Reborn as a great painter, with a system, you can be willful

Chapter 572: The great role of rewards, attention

studio.

Jiang Zhe felt the heat flow disappear. He waited for a while, saw no follow-up reaction, and then stood up and walked around. It seemed that he was no different from before he received the reward.

This special reward of improving artistic imagination was the first time he had drawn it, and due to his lack of experience, he didn't know how much it had improved.

In order to verify the effect of this reward increase, he began to look around the various images in the studio, and even randomly opened books to check some common vocabulary concepts for verification.

His eyes fell on some drafts.

These are rough drafts of custom pieces, used to simulate various composition possibilities.

This was an attempt that he had made with all his imagination. However, when he saw the concept of Hyacinthus again, he quickly thought of many possibilities, including new angles of the picture, different moments, and new associations with the story of Hyacinthus. He even wondered if this word might have other meanings that were completely opposite to the original concept.

With the new discovery, Jiang Zhe looked at some familiar information with great interest.

In the new state, some conventional or inherent understandings, concepts that form deep-rooted impressions, now give rise to some new associations.

There are also some connections that are particularly far from common sense, or even nonsensical. But, so what? As the experiment progressed, Jiang Zhemian slowly felt the effect of this improvement.

A lot of artistic imagination comes from nature, and it is also what many painters pursue. For example, Picasso said that he tried to paint like a child.

Perhaps this is what imagination is all about.

Imagination and artistic perception are different.

Artistic perception is sharp, while imagination is a deviation, a deviation from inherent concepts. When inherent concepts are deeply rooted in the brain, or when the more inertial thinking is formed, the imagination will be constrained.

Artistic creation is to create something that no one has ever said or painted before. When you want to paint something that has been painted or not painted before, and express a different feeling, you need to find new methods and new angles of understanding.

New methods and angles mean more personal expression, but this expression is not through language, but through presenting one's own imagination through various materials.

In this era of advanced consulting, there is no longer any secret about what a painter ultimately accomplishes, so many people feel that art will be replaced by intelligence.

With the help of the system, Jiang Zhe gained new insights into some of his past thoughts. For an artist to develop, it is not just about finding a new way.

All the techniques used by masters in the past cannot be used directly. New works need to be expressed through one's own feelings and imagination.

The works created by the masters in the past depict the times they lived in. The new era also requires new works.

Jiang Zhe walked to the workbench, quickly picked up a pencil and some manuscript paper, and began to write and draw.

Previous custom works, sketching in factories, sketching in markets, sketching on construction sites, and some works completed in the past come to mind.

At this moment, as long as he thought of these works, he could already find the shortcomings in them, and then generate new associations, and also think of some completely different factors. Although some of the imaginations were very naive, they were novel in perspective.

Some of the works have already been sold and cannot be modified, but the works that are still in hand may have the potential for improvement.

Jiang Zhe became more and more excited as he painted, and one draft after another appeared under his pen...

After a long time, he put down his paintbrush and stretched his wrists.

Looking at the manuscripts on the workbench, I feel a sense of accomplishment. This award is a huge help to me. In the future, I don't have to worry about the lack of novelty in my works.

Many painters strive to pursue imagination, and many people use various unreliable methods to try to let go of their imagination. Jiang Zhe does not agree with some methods, and is even more unwilling to try. Now, the system directly helps him make up for this lesson in a bizarre way.

A studio specializing in oil painting.

Teacher Hu directed the students to move their sketching assignments to the small exhibition hall, arranging them neatly and waiting for grading.

The teacher requires students to submit at least three sketches.

Jiang Zhe brought two oil paintings that he had sketched in the factory, and two figure sketches that he had completed in the class studio. The other students had more or less works.

Because there were so many works in total that the class studio was no longer large enough, Teacher Hu arranged for the students to display the works in a small exhibition hall.

All the works were displayed so that everyone could compare them very intuitively, so no one was in a hurry to leave.

After counting the number of works, Teacher Hu looked through all of them carefully.

She specifically found Jiang Zhe and said, "These batches of works are all very good, and I didn't have to deal with the homework when I came back."

Jiang Zhe whispered, "Teacher, I have something I want to report to you."

"What's the matter?" The two walked out of the exhibition hall and talked alone.

"I'm going to the capital again on Saturday and Sunday."

"What's the good news?" asked Teacher Hu.

"I'm donating one of my works to the Capital Museum of Modern Art, and some formalities need to be completed," Jiang Zhe replied.

Teacher Hu smiled and said, "That's good." She thought for a moment and asked, "Haven't you always wanted to..."

She knew what Jiang Zhe was originally thinking.

Jiang Zhe said: "The National Gallery has not responded yet. This venue is also very good."

"Okay, I understand. You should go. Will it delay the class?" asked Teacher Hu.

"Probably not. I'll be back after the ceremony on Sunday."

"Okay, I'll report to the school." said Teacher Hu.

Jiang Zhe left school and went home to pack his luggage.

Teachers of oil painting majors came to the small exhibition hall one after another.

The teacher in charge of the sketching class invites other teachers to grade the papers together.

After listening to Teacher Hu’s report, Professor Qin made a special call to Jiang Zhe.

“Although the Museum of Modern Art is not as good as the National Gallery, it is also of a high level. I heard that they have the support of their superiors and want to expand their collection and influence, so they took the initiative to invite you. This is a good opportunity.

When you go there, take more photos so that you can promote them back at school."

After instructing Jiang Zhe, Professor Qin quickly reported the news to the Department of Plastic Arts and then to the school.

The school takes this matter very seriously.

Before boarding the plane, Jiang Zhe received a call from the department head.

The department head inquired about the situation in detail and told Jiang Zhe to just ask if he needed any help.

That night, Jiang Zhe arrived in the capital safely.

Wang Zhen and Meng Xi came together to pick him up.

The three of them got in the car and rushed to the hotel where Jiang Zhe was staying.

Wang Zhen said to Jiang Zhe: "The venue attaches great importance to this matter. For tomorrow's ceremony, many guests have been invited. I have also invited some friends. Don't worry, it will be decent."

(End of this chapter)