Reborn as a great painter, with a system, you can be willful

At 3 pm, Chen Yan came to Jiang Zhe's studio.

"How is it? Are there any houses you like?" she asked curiously as she entered the door.

I once heard Jiang Zhe complain that the studio was no longer big enough, so I wanted to know where he would move to soon.

Jiang Zhe said, "There is one good one."

"Tell me about it."

Jiang Zhe picked up a few pieces of paper on the table.

After he came back, he made a few sketches based on his memories, depicting the general situation inside and outside the villa.

Because I imagined how I would renovate this villa if I really bought it, so it is inevitable that my drawing was a bit idealistic.

"So beautiful?! This is a villa!" Chen Yan took a look and asked in surprise: "You want to buy a villa? It must be expensive, right?"

She knew that Jiang Zhe made a lot of money by selling paintings, but he still couldn't adapt to the sudden upgrade to a villa.

Jiang Zhe said: "The price is okay."

"Where?"

"Golden Osmanthus Garden."

"What? You want to buy a villa in Jingui Garden?!" Chen Yan also knew that this was a villa area that had just been built in the past two years. It had attracted the attention of many people. However, for most people, villas were just something to look at from the outside.

"Next time, can you take me with you?"

Jiang Zhe said: "If you can decide, I will take you there. If you don't want to buy it, forget it."

"If I had known earlier, I would have gone with you." Chen Yan expressed regret.

Jiang Zhe hadn't called Mr. Ning yet, so he didn't tell him that he wanted to buy it. He also didn't tell his parents.

He wanted to make up his mind before telling his family.

In the eyes of the older generation, their current living conditions are good enough and buying a villa would be a bit of a waste.

Chen Yan asked Jiang Zhe about his experience in the morning.

As Jiang Zhe was talking, he had already embraced Chen Yan in his arms.

On Sunday morning, Jiang Zhe called President Ning and briefly described his ideas.

President Ning immediately said that she would ask someone to handle it. She also told Jiang Zhe that if the money was not enough, he could wait a while.

Jiang Zhe said: "Thank you, President Ning. You have helped me so much. I can't let you suffer any loss."

After a few pleasantries, the two ended the call.

Jiang Zhe told Sister Liao his decision.

Sister Liao told Jiang Zhe that she wanted to see his new work.

Jiang Zhe opened the system and saw that there was no response to the system task. He estimated that he would have to wait until he got the house before he could start.

Soon, Sister Liu, who took him to see the house, called him.

President Ning has already arranged people to assist in handling various procedures.

Jiang Zhe drove to pick up Sister Liu and went to the bank to apply for a loan.

He didn't want to put too much pressure on himself, so on the advice of bank staff, he took out a down payment of 70 yuan and took out a loan to pay the rest of the money.

After completing the first step of the formalities, Sister Liu told Jiang Zhe: "Mr. Jiang, President Ning told me to hand over the house to you today. She also helped you find a designer who specializes in garden and house renovation.

If possible, we can meet today."

Jiang Zhe thought for a moment and said, "Okay, let's meet directly at the villa?"

"Okay, I'll hand over some matters to you."

Come to the community, find the property management company, and go through various procedures.

The property manager and staff of the community were very enthusiastic and accompanied Jiang Zhe and his companion all the way to No. 32 Jingui Garden before returning to their office.

Sister Liu told Jiang Zhe all the information about the villa.

The second time he came here, Jiang Zhe’s mentality was completely different from the last time. The more he looked at it, the more he liked it.

Soon, the community gate guard called Sister Liu and said someone was coming to Room 32.

Sister Liu told Jiang Zhe that the designer had arrived.

The designer is a woman in her thirties with short hair.

Sister Liu introduced Jiang Zhe to a designer named Zhou, who also graduated from the Academy of Fine Arts. After hearing Jiang Zhe's name, Designer Zhou asked, "Are you a student majoring in oil painting at the Academy of Fine Arts? Have you won an award abroad?"

Jiang Zhe nodded, feeling somewhat proud.

Designer Zhou said: "I went to the teacher's house and heard him talk about you. I didn't expect that this time he would design for you and ask for your guidance."

"Since you graduated from the Art Academy, you are my senior. No need to be so polite." Jiang Zhe replied.

After the greetings, the three began to discuss the plan.

The design layout of the living room and dining room on the first floor is already very reasonable, and Jiang Zhe feels that there is no need to make any changes.

On the east side of the second floor, there is a large room, which Jiang Zhe wants to turn into his own study and Chinese-style painting studio.

There is a staircase here leading to the attic above.

Jiang Zhe wanted to turn the attic into a leisure tea room for himself.

After looking at the rooms on the second floor, the three of them arrived at the studio reserved by Jiang Zhe.

Jiang Zhe said to Designer Zhou, "Have you seen the Tianguang Art Studio in our school?"

"Seen."

"Can this be turned into a skylight studio?"

"I need to go back and find someone to calculate it." Designer Zhou did not agree immediately.

"If it's too difficult, forget it. Just try not to damage the building." Jiang Zhe went on to state his requirements for the studio.

Designer Zhou is indeed experienced and gave many appropriate suggestions.

Next, is the courtyard.

Designer Zhou asked Jiang Zhe about his ideas for the courtyard.

Jiang Zhe didn't have a complete idea yet, so he said, "You guys come up with a plan first, and I'll think about it myself."

There is a crabapple tree and a sweet-scented osmanthus tree in the yard, and Jiang Zhe asked to keep them.

Designer Zhou checked Jiang Zhe's requirements and said he would design a plan as soon as possible.

After finishing his work, Jiang Zhe treated the two to a meal and then went to buy some books on garden and interior design.

I returned to the studio, opened the system, and saw that the studio task had been started.

A new week begins.

During his classes, Jiang Zhe took time to read books on traditional gardens and contemporary interior design to increase his knowledge in these areas and consider the design of his new studio.

On Thursday, a new creative class begins.

Jiang Zhe no longer thought about other things and focused all his attention on painting.

This time, he used Lan Xin's food stall as a prototype and depicted a scene full of life.

In the center of the picture, a young woman wearing white chef's uniform and a chef's hat is sitting and preparing food with a focused and serious expression.

In front of the stall, there was a mother with a little girl in a red skirt, waiting to buy food.

Different foods, operating utensils, and people’s movements and expressions make this scene full of fireworks and warmth.

Jiang Zhe also deliberately placed a cat in the corner of the picture.

Its eyes are fixed on the food on the operating table. The presence of the cat adds a touch of liveliness to the whole scene, making the picture more real and interesting.

In his creations, Jiang Zhe continued his exploration of realistic techniques, combining the use of light, shadow and color to create a vibrant yet tranquil kitchen environment.

On Friday afternoon, Teacher Yan commented on students' work.

He started again with Kang Cheol's work.

“The colors in this piece are vibrant and the intensity of contrast is just right.

Every detail appears lifelike without being too complicated.

Jiang Zhe uses soft light to highlight the details of people and objects, enhancing the sense of space and depth, making the entire picture more three-dimensional and vivid.

In addition to the use of light, shadow and color, natural elements are also cleverly integrated into the picture. The addition of elements such as cats and vegetables not only increases the interest of the picture, but also makes the whole scene more real and vivid. "

Jiang Zhe compared Teacher Yan’s explanation with his own thoughts and analyzed the reasons for the different understandings.

The other students were already somewhat numb when they saw Jiang Zhe's painting style change again.

(End of this chapter)