Reborn as a great painter, with a system, you can be willful

Chapter 321, the creation is completed, making the surrounding paintings pale in comparison

studio.

Professor Qin was admiring a new work on the easel, with Jiang Zhe beside him.

He heard a knock on the door and went to open it.

The one who came was Wang Zhen.

"Manager Wang, please come in."

Wang Zhen followed Jiang Zhe into the studio and saw Professor Qin was there. The two were already familiar with each other in the provincial capital and greeted each other warmly.

"Manager Wang, let's take a look at Jiang Zhe's new work together," Professor Qin invited Wang Zhen to watch it together.

Jiang Zhe poured tea for the two and waited for their comments.

After he finished his work depicting the seafood market, he immediately invited Professor Qin and Wang Zhen to help him find faults in his work.

As he continued to learn, he increasingly felt that he needed a reviewer or critic who truly understood art and had vision to help him find problems.

When Wang Zhen entered the studio, he had already seen Jiang Zhe's new work.

She first looked at it from a distance, then got closer to observe it, and after repeating this several times, she said: "Although there are many people and objects in this painting, it is not messy at all. It has a realistic style, but it is not heavy at all. Instead, it has the atmosphere of fireworks and the warmth of life. The colors are bright and the brushstrokes are concise and precise."

Professor Qin nodded: "Yes, Manager Wang hit the nail on the head. He got to the point."

He looked at Jiang Zhe, "Is this painting inspired by Snyders' work?"

Professor Qin has studied the history of Western painting, so he knew the work Fish Market.

Jiang Zhe said: "I originally wanted to depict a seafood market, but I couldn't find a breakthrough. After watching Snyders' work, I had some ideas."

Professor Qin said: "If you have not studied the fish market work, you would not think of the connection between the two.

The style of this painting is different from that of Snyders's works and can only be regarded as an inspiration.

I have seen the work on the fish market, which is in typical Baroque style and has a stage effect.

Your painting uses the effect of natural light, and the colors are light and bright, showing the life of citizens. Just now, Manager Wang's evaluation was very accurate.

Titian once created a painting in which the pattern of depicting women was directly used by many painters, resulting in many famous works.

Which piece of work do you want to submit for the competition?"

Jiang Zhe has thought it through. "I want to keep this painting of the seafood market for now. I just finished it, and I want to observe it for a while. If I find any problems, I will continue to modify it."

His real idea was to keep a group of works for future solo exhibitions.

"Give this painting a name," said Professor Qin.

Jiang Zhe said: "Just call it the seafood market?"

Professor Qin said, "Why not use the name Fish Market? It's the same name as Snyders' work."

"Okay, let's use this name. The work "Garden in the Morning" will be sent to the United States for a competition, and the other work depicting the night market will be sent to Venice for a competition." Jiang Zhe said.

Both of these paintings have received excellent evaluations from the system, so there should be no problem in participating in the competition.

The two portraits of Lan Xin as the model, as well as the one of the fish market, all need to be framed.

After the three of them discussed the choice of the outer frame, Wang Zhen found someone to transport the work away, and Jiang Zhe sent Professor Qin home.

In the next few days, Jiang Zhe resumed his relaxed and regular life, while thinking about how to create the woman he saw on the beach?

At present, he has drawn two color drafts.

One painting mainly depicts people, with a woman and two children playing on the beach. The other painting mainly depicts the landscape, with the people reduced in size as embellishments.

Jiang Zhe was not very satisfied with these two paintings.

He did not force himself to create as he had no further inspiration. After completing several satisfactory works in succession, he did not consider it a pity if he left one work unfinished.

Wang Zhen quickly finished the framing work and sent one of Jiang Zhe's works to Venice. The works to be sent to the United States for exhibition need to be sent to the school first, and then sent to the United States by the school.

At 10 a.m., Jiang Zhe arrived at the entrance of the school's art gallery, and Chen Yan also came to help. The participating students successively sent their works to the first floor lobby for safekeeping and registration.

Whenever a student passed the entrance with his work, he would be surrounded by people, curious about what kind of work others would submit.

Jiang Zhe was no exception, waiting for Wang Zhen and appreciating the works at the same time. Fu Min and Ju Xing came over one after another.

Their works are framed together with Kang Cheol's works.

Jiang Zhe received a call from Wang Zhen, put down the phone and said to Fu Min and others: "Manager Wang is already at the school gate."

This was not the first time that Wang Zhen came to present his works, so he drove into the school smoothly and parked near the art gallery.

She jumped down from the passenger seat and said to Jiang Zhe and the others, "You must be getting impatient."

Jiang Zhe said: "You are earlier than the agreed time. Others have just started to send them in."

"Come and see your work." Wang Zhen led the workers to open the trunk of the vehicle being transported.

Jiang Zhe saw his own work at a glance. This painting of his was of a special size, larger than other works.

Two workers unloaded the painting from the truck.

Jiang Zhe got his painting and saw that it was wrapped tightly and the picture could not be seen.

Wang Zhen told him, "Open it inside the art museum. I have things with me and can wrap it up again."

With the help of workers, Jiang Zhe and his colleagues carried the works into the first floor of the art museum.

Teacher Hu was holding a form and counting the people who had submitted their works. When he saw Jiang Zhe and others coming in, he pointed to an empty seat.

Jiang Zhe and others hurriedly put the things on the empty seats, arranged them, and unpacked them.

The teachers and students who stayed in the art museum, whether they came to deliver their works or to help, saw Jiang Zhe and others unpacking their works, and came over one after another, waiting to see Jiang Zhe's works.

The package is opened.

Jiang Zhe first looked at the effect of the picture and the frame. The bright and colorful painting, paired with the modern style wide frame, has a good effect.

While he was examining his work, people around him who were viewing his work had already started talking about it.

The onlookers surrounded the paintings of Jiang Zhe, Mou Xing, and Fu Min. However, most of the attention was focused on Jiang Zhe's work.

After all, Jiang Zhe is well-known among these teachers and students. Everyone wants to know how his works are? Compared with their own works, which one is better?
Jiang Zhe's work is 90×120cm. The width of the frame is more than 10cm. Among many works, it looks very grand.

The most important thing is that the color tone of this painting is bright, colorful and lively, yet harmonious.

The many works displayed around and prepared for the competition pale in comparison to Jiang Zhe's work.

Jiang Zhe also felt that the current effect was better than that seen in the studio, and began to analyze the reasons.

The surrounding chatter became louder and louder.

“This painting has such bright colors.”

“You used imported colors, didn’t you?”

"No, it should be a strong contrast."

"No, there are several works next to it that use contrasting and pure colors, and the effect is not so strong."

“It should be due to overall coordination.”

Many people expressed their dissatisfaction and found various reasons, but after comparing with each other, they secretly admired Jiang Zhe in their hearts.

At this time, Professor Qin and several teachers came over.

Jiang Zhe and others quickly made way for the teachers to comment.

A teacher who has seen Jiang Zhe's paintings said: "The color effect is good. It feels like the woman in the painting is glowing. Some colors have a very strong sense of transparency."

Professor Qin first commented on the paintings of Fu Min and Mou Xing, encouraged them, and then said to Jiang Zhe: "The color effect of this painting is good because of the overall coordination of the tones. The effect of the morning light makes the audience focus on the characters. This technique is worth summarizing."

(End of this chapter)