Pick up treasure

After being broken by Wang Ding, Xu Fengshui could no longer maintain the firm expression on his face.

"Haha." With a hearty smile, Xu Fengshui gave Wang Ding a thumbs up. "You boy, you boy, I really don't know what to say about you. You have seen it all."

"Mr. Xu, are you really lying to us?" Wang Ding suddenly felt that Mrs. Xu had a dark belly.

"Haha. Like Xiaolong, you saw that there was a problem with this painting at the beginning, but you are more outstanding than Xiaolong in that you insist on your judgment. Congratulations."

Old Xu's laughter and words did not make Jin Long feel uncomfortable. On the contrary, Jin Long already had a recognition in his heart at this time, that is, the current Wang Ding is no longer that Wu Xia Ameng.Compared with him, I might have fallen behind.So accepting this fact, Jinlong was not angry.

"Let me tell you, this painting is a work of Tang Yin copied by a painter. This work is called "Picture of Withered Robin". Not only is this painting a fake, but the seal is also fake. But because of historical reasons, I also I don’t know who stamped the fake seal of master Huang Tingjian on this copy of Tang Yin’s work, it can be said that such a work was created by accident.”

"So it is."

Wang Ding understood, this painting was proved to be a fake painting, but Wang Ding still admired the person who copied Tang Yin's works.You know, Tang Yin's words are three parts similar in spirit, seven parts similar in shape, and his brushwork is superb, resulting in countless classic paintings.As for the current picture, although the scene he depicted is less than three-pointed, the charm conveyed in it can still be glimpsed.If it weren't for the seal, Wang Ding would never have seen the clue.

"Old Xu, I would like to ask, besides the seal, to identify the authenticity of calligraphy and painting, can we judge based on other characteristics? Because if there is no problem with the seal, this painting is simply too realistic!"

When Xu Fengshui was asked, he said enthusiastically, "It seems that this kind of imitation technology is not outstanding, and the forgery of calligraphy and painting has always been very prosperous. However, we still have targeted appreciation skills. Just as seals are used by creators of works as exclusive marks, they usually add inscriptions and postscripts in front of poems, or add contents of calligraphy and painting such as size, inscription, seal, inscriptions, etc. Make a detailed record and compile it into a catalog. After the history has been passed down, these can become effective proofs that a painting is authentic."

Wang Ding knew that inscriptions and postscripts are written in front of books, calligraphy and paintings, and inscriptions, mainly for evaluation, appreciation, textual research, and notes.It was formed in the Song Dynasty.And the description is even more self-evident.These two can undoubtedly become the basis for appreciating calligraphy and painting.

"I know this. Is there any more?"

"Of course there is." Xu Lao was still thinking, seeing that Xu Lao's lips were a little dry, Wang Ding went to the table and poured another cup of tea for Xu Lao.

"Mr. Xu drinks tea!" Passing the tea to Mr. Xu, Mr. Xu took the tea, took a few sips with satisfaction, and continued.

"There are also some details on calligraphy and painting. Through these details, the authenticity of calligraphy and painting can be discovered. You two listen carefully, I will basically not spread this. One is wrong characters. The problem of writing wrong characters has always been taken very seriously. Calligraphers and painters There are no such mistakes, such as on the calligraphy and painting or the inscriptions, especially the inscriptions on the calligraphy and painting, etc., it is considered to be the cheating of the forger. This painting is a fake.”

other words.Wang Ding recited it silently several times in his heart and wrote it down.

"The second is the year and month. The date on the painting or the inscription may not match the age, birth and death of the author, or may be different from the facts. The date mentioned in the work is the date of Huang Tingjian in the Song Dynasty, so it must be a fake. This requires the connoisseur to be familiar with the historical background of the author. Understand?"

"En." The two nodded one after another. Mr. Xu took a sip of tea in the gap, and continued, "There is one more thing you may neglect, and that is taboo. In the era of feudal emperors, what does it mean to avoid taboos in writing? It is It is said that when writing the same character as the name of the emperor of this dynasty, one should write less. This is called taboo, commonly known as lack of pen. On calligraphy and painting, if you see a character with a lack of pen, it is the taboo of which emperor avoids it. , we can determine the creation period of calligraphy and painting. This is equivalent to saying that this painting was created in the Qing Dynasty based on taboo calculations, but its attribution is clear, which is a loophole in forgery. And this problem has always been regarded as irrefutable evidence. But of course , this point can only be discovered when you are familiar with history and have a knowledge reserve that shines through the past and the present, so appreciating calligraphy and painting is not an easy task."

It cannot be said that there is no taboo in the creation of poetry. The Qing Dynasty implemented a cruel word#prison. At that time, many works encountered taboos due to restrictions, including the Ming Dynasty, which has always avoided pig characters.

Listening to Mr. Xu's words, Wang Ding realized that appreciation of calligraphy and painting is also a profound knowledge, and it is simply impossible to become an apprentice in a day or two.I can only strengthen my learning ability in order to achieve some achievements in calligraphy and painting appreciation.

However, Wang Ding also knew where his advantage over others was.

After Xu Fengshui finished speaking, he took out the second painting that he wanted Wang Ding and Jin Long to admire. This second painting was the real work of Tang Yin.

This painting uses dry brush and scorched ink to paint the branches of plum blossoms, rubbing the texture, showing the vigorous and curvy posture of plum branches.The flowers are stippled with thick and light ink, and the pistils are drawn with meticulous brushwork. The brushwork is vigorous and elegant, showing the elegant and refined style of plum blossoms.

Its creative style is exactly the painting style of Tang Yin's late period.The plum blossoms in the middle of the picture are graceful and graceful, and the inscription on the upper right is free and easy: the family of the King of Pudifan in gold, and the flowers of white jade in the forest.You might as well use ink for wine, and write horizontally and obliquely with a clear shadow.

Wang Ding and Jinlong began tasting at this time.

According to what they learned just now, the two discovered the place and people who created the poem together: Gongtang Wangmei and Wang Shaofuyun.Wu tends to Tang Yin.

Then the seal on the lower left is stable and elegant, which further explains which seals it circulates. "Qian" Tang Layman Zhu Wen, "Tang Yin Private Seal" Bai Wen, "Nanjing Jieyuan" Zhu Wen, "Liu Ru Layman" Zhu Wen, "Wu Trend" Zhu Wenyin.

Comparing with other items and contacting Tang Yin's painting style, the two agreed that this is a beautiful work of Tang Yin's ink plum painting.

"Good paintings. Tang Yin's works are of high value. Mr. Xu, your ink plum painting is one of the masterpieces of Tang Yin's landscape paintings. It must have a price of more than one million."

Jinlong committed an occupational disease again, and immediately set the price for Mr. Xu after the tasting.

At this time, Mr. Xu rolled his eyes at Jinlong, his face flushed as if he had taken medicine, "I know money, don't you know that art is priceless. Since I collected this painting, I didn't think about its value. However, since you broke this level, I will make a decision. Wang Ding, if I want to give this painting to you, how can you thank me?"

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