The Best Actor in the Vase of Meiyu

Chapter 39 Going Further

Marta finally bowed her head and admitted defeat——

Even though David Klein's face was unbearable, surprise still prevailed over depression and shame. She admitted that she was wrong, that she was blinded by prejudice, and that Anson brought surprises. There is no doubt that this is indeed true. It was a harvest, an unexpected discovery.

It feels like digging for treasure.

I had given up all hope and was in low spirits, and was mentally prepared to dig out a pile of scrap iron and garbage, but instead I dug out a pile of diamonds, jewelry, and gold.

Suddenly, all complaints, annoyances, and grievances no longer mattered. Joy and happiness prevailed, and even David Klein's "I told you so" face was completely tolerable.

Of course, it would be better if we could not see David Klein’s proud and arrogant horse face, but life is not a Disney theme park, where can everything go smoothly, right?
"Okay. I was wrong. I admit my mistake, okay?"

Marta admitted her mistake straightforwardly, and just hoped that it would come to an end quickly, so that David Klein could shut up and enter the next chapter as soon as possible.

"Honestly, how did you tell? His audition was really that good?"

David Klein raised his chin and showed an arrogant expression, "Intuition is just intuition. There is no special secret. What, are you particularly envious? I can't envy you this."

Marta:…

If possible, Marta really wants to strangle this guy to death, she can't stand it!
but!

Considering that the sixth season is ending, she still needs this guy's writing skills and negotiation skills. This guy plays a key role in whether the income of the next season can be raised to a higher level. Therefore, she has a lot of adults, so she can be patient for the time being. .

Breathe in. Exhale.

then.

Marta regained her sense, "He and Deborah talked about some inspirations. I didn't take it to heart at first, but now I feel that maybe I can develop something."

David Klein, "What do you mean?"

Marta glanced at her partner, her humbly asking for advice could not hide her cunning fox eyes. Obviously, he understood what she meant, but he just wanted her to say it herself.

Marta met David Klein's smiling gaze, and gritted her teeth, "I mean, maybe we can write another episode of the script for the character of Paul."

David Klein showed a surprised expression, "Marta, is it true? Are you saying that we should give Anson another chance to star in one more episode?"

Marta:…

Is this guy really not going to be put in a sack by others while walking outside?

However, seeing David Klein's childish behavior, Marta felt relieved.

"Yes, that's it."

"David, I admit, I made a mistake, Anson..."

After a pause, Marta turned her head and looked forward. Michael, Anson and other actors were talking loudly, and the atmosphere was harmonious.

"He does have a unique charm."

"Especially when performing, he is refreshing and confident, calm and lively. You must admit that he can easily capture the audience's attention."

There is no awkwardness or formality, but acknowledgment is given freely and generously.

"I think we should give the character of Paul more room for development, and right now we are considering how to fill it in with the next content."

"Right?"

As a screenwriter, Marta has also been thinking about -

It is still a secret, but in fact, Marta and David Klein have completed the creation of the sixth season finale and have successfully finalized it.

In episodes 24 and 25, they will use two episodes to complete the big event of Chandler's proposal to Monica. They are certain and certain that the finale of this season will still usher in a viewing frenzy and gain leverage for them in subsequent salary negotiations.

Now, the question before us is, what content should be used to fill episodes 22 and 23?
As the end of the sixth season, and as a pavement to the final climax, they cannot deal with it casually, they still need a sprint push.

It is precisely because of this that Marta was particularly angry when she learned that David Klein chose a vase to be a guest in episode 21.

But she never expected that in a twists and turns, David Klein's adventure would become a stroke of genius, and inspiration would continue to burst out of Marta's mind.

Everything comes from Anson.

I just watched Anson's performance, which gave the character of Paul a charm. Even Marta herself was not sure what kind of character Paul should be. However, during the filming process, she filled in the flesh bit by bit, making the character full and different. The charm of the opposite sex also begins to come alive.

Especially that accident——

It might have interrupted the filming and caused a NG deviation, but it unexpectedly allowed the character of Paul to develop edges.

then.

Marta was ready to take action, and she had the urge to sit down in front of the computer, pounding on the keyboard, and turning her inspiration into words.

Maybe it would be a good idea to continue creating episode 22 with Paul as the core.

Marta looked at David Klein.

"Anson told Deborah that he said the character could be a tough guy, tough on the outside, but soft on the inside, and that he might cry silently watching his favorite movies, like 'E.T.'

"I thought about it more deeply. This character could be a prodigal, suave, but actually pure at heart. His favorite movie is 'Golden Alliance'."

Whether it is the tenderness of a tough man or the innocence of a prodigal, this kind of contrast is a magic weapon for creating comedy characters. It is not uncommon and has been tried and tested. In the final analysis, it still creates laughter.

As I talked, my inspiration burst out.

"Did you notice the accident just now?"

"I have an idea that Paul has been very harsh and harsh to Rose, so that Rose has always had her hands tied. This is the main line of the twenty-one episode."

"Coming to the twenty-second episode, we created an unexpected occasion. Ross discovered Paul's vulnerability. Although he acted chic and charming, he seemed extremely nervous on a date with Rachel. Then Paul stood in front of the mirror and kept giving himself Cheer up and give yourself more confidence.”

"Even a little clumsy and a little honest."

"Later, when Paul suppressed Rose again, Rose threatened Paul with this incident, forcing Paul to shut up and remain silent."

"So, there's a delicate balance between the two people."

Truly outstanding character creation requires a context and an arc.

In real life, people are not like this. Many people may always stay in place, and some may retreat if they don't advance. Not everyone can grow and transform.

But this should not be the case in the creation of TV and movies. An arc is often needed for the characters to complete a stage of transformation and growth.

If there is no arc, such a character will appear thin and lack the ability to awaken the audience's resonance.

Comedy, too.

Marta's inspiration completed such an action. If there were only twenty-one chapters, Paul would be just a cameo character. From the beginning to the end, he would be responsible for suppressing Rose and being suave. That's all; but with the addition of twenty-two It's a collection, but it can make the characters fuller.

The flesh and blood and arc light came out at once.

It’s a good thing for the characters and the plot.

(End of this chapter)