Reborn as a great painter, with a system, you can be willful

Chapter 33, Qinghua Academy of Fine Arts Art Examination, Gains (Seeking Follow-up Reading)

"Mom, don't misunderstand me." Jiang Zhe hurriedly explained the relationship between him and Chen Yan. There was no need to hide this matter, and to prove his words, he even took out the draft he was drawing.

"What are these things you drew? I am embarrassed to look at them. How can a girl let you draw like this? You should focus on the art exam now."

Xu Li's attitude softened somewhat. Although she did not quite accept this statement, she was worried that too much criticism would affect her son's mood and the exam.

"I'm not against you finding a girlfriend. You can start dating after you go to college. It's not too late."

"Don't worry, Mom. I won't be distracted."

Jiang Zhe finally dealt with the matter and went home to have dinner with his mother.

After Jiang Zhe returned to the studio, Xu Li revealed what she saw to Jiang Yi.

Jiang Yi also felt that this was a problem. The two of them discussed it for a long time, but in the end they could not come up with a suitable solution, and they could only conclude that they should pay more attention to their children in the future.

The art examination of Qinghua Academy of Fine Arts has begun.

There were too many applicants, so Jiang Zhe and Chen Yan had to line up early and wait to enter the test site.

While looking for the examination room sign on the playground, Jiang Zhe quietly counted. There were nearly 70 examination rooms in the examination center. Assuming 30 people in each examination room, the number of people taking the exam exceeded 2000.

The examination for this art exam was particularly strict.

Jiang Zhe entered the examination room and received the sketching test paper.

Sketching is a portrait sketch, and quick sketching is also a sketch.

He likes this kind of test questions because it can give him a sense of creation.

A middle-aged man was invited to the examination room to serve as a model.

After the exam started, Jiang Zhe saw a staff member holding a camera and taking pictures of the models and candidates from different angles.

This method may be designed to deal with the phenomenon of just memorizing a few sketches and then coping with the exam.

The test of sketching will stump many people who are not good at modeling.

If this level of difficulty is within expectations, then the color test in the afternoon will give candidates a surprise.

In the afternoon, when Jiang Zhe entered the examination room, he saw a set of still lifes already set up in the examination room.

The still life table was covered with a white cloth, and placed on it was a Marseille plaster statue, a white plate, a plastic bag, a transparent mineral water bottle and a piece of fruit.

Compared with the color test, the sketching in the morning was too easy. No wonder each exam room only had one set of still life. It was hard for the test center staff to put together so many sets of still life in such a short time.

The invigilator began to arrange seats for the candidates and distribute drawing paper and test questions.

Most of the still lifes presented in the examination room are white or transparent objects, including plaster statues, which are more difficult than ordinary still life sketches.

The second difficulty of this exam is that it requires a four-page color painting, which is larger in scale, but the exam time remains unchanged.

If it weren't for the exam room discipline, some people would probably have started complaining by now.

Because there was only one set of still life, the test center had to prepare easels for some candidates.

Jiang Zhe was coincidentally assigned to a position with an easel. Although it was farther from the still life table, it was more comfortable for him to paint.

Chen Yan was still on Jiang Zhe's left.

When she saw the still life and the test requirements, she was stunned and subconsciously looked at Jiang Zhe.

The two of them met eyes.

Jiang Zhe gestured to Chen Yan to follow him and draw, and then thought about the question calmly.

If you use a camera to take a set of photos of this still life, the object with the darkest color should be the fruit.

To paint colors, there must be changes in brightness, purity, and hue. This exam may be to test students' ability to actively arrange the colors of the picture.

When Jiang Zhe was filling in the information and doing the preparations, he had already thought of a draft.

This set of still lifes is mostly white. Taking the fruit (pears) and light factors into consideration, he wanted to design the picture in warm tones in an effort to make his test paper more eye-catching.

He used a round-headed horse-hair brush, mixed it with raw brown, and began to sketch.

