Falsifying history is good business

Chapter 138 Some Worlds Are Destined to Be Forsaken by the Gods
A young monk who is obsessed with technical research and has little interpersonal experience meets a wizard who deals with the gods all day long and has the assistance of magic such as "Legitimate Psychic" and "Confusion Spell". How can he keep the secret?
By the time the moon rose brightly, the monk named Carl had already completely exposed the Vatican's technical foundation.

The various weapons and equipment against demons and monsters are indeed quite innovative. For example, Carl has a sunlight bomb in his pocket that is specifically used to kill ghosts and vampires; the effect is similar to Lin You’s ultraviolet headlamp, but it is a disposable weapon, but its killing range is wider.

According to the monks, the weapons of the Church are limited to fighting monsters. They have no equipment for fighting wizards, let alone weapons of mass destruction. As for the top leaders of the Church, they seem to be satisfied with establishing their authority in fighting monsters on a global scale.

Come to think of it; the Muggle governments of various countries may be ignorant of the wizarding regime, or may not care, but they definitely respect the Vatican on the surface but are extremely wary of it in their hearts.

It's no problem for His Holiness the Pope to set up a Swiss Guard for show, but if he really wants to build up economic and military power at the secular level, I'm afraid he won't even be able to keep the Vatican, his last foothold.

Even the so-called "authoritative position in the fight against monsters" mentioned by Carl is unlikely to be obtained; those inventions and creations specifically designed to deal with demons and monsters may end up serving as wedding dresses for the governments of major countries.

For secular regimes, it is more important to guard against God's servants than to guard against the devil's followers.

If this is the outcome, wouldn't the Vatican be worse than the government of the wizarding world? At least wizards can basically do what they want, entertain themselves, and basically hide from the sight of Muggles.

Knowing that the integration of the world of "Van Helsing" would not have too much negative impact on the magical world, the writer no longer worried about it; after "taking" the designs of several interesting weapons from the monk's mind, he politely said goodbye and left.

As the relationship between Cain and Dracula, as rewritten by the quill pen, was confirmed, the basic framework for other subsequent vampire stories was also set; other vampire story worlds that were subsequently integrated did not even need to use the quill pen as long as there was no fundamental contradiction with the basic framework.

Of course, it is impossible to solve the problem once and for all. As far as vampire stories are concerned, the most troublesome and most common logical contradiction is always the origin of vampires.

For example, the story of "Twilight". The author of the original novel of this story was most likely influenced by "Underworld" and basically adopted the origin setting of the latter; but the one bitten by bats and wolves was no longer the son of Duke Alexander, but the descendant of a young man named Corvinus.

This seemingly plausible and similar origin theory is not too troublesome. With a flick of the quill pen, the middle name "Corvinus" was added to the name of Duke Alexander; but later many split vampire families broke off the family history and inheritance, and forgot the full name and true identity of their ancestors. Due to rumors, they only remembered the name Corvinus.

So, Edward Cullen's family became the last of the last in "Underworld", weak vampires with insignificant strength and status.

Hmm... it seems that this family is pretty weak. The only thing worth mentioning is that they adhere to the "vegetarian" tradition, only drink animal blood and refuse to drink human blood.

"Twilight" is one of the easier ones to handle. Similar situations include "Interview with the Vampire", which don't even need to be modified and are smoothly integrated into the big world.

By the way, there is also a movie called "Bram Stoker's Dracula" which is very similar to the story of "Van Helsing". The writer proposed to postpone its integration into the big world; when the DC universe is fully integrated in the future and the concept of parallel universe appears in the big world, this story will be integrated into the big world as a parallel universe story of "Van Helsing".

What really troubled Lin You was an animated series, "Hotel Transylvania", which was filmed over a period of ten years.

How can Dracula, the slightly silly daughter, integrate into the big world?
How much fun it was when watching the cartoon, how much pain the writer is feeling now. Can it also be considered a parallel universe? It doesn't seem to work. From the origin to the character design, to the various monster settings, the cartoon has almost completely deviated from the traditional vampire story. This can't be called a parallel world, it can only be called an alternate dimension world.

The thought of the other dimension gave the writer an idea. He directly sent the story of "Hotel Transylvania" to accompany the world of Witcher, and indirectly connected with the big world through the intersection of the celestial spheres.

A world view where even monsters are so cute, even if it intersects with the world of Demon Hunter, there will probably be no harm.

And then what?

By the way, there is also a vampire origin story created by a Japanese writer with a rather funny name, which has quite a few followers among the 2D fans in East Asia.

When the writer mentioned that two-dimensional story, God was extremely indifferent and pushed the newly formed Type-Moon world far away.

"Don't even think about it. Unless the worldview is completely revised, the gods will not accept the Type-Moon world." When talking about this, God's usually peaceful tone could hardly hide a hint of disgust and indifference.

Lin You knew it well, but deliberately teased, "Although that story is niche, it has accumulated a lot of fans. After several years of accumulation, the spiritual power contained in it is not small. Are you really willing to abandon it?"

"If we integrate a worldview that completely denies the independent existence of the Godhead, will it wipe out our God system or turn us all into puppets?" God said with a dark face, "If the independence of the Godhead of the Gods is completely denied, then even if the world is stable, what is the meaning to the Gods?"

"You are quite frank." Lin You said with a smile; he certainly understood how unpleasant the Type-Moon worldview was in the eyes of the gods.

Is there a source of absolute uniqueness in the world?

What are we gods then? Are we puppets of the One Source?

And this great world built by the gods with great effort, should we just hand it over to the one and only source?

The author knows that even if the quill pen can be modified, as long as the setting of "the source of absolute uniqueness" remains unchanged, it is equivalent to acknowledging that there is a higher-level existence above the gods. Regardless of whether this existence is conscious or unconscious, it will inevitably destroy the original lofty status of the gods.

At the same time, because it is the "only root", it is not easy to rewrite it and integrate it into any pantheon; because as long as any pantheon obtains this "only root", it will become the king of kings and the king of all pantheons in the world.

God calmly concluded: "The Great World was created to safeguard the common interests of the gods, and we have never denied this. Therefore, when choosing stories to incorporate into the Great World, certain standards must be followed."

　Third update
　　
　
(End of this chapter)