Pick up treasure

"Next, I will use the craft of making the Statue of Victory to tell you about the round sculpture in detail. You have to listen carefully, and you must ask if you don't understand."

Albeni wanted to train Wang Ding to be an excellent master sculptor, but he didn't know that Wang Ding was absent-minded at this time.

However, Wang Ding became interested again when he heard that Albeni said to use the Statue of Victory as a teaching material.

But Wang Ding never imagined that the clay sculpture that Albeni would present to him was not the goddess of victory at all, but a large block of clay sculpture raw material in a three-dimensional shape, without any processing at all.

"Wang Ding, this is a large piece of clay sculpture material. You don't see any beauty in it now, but with the hands of a sculptor, it can turn decay into magic. Do you believe it?"

The aura flowing out of the Wang Ding jade brand can help him see the growth space of imperfect sculptures, but Wang Ding can't see the way to the raw materials.

Wang Ding didn't speak, but Albeni did it directly.

Seeing that Albeni brought over a hammer and a chisel, he knocked down some clods of clay on the clay sculpture.

The originally square stones became sharp and angular in an instant, and Albeni asked Wang Ding again at this time.

"Look at this clay sculpture now, do you think it has changed?"

Not to mention Wang Ding, it is true that the aura in his jade tablet has reacted a little bit, but because Albeni's engraving is not the outline of the goddess of victory, the aura cannot perfect this work at all.

However, regardless of the aura, Wang Ding was attracted by the appearance of Albeni's sculpture, and immediately plunged into the world of sculpture, looking at the clay sculpture in front of him.

"Just now the whole clay sculpture was not partitioned. After the teacher knocked and chiseled, several partitions appeared, limbs and head. Now I can see the limbs and head, and they have clear boundaries."

Wang Ding pointed to the clay sculpture and told Albeni, who was immediately satisfied with Wang Ding's answer.

"That's right, what you said is right. The round sculptures take figures as an example. Generally, we first need to chisel out the body of the limbs other than the head volume, and then chisel out the head, chest, and pelvis. Then chisel Cut out the shape blocks, such as vertical, inclined, etc. After the basic shape of the human body is completed, according to the structure and proportional relationship of the human body, the concave and convex shapes of each part are chiseled one by one, such as between the cheek and the facial features, between the chest and the neck Space, the ups and downs formed between the breasts and the chest, and when dividing the bumps, there should be room for the next two processes."

While Albeni was talking, he continued to beat and beat with the chisel in his hand, and lines appeared in the geometric clay sculpture in a second, and the relationship between the large shape and proportion was first seen.

Wang Ding was deeply attracted. Although Wang Ding can add to the final process of the sculpture by relying on spiritual energy, but without the early learning of this craft, Wang Ding knew that the sculpture himself was still a layman.

However, Mr. Albeni taught Wang Ding to know the sculpture method through his precepts and deeds. What's more, Wang Ding really wanted to experience the feeling of sculpture.

Albeni seemed to see Wang Ding's expectation, but he didn't think about telling Wang Ding to fuck him at the moment.

For a beginner, Alberni always felt that Wang Ding did not have that ability, so he put down the chisel and hammer in his hands, and Alberni changed the tools. At this time, what he held in his hand was a smaller flat chisel and round chisel. .

"Wang Ding, after the big shape is constructed, what we need to apply is our own painting skills, but what we draw is not on paper, but on sculpture. We use a brush or other pens to draw the general outline on the material. , and then remove the excess material other than the drawn outline with the help of an ax and carving tools, and then use the tools in my hand to carve out the figure's body structure, facial features and expressions, and the relationship between the virtual and the real, especially in the processing of the figure's dress. Pay attention to expressive methods such as virtual reality, movement and stillness, wet and dry, straight and straight, gathering and dispersing, hanging and hanging, etc., and you must have a certain painting talent and ability to complete it."

Albeni was already swinging the chisel, and he wiped away the dirt from the clay sculpture, but Wang Ding's eyes miraculously reproduced the image of the goddess of victory.

And what appeared more was the image of the parts carved by Albeni. It is true that the spiritual energy played a role again, and Wang Ding was able to see the painting, and then deal with the current work according to the ups and downs of the characters in the painting.

"Teacher, that part of you doesn't seem to have been cut enough."

Wang Ding couldn't help but say it, but Albeni was startled, saw the position of Wang Ding's finger, and after a few seconds of calculations, he nodded in relief, and hurriedly said, "Yes, your memory is really good. Yes, this position is a bit rough, and it needs to be scraped again."

Albeni did not expect that Wang Ding was so powerful, but he had only seen the goddess of victory a few times, and he was able to master the proportions of the goddess of victory superbly, every bit of it was good.

Albeni's subsequent sculpting took him a lot of time. This was based on the fact that Albeni often created the statue of the goddess of victory. If others were left alone, it would definitely not be possible to complete this initial shape in a day.

After completing the second process, Albeni looked at Wang Ding again and taught him carefully, "Wang Ding, we have gone through two processes from the rough billet to the fine billet, and in the third step we have to work on the foundation of the fine billet The so-called smoothing task is to repair unnecessary knife marks and chiseling marks, and at the same time, clearly describe the subtle shapes of each part, and strive to achieve a smooth, smooth, and distinct artistic effect. The tools for lightening we use Small flat knives, small round knives, triangular knives, etc. These small tools are more beneficial for us to depict the expressions of characters and the folds of clothes. Would you like to try carving it?"

On the way to teach Wang Ding, Alberni felt that this Wang Ding was not simple. He should have certain sculpture skills. Although he may have never tried sculpture, from his expression, Alberni could see From his self-confidence, maybe Wang Ding is a genius in this area. He has a strong talent, and this talent allows him to learn sculpture under the simple guidance of others, and he has the demeanor of a sculptor.

Wang Ding looked at the current work. After the first two processes, Wang Ding has been able to know where there are defects and where to be perfected through the aura.

Since it is learning, you should practice the sword yourself, Wang Ding said, "Okay, I will try."

As soon as Wang Ding took the small flat knife from Master Albeni, two people walked into the studio. Before Wang Ding could turn around to see who was coming, David had already called out. (To be continued.)