Reborn as a great painter, with a system, you can be willful

Sunday morning.

Jiang Zhe hung the work he retrieved on the wall, took a few steps back, sat on a chair, and looked at it carefully.

This painting of a woman tasting coffee, with Luan Yuhui as the model, is small in size among all the works in the studio. However, when placed together with many other works, the comfortable and relaxed beauty created in the picture immediately stands out.

Only when they are put together can you feel the difference.

Jiang Zhe looked at the painting and wondered if he should continue this style and paint a few more. However, he only thought about this idea for a while and felt that it would not work.

First of all, this painting was inspired by my feelings, based on my previous accumulation and the accidental touch of emotions. Secondly, if I continue this painting method, it will become another norm, which is equivalent to using another rule to constrain myself and form a programmed creation. I believe that the works painted in this way will not be masterpieces handed down from generation to generation.

Therefore, I still have to continue my previous research and push forward my realistic techniques. If I occasionally have new inspirations, I will paint some different works.

On Friday afternoon, Jiang Zhe stood in front of the easel, holding a pencil and carefully depicting the character's hands.

After drawing the thumb nail and the surrounding image, I stepped back to see the effect. If the hand and the surrounding image are in harmony, I continued to draw.

At this point, the character image in the sketch is basically complete.

The overall shape is solid and powerful, and the characters' expressions are vivid, showing the relaxation and fatigue of middle-aged people.

After painting for a while, Jiang Zhe would stop and observe, and if he felt he needed to make further adjustments in terms of texture and light and shadow.

At this moment, the phone started vibrating.

Jiang Zhe picked up the phone and saw that the incoming call was from an unfamiliar number. He was about to hang up when he suddenly remembered that it was an international long-distance call, so he walked out of the studio and pressed the answer button.

Anne's voice came from the phone.

"Hello, Jiang Chao, I have received your gift, it is very beautiful." Annie thanked Jiang Zhe and praised his confidence.

Jiang Zhe switched to English and responded to the other party, while recalling his experience in the United States.

Annie invited Jiang Zhe to visit her studio again. Although it was just a polite gesture, Jiang Zhe was still very happy that his efforts received a response.

Anne called, and they didn't talk about anything else. The two of them ended the call quickly.

Just as Jiang Zhe was about to return to the studio, he saw Teacher Lin leaving.

"Teacher, I came out to answer a phone call." He thought the teacher would ask why he came out alone.

Teacher Lin smiled and said, "It's okay. I want to hear how you make a phone call in a foreign language."

Jiang Zhe briefly explained the reason.

Teacher Lin said: "Yes, it is a good thing to communicate more with colleagues. Your teacher Hu just informed us that the works to be selected will be sent to the Binhai Art Museum today.

You guys are going too, so you and Mou Xing should leave early."

"Okay, I understand. Thank you, teacher." Jiang Zhe said. Teacher Hu had already informed us that all the works participating in the selection should be submitted this afternoon.

Because the organizing committee and the Artists Association want to take this opportunity to hold another exhibition, the creators must also be present.

Jiang Zhe said to Teacher Lin: "Teacher, I will drive over there, you can go with us."

Teacher Lin thought for a moment and said, "You guys go first. I and a few colleagues will be there a little later."

Jiang Zhe returned to the studio, informed Mou Xing, and then began to pack up.

He took the toolbox and looked at his work.

Time flies so fast, three weeks have passed in the blink of an eye. In another week, this assignment can be finished.

He and Mou Xing walked out of the studio and came to the parking lot, where they saw several teachers who were about to leave.

Everyone assigned the personnel, and Jiang Zhe brought Mou Xing and a teacher to the Binhai Art Museum.

He parked the car and walked towards the museum gate with everyone.

Jiang Zhe took a look at the banner above the gate.

So soon, I am here again.

The teacher in charge of the school's election called everyone together and then went to the organizing committee to inquire about the specific location arrangements. Jiang Zhe walked into the hall and saw Gu Qian busy.

When Gu Qian saw Jiang Zhe, she waved from afar, put down what she was doing, came over to greet the person in charge of the Art Academy, and then enthusiastically led them to the exhibition area.

She explained to the teachers at the Academy of Art that although these works were included in the selection, they also had to be hung up like in a formal exhibition.

After explaining the precautions, she came to Jiang Zhe and said, "Jiang Zhe, I am still responsible for today's affairs. If you need anything, come to me."

Jiang Zhe smiled and said, "You are becoming more and more like a general. The works have not been delivered yet. I have nothing to do for now. You go ahead and do your work."

Gu Qian was indeed very busy. After a while, several people came to look for him.

Jiang Zhe and Mou Xing came to the square outside the art museum and waited for Wang Zhen.

Lan Xin followed the Chinese painting teacher to the square and waited with Jiang Zhe.

Soon, a car from Wang Zhen Gallery drove into the parking lot.

Jiang Zhe and others went over to meet them.

Wang Chen opened the car door, saw a few people, and said with a smile: "Are you waiting impatiently?"

Jiang Zhe said, "No rush. We have just started. Many places are empty."

Wang Zhen asked two workers to open the rear trunk.

Jiang Zhe saw that there were at least 6 or 7 works in the exhibition. There were probably other works in the competition.

He said to Lan Xin, "Your paintings are quite large. I'll move them with you."

Wang Zhen rushed to say, "I'll help Lan Xin. The driver will watch the car here. Each of you will move a piece of work."

So, Jiang Zhe and Mou Xing moved their own paintings. Currently, two workers are moving one work each, and Wang Zhen is helping Lan Xin move the works.

Several people came to the art gallery lobby together.

When Gu Qian saw Jiang Zhe carrying his works over, she hurried over to help.

She didn't care about others, just helped Jiang Zhe move the works.
The looks from the others were a little strange.

Gu Qian delivered the works to the booth and also found a worker to help hang them.

Seeing that Gu Qian was willing to help, Wang Zhen asked the two workers to go back quickly and move the remaining works.

"Okay, okay, a little higher." Gu Qian directed people to help adjust the position and angle of Jiang Zhe's work. She also asked people to bring a ladder and adjust the lighting in the exhibition area until Jiang Zhe was satisfied.

Then, she arranged the positions and displays for Mou Xing and Lan Xin's works.

Works of art from teachers and students of the Academy of Art were delivered one after another, and Jiang Zhe and others were called over to help.

Gu Qian was also going to follow. Jiang Zhe said to her, "You have helped a lot, and I am very grateful. I will feel bad if I trouble you again."

At this time, other art groups were sending in their works one after another, and people kept coming to see Gu Qian.

She looked at the situation on the field and said to Jiang Zhe, "Okay, I'll go get busy first. Remember to come to me if you have anything. Don't be polite to me."

Jiang Zhe waved at her.

Soon, the works of teachers and students of the Art Academy were arranged.

Jiang Zhe and his companions found a place where they could not get in the way and rested for a while.

In the huge exhibition hall, many people came to the organizing committee to coordinate for positions, lighting and other matters. However, there were too many people and too little porridge.

So, it seems very busy and even conflicts may occur occasionally.

When Jiang Zhe and his companions saw this situation, they were somewhat relieved that things on their side had already been arranged.

Mou Xing said: "Jiang Zhe, luckily you know Director Gu and arranged it for us in advance, otherwise, we would not be able to get in line now." (End of this chapter)