Reborn as a great painter, with a system, you can be willful
Chapter 499, Departure Opportunity, Good Will, and Lucky Star
Jiang Zhe, who was visiting the artworks in the church, heard the system prompt.
He thought he had some insights during the visit, so when the system gave a prompt, he did not check it immediately. Instead, he waited for the right time during the visit to open the system, and unexpectedly saw a prompt.
Your unintentional actions have triggered new opportunities. This opportunity may have a beneficial impact on your trip to Italy and for a long time to come. Please explore it on your own.
Jiang Zhe was surprised. What was this unintentional act? Contact with Francesca and Little Amy? Would it trigger an opportunity?
He thought of several possibilities in an instant. Opportunities, opportunities usually involve key people.
Who might have some windfall for themselves, little Amy or Francesca?
Jiang Zhe prefers little Amy.
The fact that she and Francesca came to see me to see the paintings was itself an opportunity.
Although he was not sure about the key person, Jiang Zhe felt that it was really necessary to maintain the relationship.
At first, I just encouraged this ambitious girl and made a judgment based on the system's determination.
A little kindness of my own was rewarded.
He looked at little Amy and Francesca who were chatting.
"What's wrong? Is there anything?" Little Amy saw that Jiang Zhe seemed to be thinking about something.
"It's okay, let's continue our tour."
No matter how wonderful the exhibits in a church are, the visit must come to an end.
After two hours, little Amy and Francesca were both a little tired.
Jiang Zhe said to the two of them, "Thank you for your help today. As a thank you, I would like to invite you to enjoy some delicious food. What do you think?"
"Okay, I want to eat ice cream." Little Amy agreed straightforwardly without any hesitation or embarrassment.
Although Francesca felt that this was too blunt, she was willing to deepen her relationship with Jiang Che.
"Thank you. Do you want me to recommend a good dessert shop?"
"Of course we need to give it a try." The three of them came to a shop selling desserts.
The shop is not big, with a simple sign and decoration. There is also a row of tables and chairs outside the shop for customers to rest and enjoy the food.
"They offer a variety of sweets and ice cream, and you can sit outside and enjoy the scenery," Francesca introduced.
Jiang Zhe and the other two all chose ice cream, but the flavors were different.
He sat outside the store and chatted with the two girls while enjoying the ice cream.
"How was the visit?" Francesca asked, swallowing a mouthful of ice cream.
"It's been a huge gain. I just want to paint now, just some random images."
Amy became interested when she heard Jiang Zhe's answer.
"If you don't mind, could we watch?"
"do not mind."
Do you need me to prepare tools and brushes for you?"
"Thank you. I brought the tools." Jiang Zhe took out his small notebook from his shoulder bag. "What do you want to draw?"
"I don't know. I haven't thought about it." Jiang Zhe didn't want to think about it, and continued: "How about I draw a portrait of the two of you? Call it Sisters."
"Do you want us to pose?"
"No need for you to chat casually, just eat ice cream."
Jiang Zhe took a pencil and began to observe.
He soon had new ideas. Today in church, he got some inspiration.
He did not paint according to his previous habit.
Jiang Zhe thought about moving the two people's positions to form a front-to-back blocking relationship. Both characters were placed slightly to the left of the center of the picture.
He quickly captured the movements and expressions of the two people as they chatted.
This artistic technique enlivens the picture while leaving enough space.
Jiang Zhe got an inspiration, picked up the brush, and began to shape with lines. In the painting, little Amy is closer to the audience. Francesca sits side by side with her.
Because of the angle, Francesca is partially blocked, but despite this, the expressions and movements of the two people gradually emerge in the painting.
When Jiang Zhe was painting, he had already considered the composition.
He uses a horizontal visual angle to make the audience pay attention to and observe the two people first.
There are large blank spaces in the painting.
Jiang Zhe took his time to deal with the main issues of the styling and added embellishments.
When he drew the main characters, he focused on the details of their movements and expressions.
Little Amy and her friend were chatting with each other while holding ice cream in their hands.
Jiang Zhe completed a work very quickly.
"Can we take a look?"
"of course can."
Francesca and Amy gathered together to watch Jiang Zhe's sketches.
They had seen Jiang Zhe's oil paintings, but this was the first time they saw his sketches.
The characters in the painting are mostly modeled with single lines. The dynamic and steady lines themselves are beautiful, and coupled with the accurate and vivid modeling, this painting, without any color, can indeed allow the audience to feel the sunshine and breeze.
At first glance, I just thought it was a nice realistic work, but as I savored it more carefully, it became more and more interesting.
"Jiang Zhe's expression and artistic language are both realistic and romantic, and seem to have symbolism," Francesca commented. "A small number of patterns seem to symbolize warmth and leisure."
Jiang Zhe said: "Yes. The feeling of sitting here is to relax. I am trying to make a breakthrough in this painting.
Although it is not very successful, I am personally quite satisfied with it.
"It's only pencils, but the effect is very vivid. I think this is a very good work." Little Amy said, "When I copied or observed from the picture book, I knew how difficult it was to draw to this level."
"I want to draw one too." Little Amy took out her sketchbook and started drawing.
However, what she painted were not real objects, but more like several strange objects combined together with a hazy and blurred background.
Jiang Zhe thought that she might have incorporated some of the things that interested her during the visit into her work.
He also picked up the paintbrush and created the second one.
Francesca saw this, picked up her camera and took pictures of the two from different angles.
After they each drew a practice piece, they began to discuss and find problems with each other.
Francesca, on the other hand, found it difficult to enter into communication.
"This painting is pretty good. I want to give it to you." Little Amy suddenly said this for some reason.
Jiang Zhe was stunned for a moment.
This work was evaluated by the system as a common product, but thinking of the system's prompt, I gladly accepted it.
"Thank you for the inspiration. How about we exchange works?" Jiang Zhe suggested.
“Of course. But you have already started selling paintings and giving away works. Will this have an impact on you?
"It won't have any impact." Jiang Zhe said.
The two people exchanged their works and looked at Francesca while holding them.
Francesca captured this scene in time.
During the filming process, she just thought that the scene looked very interesting and things were going more smoothly than she had imagined.
What she didn't know was that many years later, people would remember the name Francesca through this series of photographs.
(End of this chapter)
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