Reborn as a great painter, with a system, you can be willful

After walking out of an exhibition hall, Jiang Zhe took the opportunity to take a short break and turned on the system.

The system lists one review after another:

General products...

Fine products...

Because his mind was a little confused after visiting the exhibition, he used a lazy method and let the system test the artistic level of these works.

All the works the two had seen at the exhibition were systematically reviewed and evaluated.

Most of the works were rated as either average or fine. I have yet to see a work that was rated as a masterpiece.

Seeing these comments, Jiang Zhe smiled.

Jiang Zhe finally saw his work.

At this moment, several people gathered in front of the work, discussing in low voices.

Unfortunately, Jiang Zhe couldn't understand what they were saying.

However, judging from their expressions, it was obvious that a dispute had occurred.

Jiang Zhe observed his work from a distance.

When I created this work, I had already considered the visual impact and made adjustments in terms of size and color. However, when it is displayed in this exhibition, the visual impact is still not as good as other works.

However, Jiang Zhe was not worried at all.

This work has been systematically evaluated as a masterpiece that will be passed down from generation to generation. I believe that it is no worse than other works in terms of artistic level or expression techniques.

There must be some objective reasons for not standing out.

The two of them wandered to the Arsenale exhibition area. The exhibition area is not far from the Biennale Park. It was built in the 16th century and consists of a cable factory, workshops, warehouses and docks. It has been used as an exhibition area since the 2001th Venice Biennale in 49. Eight of the 10 theme exhibitions of this Biennale are on display in the Arsenale. These factories, surrounded by dilapidated red brick walls and supported by thick columns, have large spaces, which are suitable for stacking automatically rotating waste oil drums, dismantled cars and other devices, and are also suitable for separating miniature theaters or video studios to broadcast video works.

After viewing the theme exhibition, Jiang Zhe regained his confidence and insisted on painting his own things and walking his own path. No matter how the outside world changes, being able to create good works is the right way.

What's more, I have my own system.

Wang Zhen was not as calm as Jiang Zhe. In the morning, he did not meet the person he wanted to meet, nor did he arrange a meeting with the key figures.

No matter what, you still have to eat at noon.

The two found a restaurant and had lunch.

Wang Zhen asked, "What are your plans for the afternoon?"

Jiang Zhe said, "I finished the exhibition this morning. I want to go and visit the Academy Art Museum. What are your plans?"

Wang Zhen said: "There are not many people coming to see the exhibition today. In the next few days, we will visit other national pavilions and hope to meet some curators and artists.

I am looking for friends to help arrange a visit to several critics, and you will also participate. "

Jiang Zhe said, "I'll listen to you. Do you have plans for the afternoon?"

Wang Zhen estimated that it was impossible to arrange a meeting this afternoon, so she let Jiang Zhe arrange his time freely and she would go back to the hotel to arrange other things.

Today, she took a lot of photos of Jiang Zhe to facilitate future publicity.

Jiang Zhe arrived at the Venice Academy Gallery at the fastest speed. He had been looking forward to visiting and learning here. After entering the venue, he first got a document and quickly browsed the history of this art gallery and the introduction of its important collections.

The word "Academy" in the Accademia Gallery originally meant the Venice Academy of Fine Arts. However, since 1879, the two have been completely separated, but the name of the Accademia Gallery has been retained.

The Academy Gallery houses many classic works by great art masters.

Jiang Zhe saw in the promotional materials that there were St. George by Mantegna, the first Renaissance painter in northern Italy; Vicrvian Man (a figure in a circle) by Leonardo da Vinci; and two works by Dutch painter Bosch: a triptych of saints and a quadrature of images of the future.

Walking in the art museum, Jiang Zhe felt an atmosphere completely different from that of the Biennale.

What you feel at the Biennale is the present, freedom, and the collision of different ideas, while what you feel here is solemnity, tranquility, and beauty.

Jiang Zhe stopped in front of Bosch's work. While the system was recording the work's information, he was also feeling the beauty of the work.

This painter is not as well-known as Leonardo da Vinci, but he cannot be ignored. He was a famous Dutch painter in the 15th century. His imaginative and unique works influenced many artists after him. According to data, there are only 25 paintings of Bosch in existence, and two of them are in the Academy Gallery.

Jiang Zhe had never copied Bosch's works before, but he had only heard of his name and seen some pictures of his works. Now, he can appreciate them up close and to his heart's content.

Whenever he sees a work he particularly appreciates, Jiang Zhe stops to observe it carefully, and he can't wait to spread out his painting supplies to slowly observe and copy it.

However, there are too many treasures in the museum. Looking at a work in front of me, thinking that there are more masterpieces that I have not seen, I have to move forward.

The most important collection of the Accademia Gallery is its large number of precious paintings by local Venetian painters from the 14th to 18th centuries, especially works of the Venetian School.

He looked at several works by local Venetian painters in succession, comparing the information in his memory with what he saw at the moment.

The Venetian School of Painting was a school of painting that gradually developed and grew in the late 15th century through the efforts of Giorgione and Titian. The painters of the Venetian School believed that the first thing to consider in painting modeling was not lines, but color and light, and advocated using colors directly when painting.

Based on his own observations, Jiang Zhe believes that the formation of these concepts should be related to the unique geographical environment of the water city of Venice. The interaction between the strong light of the Mediterranean and the sea water makes people here extremely sensitive to light and color.

This concept created a unique painting style, which was completely different from the Florentine School represented by Leonardo da Vinci and had a far-reaching influence. Some of the current painting pigments also have color types named after Titian.

The three masters of Renaissance art that are well known to Chinese people are Leonardo da Vinci, Michelangelo and Raphael. The Venetian School of Painting also has three masters, Titian, Veronese and Tintoretto.

The Accademia Gallery houses many of their works.

Jiang Zhe stopped in front of a work by Tintoretto.

This work depicts the transport of St. Mark's body back to Venice.

The museum has a detailed introduction to this work.

This painting is a series of three paintings commissioned by Tintoretto. The painting in the Academy Gallery is the second in the series.

The series of works is intended to record the story of two merchants employed by the Doge of Venice in the early ninth century who traveled to Egypt to smuggle the body and relics of Saint Marco, the patron saint of Venice, back to Venice.

While appreciating the work, Jiang Zhe unconsciously began to simulate the process of copying the work, imagining the painter's state when creating it.

Unconsciously, he stood in front of the work for a long time, attracting the attention of the staff.

Jiang Zhe didn't care that he was being watched. Although the simulation process was interrupted, the Academy Art Museum still had a large collection waiting for him to study.

In order to save time, he planned to first go to the Accademia Gallery to see the most representative Venetian school work: Giorgione's The Tempest.

Just as he was walking towards the exhibition hall where the painting was collected, he suddenly heard a system prompt.

He opened the system and checked the prompts:
When you trigger a special machine, do you consume the reward and realize the opportunity benefits?
(End of this chapter)