Reborn as a great painter, with a system, you can be willful

Chapter 157 Chapter 156, Creative Exchange, Tasks and Opportunities

Yuan Xiaohan held her head high and straightened her waist, and began to dance the second dance.

Tao Lin played the accompaniment music on a small speaker.

Yuan Xiaohan still danced folk dance with relaxed movements that mobilized every part of her body in harmony with the rhythm of the music, showing rich movement language and dynamic beauty.

Although lacking elements such as costumes and stage lighting, the show still captivated the onlookers.

Jiang Zhe was no exception. Since he had already drawn the rough draft, he only needed to observe the target's expression, so he enjoyed the dance to his heart's content.

Yuan Xiaohan hadn't finished the second dance yet, but sweat was already breaking out on her forehead and her breathing was noticeably heavy.

Jiang Zhe noticed that Yuan Xiaohan looked a little tired, and immediately stared at her facial expression, trying to discern subtle changes.

The tired feeling made Yuan Xiaohan want to rest, but the joy of dancing supported her to continue dancing. Fatigue and joy appeared on her face at the same time, and even a confused look flashed in her eyes from time to time.

Jiang Zhe captured the moment when Yuan Xiaohan's eyes were blurred, and quickly sketched this expression and eyes in his sketchbook. He successively drew Yuan Xiaohan's side and front portraits, focusing on the expressions reflected in his eyes and facial features.

After he finished a satisfactory sketch, he began to think about how to express this expression in the final draft. The draft on the drawing paper now does not match the expression he just captured. Should he redraw it?
Yuan Xiaohan finished her second dance and was walking slowly.

Ou Jin reacted and saw Lan Xin was already drawing the final draft, so he started writing immediately.

Jiang Zhe thought about it and decided not to embarrass himself. He would continue to work on the draft he had already drawn according to his original idea, and then consider drawing another action after returning home.

He began to use charcoal to depict Yuan Xiaohan's facial features, arms, and hair, leaving the rest of the body blank so that he could use colored powder to depict details.

After perfecting the draft, he checked it and started applying color from the skin color of the face.

This time I am much more skilled in using color powder than last time.

Jiang Zhe quickly painted the base color, and then painted the dark colors... After applying several layers of color powder, he began to add details according to the structural changes.

In this painting, Yuan Xiaohan appears in a nearly standing posture, with his head occupying a smaller proportion in the painting. The transition between light and dark, and between cold and warm colors, are all completed with colored powders. Therefore, some structures and colors need to be summarized, and some subtle changes must be done more carefully.

Half an hour later, the character on Jiang Zhe's screen was almost complete, attracting several students who were watching the fun.

Yuan Xiaohan gradually recovered his strength and came over to watch.

Ou Jin was painting the picture with watercolors. He secretly looked at Jiang Zhe's picture and was surprised by the visual effect of the color powder. At the same time, he felt jealous.

Jiang Zhe put down his paintbrush, stepped back to observe the effect, and decided not to continue depicting it, so he stopped decisively.

Lan Xin had also finished her sketch at this time and came over to see Jiang Zhe's work.

She discovered that when Jiang Zhe created this painting, he deliberately weakened the effect of clothing and focused on depicting the head and arms to make the picture clear in terms of primary and secondary effects.

She continued to move closer to the painting and observe the details. The brushstrokes and lines in the painting were very concise. For example, the effect of the wear and tear of the training shoes was vividly portrayed with a few precise brushstrokes.

Jiang Zhe sprayed the painting with fixing liquid and considered how to coordinate the background and characters if he turned this pastel painting into a watercolor or oil painting.

Yuan Xiaohan drank water while watching the works of the three people.

Lan Xin's paintings have changed significantly compared to the last time. She has integrated sketching into line drawing. Although it is just a simple application of color, the characters are portrayed vividly.

In Jiang Zhe's works, the characters' movements and expressions are very vivid, and the overall color effect is getting closer to oil painting. Although the background processing is very simple, it plays a role in creating an atmosphere.

