Big names rise

However, in order to let mainland audiences see the best "Sedek Bale", He Mu still insisted on his own opinion. He told Wanda General Manager Ye Ning that if he only plays one movie, he will pay for it; Maybe there is still a possibility of earning a little money, and then He Mu used the different evaluations obtained in several versions to convince Ye Ning, and finally succeeded in getting Wanda's support, but when he passed the SARFT, he was cut a few times and made some changes In the end, the two episodes of the mainland release version totaled 267 minutes.

"Sedek Bale: Flag of the Sun" is scheduled to be released at the end of January, and "Sedek Bale: Rainbow Bridge" is scheduled to be released at the beginning of February. Mizuki and Wanda were afraid that the high-definition pirated version on the other side of the strait would flow out after too long a gap, so the promotion was carried out quickly. Taiwan enjoys a high reputation, and it is easy to find a suitable promotional entry point for movies that are praised by celebrities such as Jay Chou, Nine Swords, and Vivian Hsu.

Mizuki doesn't expect to turn this film with strong aboriginal characteristics into a blockbuster in the mainland. At least it would be good if it can attract some audiences of literary and war films. The company's people are in charge of the publicity. He Mu can personally talk to Wei Desheng on the phone , and brought this movie to the mainland, this is considered a consummation of merit.

During the time at home, He Mu took on the main task of taking care of her daughter. Bayi no longer needs breastfeeding, but her diaper needs to be changed. After all, she is only one and a half years old, but He Mu has already started to train her to go to the toilet by herself.The most important thing is to play with her. She is full of energy and feels fresh about the world, full of spirit of exploration.However, the world she came into contact with was only their community for the time being, and the only peers she came into contact with were Du Ziteng and a few other children.In this small circle, she can be regarded as a bully, even the two-year-old daughter of the CEO of a certain group would be terrified when she saw her.

But Bayi is a child after all, there will always be times when she is tired, and when she is tired, He Mu will coax her to sleep.After a few kisses on the pink cheeks, he will come up with scripts and movie projects prepared by the company for the new year, or contact different screenwriters and directors by phone or face to face.

The script that He Mu values ​​most is not only the one he wrote, but also the movie script of "Dust Settled" created by the gold medal screenwriter Lu Wei.

Lu Wei is a top master in the Chinese screenwriting circle. The pinnacle of his career was the adaptation of "Farewell My Concubine" by Hong Kong female writer Li Bihua into one of the most classic Chinese films. His script version sublimates the novel version, expressing the The magnificence of that great era is recognized as one of the few works whose scripts surpass the original novels.It is a further creation of the novel.

In addition, Lu Wei is also the screenwriter of classic films such as Zhang Yimou's "To Live" and Wang Quanan's "Tuya's Marriage". He has created many classic scripts and won numerous awards at home and abroad. .

Previously, the producers of "Red Cliff" and "White Deer Plain" invited him to write scripts, but because of the huge investment and too much wrangling, he was not adopted in the end.However, two directors, Wu Yusen and Wang Quanan, highly respect Lu Wei, and He Mu is also the screenwriter of the Sino-foreign joint venture blockbuster "Wolf Totem", which has been confirmed but not yet starred in.The director and producers first thought of Reed.

"Dust Settled" is a joint project between Mizuki and China Film Group. He Mu and Han Sanping first thought of Lu Wei. At that time, he had finished the script of "Wolf Totem" and was writing a book at home. When he received Han Sanping's invitation, He became interested right away.Although he doesn't know much about Tibetan culture, he has read "Dust Settled" many times, and every time he reads it, he has a new understanding. This is a book he likes very much, but domestic directors seem to have I just forgot about this classic that was once all the rage. No director ever thought of putting it on the screen. It has to be said that it is a great pity. He is very curious who thought of this novel.

Han Sanping told him that it was He Mu, but Lu Wei was discouraged, because he felt that He Mu would never be able to control this classic, and even said that He Mu would humiliate this classic, even if his "Zi Bu Yu" is the best in the world. It is a blockbuster Chinese film, but he is not convinced by this newcomer. He has no prejudice against He Mu, but just discusses the matter. He believes that without decades of director career and life experience, it is impossible to make a good "Dust Settled".

However, Han Sanping told Lu Wei that He Mu would not be the director of this movie, he just wanted to play the male lead, and the director has not yet been decided.

Lu Wei recalled He Mu's previous dramas, and felt that as an actor, he has a wide range of Western dramas and has played many contrasting roles, but after thinking about it carefully, there are no memorable roles, maybe he is just waiting. For this "Dust Settled", Lu Wei resolutely accepted the task of "Dust Settled". After three months, he and the original author Alai jointly completed the first draft of the script. Writing the script this time is no less than A brand new creation, and now this brand new "Dust Settled" is in the hands of He Mu.

As the leading actor, He Mu has no right to revise Lu Wei's script. Although he read it, he just read it. Discuss and revise. Lu Wei also said that if the script of a classic movie is not revised three, four or five times, how can it be watched.

As for who will direct this movie, this is indeed a headache, and this headache must be solved by He Mu. A reliable and capable director who can control this kind of humanistic epic movie is really not good. So easy to find.

Generally, He Mu doesn't consider directors outside the mainland for this kind of film. Directors from Hong Kong and Taiwan are generally too small to make a film with a sense of grandeur.

Foreign directors do not understand the situation in China and tend to distort history. For example, the director of "Wolf Totem" Jean-Jacques Arnold, who made "Seven Years in Tibet" before, because of his lack of understanding of China's national conditions and history I understand that it distorts the justice of our PLA, and instead beautifies those chieftains who raise, exploit, and squeeze slaves. This movie was also listed as a banned movie in China, and Arnold became a very unpopular director in China until later. Arnold apologized to China for this film and for his ignorance at the beginning, otherwise there would be no Sino-French cooperation in "Wolf Totem".

Therefore, it is most reliable for this kind of movie involving certain sensitive events to be shot by a big director from the mainland, but it is also necessary to prevent some extreme directors from making a good movie into a banned movie, like director Tian Zhuangzhuang, Li Fatty’s teacher, He Mu I dare not use it...