Spider-Man" movie failed to explain the logic behind it clearly. Instead, it cleverly used the information gap that the audience knew about Spider-Man's true identity to complete the story and quietly complete Mary Jane's emotional context.

Maybe when watching the movie, the audience cannot notice the weirdness here, but when they calm down, they can notice the irregularity and roughness. The effect presented to the audience is that Mary-Jane changes her mind when seeing different people, and falls in love with each other.

It is a heavy blow to the fullness, three-dimensionality and charm of the character.

There is a phenomenon called the "refrigerator effect" in the film industry.

In other words, if the audience is completely attracted while watching the movie and does not notice any abnormalities at all, and does not realize the logical errors or plot flaws of the movie until they go home and open the refrigerator, then the movie is successful.

After all, movies are also created by people, and there are bound to be some errors and loopholes; but the real charm of a movie lies in the immersion during the movie viewing process, so as long as the audience does not notice anything unusual before opening the refrigerator, there will be no problem.

Within the reasonable scope of the "refrigerator effect", some defects and errors can be tolerated.

Such as the emotional context of Mary Jane.

Will this affect the movie's box office? Won't.

Will this limit the achievement of classics? meeting.

This is also the source of Kristen's doubts. Her question is not just when Mary Jane fell in love with Peter Parker, but more precisely, what role Mary Jane played in Peter Parker's transformation into Spider-Man. ?
In fact, Sam has been trying to write Mary Jane alive:

When Mary Jane fell in love with Peter Parker, but Peter Parker refused Mary Jane's confession, it was because Peter realized the meaning of "with great power comes great responsibility", and he needed to shoulder this weight alone, otherwise Mary Jane You will only encounter misfortune like Uncle Ben. Rejection is not because you don’t love, but precisely because you love too deeply.

This arc would not only complete Peter Parker, but also give Mary Jane the same weight in the movie as Uncle Ben.

However, factors such as the lack of a script and the length of the film limited Kristen's performance. In the end, Mary Jane was reduced to a vase, just like a toy in the feud between Harry Osborn and Peter Parker.

For commercial films, this kind of situation is common; but Sam's original intention is to shoot a youth growth film, so this omission is undoubtedly a pity.

Now, whatever the reason is, and Kristen is aware of this, does that mean they have a chance to take the movie to the next level?

Thinking of this, Anson looked at Kristen again.

"So, what kind of girl do you think Mary Jane is?"

Kristen was very surprised that Anson started another topic instead of answering her question, but she did not speak in a hurry.

ponder for a moment.

“Glorious on the outside, lonely and helpless on the inside.”

In one sentence, Kristen accurately captured the qualities of Mary Jane.

Kristen looked at Anson again, and Anson nodded slightly in agreement, "Mary Jane's family is very bad. Not only is she lonely, but she is constantly hurt. She is trying to escape. Her only thought is to leave that hell as soon as possible."

"She is insecure, lonely, vulnerable, stubborn and hides her low self-esteem."

Kristen interjected, "Inferiority?" Are you sure? Anson's eyes were firm, "Yes. Inferiority. She doesn't think she deserves a better choice, and she doesn't believe that anyone is willing to truly love her. So, she tries her best to catch anyone who is willing to get close to her, just like grabbing They are like life preservers, even if she has never liked each other."

"She's just asking for help."

Kristen was lost in thought.

Anson continued.

"Actually, the same goes for Spider-Man, because he saves her again and again. Every girl has the same fantasy as Cinderella, expecting a prince to save her from fire and water. She has a crush on Spider-Man. A strange emotion."

"It wasn't necessarily love, but gratitude and joy for her savior took over, so she took the initiative to kiss Spider-Man."

So, they dedicated the upside-down kiss that has gone down in film history as a classic.

Kristen felt the impact, and Anson put forward a very bold and novel point of view, "So she doesn't like Harry Osborn and she doesn't like Spider-Man?"

Anson lightly shrugged, "Have you seen 'The Great Gatsby'? In fact, Mary Jane's heart is the same as Daisy's. Daisy never figured out what she wanted, she just chased it blindly, And then I was swallowed up bit by bit by my own emptiness.”

Kristen was stunned for a moment, and a smile crept onto her lips, "Are you comparing 'Spider-Man' to 'The Great Gatsby' now?"

Anson spread his hands, "The focus is not on them, but on our understanding of the text, the character, and life. This is the actor's job."

Kristen was stunned.

Jack was also stunned.

In the coffee house, there was a faint buzz of people, and occasionally the sound of clinking porcelain could be heard. There were engines roaring in and out of the world outside, but at this moment, the world of the three young people seemed particularly quiet.

There was no exchange of glances or dialogue. They were just immersed in their own world. However, inspiration was flowing in the minds of the three young actors.

Then, Anson's voice vibrated gently in the warm and warm air.

"Mary Jane never noticed Peter Parker, even though they were neighbors, because she was always on the run, she was trying to escape her life, that family, that neighborhood, and that naturally included Peter, who was part of her desire to escape her life. "

"Until one day she realized that she couldn't escape."

"Maybe she can deceive others, but she can never deceive herself. And then she realizes that maybe Peter Parker is the only exception."

"Because she can be herself in front of Peter without having to hide; also because Peter can 'see' her, not her appearance but her existence, her fears, her struggles, her fragility, her dreams, and because Peter is willing to take it seriously. Listening to her voice, she was real in that moment.”

"More importantly, Peter represented her reality while also being able to understand her dreams. Peter never tried to hold her and keep her from leaving."

"Perhaps Mary Jane herself didn't realize it, but when she stood in front of Peter, she began to say a few words, but slowly she spoke more and more. Being close to Peter was like being close to warmth, an instinct in the cold winter. .”

"Then there was a throbbing."

"This is a first for Mary-Jane."

The world is completely quiet.

(End of this chapter)