Reborn as a great painter, with a system, you can be willful

Chapter 461, Invisible Influence, New Creation

The university campus was much quieter on Sunday.

Because there are no classes, students either stay in the dormitory or go out to play. Those who are more active use this time to work and study.

Yuan Xiaohan and several classmates came out of the training room, chatting as they walked.

Today, they heard news from the Academy of Fine Arts.

"Classmate Xiaohan, you have a good eye. This time, Jiang Zhe's works will participate in the national exhibition. I guess many people will know you because of his paintings." said a classmate.

"It's not just a national exhibition. I heard that his works will also be exhibited in Venice. Venice, when can I go and take a look?" A classmate began to look forward to it.

Several classmates also realized this and were filled with envy.

Yuan Xiaohan was also very proud. She had already tasted the benefits of making the right choice, so she should be more humble at this time. "People who visit the exhibition mainly look at the paintings. Many people don't ask in detail who the model in the painting is. I was just lucky."

"When you say this, can you hide your smile? Many people come to you just because they have seen his paintings." A classmate said. Because they are close, they can often joke with each other.

Several people met Luan Yuhui by chance.

"Teacher Luan." Yuan Xiaohan and several classmates took the initiative to greet him.

"You didn't go out today?"

We just came back from the training room."

"What are you talking about? You look so happy." Luan Yuhui asked.

Several people chattered about the news they had just heard.

"Teacher Luan, you are also in Jiang Zhe's painting. You will also be remembered." said a student.

"I am not conspicuous in the painting. I guess no one will notice me. Besides, I am past the prime time for dancing. It is impossible for me to be a professional dancer." Despite saying this, she was still very happy to hear what some of my students said about Jiang Zhe.

"I found that people like us in the dance major hope that students like Jiang Zhe will succeed. However, I heard that the comments about this matter at the Academy of Fine Arts are not good. Many people say... he is lucky and got lucky." A student changed the news he had heard halfway through his speech.

The truth is, many people privately commented that Professor Qin, Teacher Zhao and Jiang Zhe were selected because they got lucky.

"They are just jealous. They themselves were not selected, so when they see others being selected, they still make irresponsible remarks."

"I also heard that some people couldn't even pass the school selection."

"Don't talk about it in front of people from the Academy of Fine Arts," Luan Yuhui reminded.

"Teacher Luan, don't worry."

A student said to Yuan Xiaohan: "Next time I model for Jiang Zhe, can you introduce him to me?"

"Yes, we can also be his models, and it's free." Others agreed.

"You have all seen him, go and tell for yourself."

"It was possible before, but now that he's getting more famous, I guess the situation will be different next semester."

Jiang Zhe, who was being talked about by them, was working on an oil painting.

This painting is not large in size and depicts the moment when Luan Yuhui looks out the window with her profile.

He drew several sketches based on his memories, and selected one as a draft for the oil painting.

He did not use the classical shading technique, but used direct painting according to his feelings. This painting depicts a half-length portrait. Luan Yuhui in the painting has soft eyes and a graceful figure, matched with a simple background, a pink skirt, and ceramic vessels with pastel decorations.

The picture is rich in layers and shrouded in a dreamy atmosphere.

Jiang Zhe uses a very delicate brushwork to depict the characters' images, focusing on the characters' demeanor and emotional expressions, capturing the characters' subtle expressions and movements, and has a deep observation and understanding of the characters' images.

During the creative process, he seldom considered technical issues, so his characterization was concise and concise, his brushwork was restrained, there were almost no unnecessary brushstrokes, the edge lines were properly virtual or real, the main and secondary were clear, and there was a sense of rhythm.

The main part of the painting forms the focus, while the secondary part changes from real to virtual, approaching the image effect.

He creates the atmosphere based on his own impressions and feelings.

When he was conceiving the design, he first thought of the paintings of the Dutch painter Vermeer. He absorbed part of Vermeer's style and at the same time added his own understanding of color. Inadvertently, he created a unique style.

Jiang Zhe stopped writing, observed the picture, and thought about how to adjust it.

He considered that Vermeer was a painter of the 17th century, and his painting style and techniques corresponded to the cultural and aesthetic concepts and social needs of his time, and belonged to his era.

Now is the beginning of the 21st century. My own creations are supported by the technical conditions and ideas I rely on.

Although some aspects of the technique continue the European classical oil painting techniques, the artistic appearance presented must be in line with his own and contemporary people's aesthetic habits.

The characters depicted in the painting should express the spiritual outlook of modern people.

His previous learning has made him good at drawing portraits, but the beauty and connotation conveyed by different works should be different and cannot be the same.

The painting contains rich, saturated, passionate colors, as well as low-saturated grays.

Jiang Zhe began to adjust the shape and change the color contrast, striving to make the viewer feel the vivid vitality of the characters in the painting. Under the quiet and elegant expression, there are rich inner emotions.

He stopped painting decisively when he felt the picture had reached his original conception.

Looking at the clock, it took me one and a half hours to create this painting.

Although the time is short, the visual effect is thrilling.

He reviews the work systematically.

The evaluation given by the system is: a masterpiece, close to the level of handed down works.

There are rare reviews for the casually created works. Jiang Zhe carefully analyzed and reviewed the creation, hoping that it will be helpful for future creations.

The success of this painting comes from keen observation and extremely subtle feelings about life.

Fortunately, thanks to the help of the system, this elusive factor or talent can be acquired through accumulation.

Based on my own practical experience, I deeply feel that whether or not one has this factor or talent can make a world of difference between the works.

Jiang Zhe recalled the scene when he met Luan Yuhui in the cafe. Discovering beauty in ordinary life is the essence and law of art.

He summed up the changes in his work, saying that it was more restrained and peaceful than his previous creations.

The painting style is sweet, and the characters depicted are vivid and subtle, revealing a strong Chinese aesthetic taste.

It was not until his parents called to urge him that Jiang Zhe reluctantly finished his creative summary and prepared to go home to celebrate with his parents.

Although he was a supplementary participant in the exhibition, Jiang Yi and his wife were more satisfied than before and specially prepared wine and food for Jiang Zhe to return home. (End of this chapter)

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