The more Yuan Xiaohan looked at the painting, the more he liked it. He really wanted to buy it, but he eventually gave up the idea.

She finally went to see Ou Jin's paintings.

To be fair, Ou Jin's paintings are not bad, but after seeing Jiang Zhe's paintings, I feel that Ou Jin's paintings are a bit plain. This plain refers to being bland, lacking appeal and beauty.

Jiang Zhe looked at the time and it was already 4 o'clock in the afternoon, so he packed up his tools and prepared to leave.

Yuan Xiaohan went to change clothes immediately and asked everyone to wait.

Lan Xin and the others also began to pack up their belongings or clean the dance studio. Seeing that everyone was ready, Jiang Zhe planned to take Chen Yan away first.

Yuan Xiaohan didn't want to give Ou Jin a chance to be alone together, so she said immediately, "Jiang Zhe, we'll be there soon, let's go together."

Unexpectedly, Chen Yan did not object, so Jiang Zhe didn't care.

Ou Jin originally wanted to find an opportunity to talk to Yuan Xiaohan alone, but seeing this situation, he had no choice but to wait and leave with everyone.

Yuan Xiaohan and Tao Lin locked the classroom door, and everyone left together.

After spending an afternoon together, Lan Xin's impression of Jiang Zhe changed. When walking up the stairs, she took the initiative to ask Jiang Zhe to help her look at the paintings and find problems.

Jiang Zhe felt that Lan Xin was not being polite, so he said directly: "There is nothing wrong with your shape, but the effect of the color application needs to be improved. You can refer to some good fine brushwork and heavy color paintings..."

With the beginning, the two people gradually exchanged methods of sketching.

After walking out of the teaching building, Chen Yan took Jiang Zhe and said to Yuan Xiaohan and the others, "We are going home today and not going back to the dormitory."

"Okay, be careful." Yuan Xiaohan and the others said goodbye to Jiang Zhe and the other two.

Ou Jin escorted Yuan Xiaohan and the others to the downstairs of the girls' dormitory. Yuan Xiaohan thanked him politely.

He could only watch Yuan Xiaohan and others enter the dormitory building.

Jiang Zhe and Chen Yan walked out of the school gate. Chen Yan's expression suddenly changed: "You, are not allowed to get close to them."

Jiang Zhe smiled and said, "I saw you guys were chatting so well, I thought you were closer than before."

Chen Yan said: "That's because there is an annoying person here."

"I'll do as you say. Don't worry."

Chen Yan wanted to stay in Jiang Zhe's studio, but her parents urged her to go home.

Jiang Zhe first sent Chen Yan home, then returned to the studio, opened the system and checked the prompts.

The task of contracting Yuan Xiaohan to be a model has not been completed yet, and she needs to create excellent works.

In addition, this task is also associated with an opportunity to increase fame.

Jiang Zhe feels that the most important thing for him at the moment is to create a masterpiece as quickly as possible.

He planned to try to create a portrait using oil painting techniques, so he prepared two oil painting frames, one of which was 70×100 cm and the other was 90×130 cm.

That night, he began to stretch the canvas and prepare the base for the oil painting.

In his free time from Sunday to Wednesday, Jiang Zhe was perfecting his sketches and making the base for the oil painting.

Thursday's professional course is bust sketching, which takes two days. The main teacher is still Mr. Tian, ​​and Mr. Hu is the assistant teacher.

The school arranged three models for this class.

The three elderly people, two men and one woman, have all been working as models in school for many years and are very familiar with this job.

Jiang Zhe chose to paint a man with gray hair and a wrinkled face.

He first observes the model and then draws a draft.

Facing this model, Jiang Zhe's first feeling was, what kind of experience and story is hidden in the wrinkles of the old man? When he was thinking about the creation of the draft, he decided to highlight this feeling.

At noon, Teacher Hu informed Jiang Zhe that Professor Qin asked him to go to the studio.

(End of this chapter)