If you want to make the test paper more outstanding and appealing, you must make it more imposing and distinctive in terms of modeling and composition, and you must spend more energy and time on position management and modeling.

Chen Yan followed Jiang Zhe step by step and finished the draft.

Then, Jiang Zhe was seen quickly laying a layer of light brown-yellow transparent color on the picture, leaving only the light-receiving part of the plaster statue with the white paper background.

She couldn't figure it out, so she could only follow and learn. Jiang Zhe took advantage of the overall base color being half dry to lay down the base color of the fruit first, which was the purest color on the picture, and then began to paint the dark part of the plaster statue.

The brightest whites and darkest grays in the painting appear on the plaster statue.

At this point, several colors are already spread out on the palette.

He changed to a shading pen and skillfully used the existing colors to mix out gray and white with different color tendencies, and quickly laid out the background, the table top, and the part where the lining cloth hung down from the edge of the table top.

Next, use the color of the shadow to further enrich the picture layers.

Chen Yan saw Jiang Zhe holding a shading brush, dipping it in paint like a dragonfly touching the water, and then slightly blending it on the palette to lay down different gray and white tones.

She still didn't understand and could only try to keep up with the pace.

Jiang Zhe laid the color tone and began to carve out the plaster statue in depth.

The method of painting plaster statues with gouache is different from that of sketching. Draw the boundary between light and dark, find the layers of reflection and light, and in this process, not only summarize the color, but also show the weight and texture of the object, and then extend it outward from the outline.

When he depicted the fruit, plates and lining, he added a little skylight color and gray to the illuminated areas to make the dark areas appear more transparent.

Finally, draw the transparent and translucent plastic bags and mineral water bottles.

In the process of shaping other objects, he had already reserved some useful colors. He only needed to separate the light-transmitting and light-refracting parts of the plastic material according to the shape, and then use a few strokes of darker colors to set off the highlights.

When painting plastic materials, you must be decisive in using the brush. Any hesitation will lose the unique texture and charm.

Jiang Zhe took the paintbrush, drew twice in the air, and started painting decisively. Then he supported his right hand with his left hand and adjusted the position and shape of the highlight accurately.

That's it.

He stepped back carefully, observing the scene.

In the process of depicting, he tried his best to make every step play its due role and avoid useless color stacking. Therefore, although there are a lot of light gray and white in the picture, it is free of the drawbacks of powder and bleaching. The shape is vivid and has a heavy and refreshing feeling.

Jiang Zhe glanced at the side.

Chen Yan is very smart. When she saw Jiang Zhe retain some dark edge lines on the painting, she boldly used thick dark edge lines and combined them with the flat painting method. Although the painting is a bit flat, there is no problem with the color level.

Jiang Zhe used a hair dryer to dry the picture and lent it to Chen Yan.

By the time Chen Yan finished, the exam time had just ended.

There is a third exam for Qinghua Academy of Fine Arts - design, which needs to be scheduled for tomorrow morning.

All the candidates hurried away and went back to prepare for the next day's exam.

The exam was designed the next day and the exam room was rearranged.

Because there was no need to arrange still life, the candidates' seats were neatly arranged in five vertical and six horizontal rows.

Chen Yan was unable to sit next to Jiang Zhe.

Jiang Zhe got the test questions.

The test questions were indeed very flexible.

Use the circle as the main design element to complete a graphic design and choose your own theme.

This undirected requirement does not restrict abstract or concrete forms and contents, and fully tests the creativity and jumping thinking of the candidates.

Jiang Zhe tried hard to recall the excellent designs he had seen, listed images related to circles, and then disassembled and reassembled them to complete an abstract design.

This design test was the one he was most unsure of.

While waiting for the exam to end, he quietly opened the system page and found that the accumulated time recorded by the system was actually six hours for his three-hour exam.

Discovering ways to increase his accumulation made him feel that the trip was worthwhile.

After the exam, many candidates looked confused and frowned.

Jiang Zhe's eyes quickly swept across some of the test papers, the contents of which were varied.

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(End of this chapter)