Kaiyuan Merry

() Wei Zhi was undoubtedly very curious about Wang Weixian’s method of drawing drafts with charcoal pens, because painters of this era basically did not do such seemingly unnecessary things, or in other words, the style of Chinese painting does not need to be too delicate , it pays more attention to elegance, charm and artistic conception.

But in just a moment, Wei Zhi's expression changed from curiosity to surprise, which was really rare for him who always had a cold and proud look.

It is only because of the three-dimensional and realistic feeling that Wang Wei quickly outlined the background with charcoal at that time, so realistic and so novel...

After getting used to the traditional Chinese ink painting, Wei Zhi was surprised by the modern sketch-like background drawn by Wang Wei with charcoal. I know that having the solid painting skills already possessed by the body, combined with modern concepts, is the reason why Wang Wei has the talent of "magic brush".

Of course, it took Wang Wei a lot of time to transform his own traditional painting skills into "modern" painting skills, but it has to be admitted that Wang Wei's talent in painting is really good. The phrase he wrote himself, "Contemporary absurd poets, predecessors should be painters." is not false.

Wang Wei's painting speed is quite fast, and the background is drawn in just a while. In fact, because he doesn't need to pay attention to the artistic conception and charm, he only needs to sketch the scenery, as long as he is a painter with solid basic skills, he can do this.

When painting the figure of the young woman, Wang Wei detailed the dress of the young woman to every fold, and the style of the pearl hairpin on her head was extremely delicate. In this way, the young woman looks extremely realistic due to those details , lifelike, and the expression on her face is naturally that lonely smile.

Wei Zhi carefully watched a very real painting take shape under Wang Wei's pen, and that kind of feeling of admiration accumulated in his heart. Since he is not an orthodox painter, he is not interested in Wang Wei's "heavy form but not meaning". Wang Wei's painting method was accepted very quickly. If those traditional painters saw it, they would definitely criticize Wang Wei's painting for lack of charm and artistic conception.

Comparing Wang Wei's painting method with the traditional painting method is like comparing Tang poetry with Tang legend novels. The former belongs to a more elegant genre, while the latter is a vulgar entertainment for the public. In the eyes of the literati and doctors, it is not worth mentioning.

If Wang Wei's paintings at this time and his original traditional landscape paintings are taken out for evaluation, those painters will definitely think that Wang Wei's traditional landscape paintings are of a higher standard, while those who do not understand the charm and artistic conception will feel that Wang Wei His realistic paintings are more realistic and moving, not inferior to those so-called paintings with charm and artistic conception.

This is what Wei Zhi was thinking at this time. He never thought that this painting could still be like this. He felt that the paintings of classical ladies in the past were really weak. If they don’t say the same thing, how can they be like Wang Wei, who can draw This young woman has drawn a three-dimensional effect, as if the young woman is living in the painting.

All in all, the biggest feature of Wang Wei's painting is realism and lifelikeness. There is no so-called "spiritual energy", only the peak "craftsmanship", but we have to admit that this painting is beautiful, and the beauty lies in it. It's layered, three-dimensional, and those details that bring the whole painting to life.

The place with the most details in the whole painting is naturally the graceful young woman, which further highlights the young woman's status as the subject of the painting, while the rest of the background is all to set off the characters, which undoubtedly does not match the style of traditional Chinese painting. From the point of view, this method of highlighting the characters and weakening the background undoubtedly destroys the harmonious beauty and overall artistic conception of the picture.

However, Wang Wei's realistic painting is really meaningless if judged by the traditional way of judging.

When Wang Wei finished the draft with charcoal, Wei Zhi couldn't help but admire: "Thirteen Lang, your drawing method is really amazing, and the drawing is so similar. I can draw like this!"

Wang Wei smiled, and didn't say much, but began to outline with finer fine brushwork seriously. After the draft, the fine brushwork will be easier to control, and Wang Wei himself is a master of fine brushwork, and the fine brushwork he used Ink and wash are specially made for realistic painting, but Cui Yingluo and many craftsmen put a lot of thought into it.

Compared with the traditional ones, these inks and pigments are not easy to escape and render, and are more convenient to control. Otherwise, if you color the background of the characters, once it is rendered, the painting will be a mess. In a sense , the effect of Wang Wei's realistic painting is already similar to that of oil painting, but the painting method and paint are quite different.

Probably this is the wonderful painting method of "combining Chinese and Western" and "combining ancient and modern". If this painting method becomes popular, the historians and painting circles of later generations will definitely define Wang Wei as a master-level figure like Wu Daozi.

Wang Wei didn't care too much about his historical reputation in the painting world, he just did it for his own bad taste, when he thought of those who study history or painting, how much Wang Wei could create such a painting method that was so different from the trend at that time The reason is beyond comprehension, and he will feel the pleasure of cheating those people.

In the outline of fine brushwork, the sense of layering and three-dimensionality of the whole picture is more prominent, and its degree of realism becomes more and more astonishing. Wei Zhi can no longer describe the shocking feeling with words.

When coloring the whole painting, Wang Wei paid more attention to the bright and dark places caused by the sun, and used different pigments respectively. Only then did Wei Zhi discover that Wang Wei painted more pigments, far more than Traditional ink painting, and the advantage of doing this is that this painting is more realistic, as if the whole world is sucked into the painting...

When the painting was finally finished, Wang Wei said to Wei Zhi again, "Yin Qing, come and write a poem for me."

Naturally, Wei Zhi readily agreed. In fact, he felt that it was an honor to inscribe poems on such a painting with great innovative significance...

However, Wang Wei found it very absurd and interesting. Generally speaking, poems are inscribed on traditional Chinese paintings. The so-called "there are paintings in poems and poems in paintings", but has anyone ever seen such realistic paintings similar to oil paintings? The one who wrote the poem?

It's like someone wrote a poem on the "Mona Lisa" after Leonardo da Vinci finished painting it... Wang Wei couldn't describe the absurd sense of space-time disorder.

After only a while, Wei Zhi's "Yu You Rong Yan" disappeared, and he felt a little cheated. "Xing", as he wrote it, he felt more and more awkward and weird. In fact, the writing of this poem is also exquisite, and the words written must fit the whole painting.

So he felt that his handwriting should not have "spiritual energy", or wanton freehand brushwork, otherwise, it would really not match the style of the whole painting. In order to match the style of the whole painting, his handwriting was actually very rigid.

This made Wei Zhi very uncomfortable. After he finished writing the whole poem, he put down his pen, looked coldly, and reflected on himself for a moment, then suddenly said: "Thirteen Lang, I don't think this painting is suitable for writing poems. It's really superfluous and unnecessary. .” His tone was heavy, with a sense of guilt.

Wang Wei showed his characteristic warm smile, and said leisurely and joyfully, "I think so too."

Wei Zhi's eyes widened, and any sense of guilt was swept away. After realizing that he had been tricked, he complained angrily, "Then you still ask me to write poems?"

Wang Wei turned his face away, looking at the beautiful scenery...

How dare you fool around like this!Turn your head around and answer my question, hello!You dirty soul!Wei Zhi looked at Wang Wei's side face with a warm smile in grief and anger, and scolded in his heart the guy who professionally cheated his teammates.

After a long time, Wang Weicai picked up the dry paintings such as ink, paint, etc., looked at them with satisfaction, flicked the drawing paper proudly, and said: "In fact, it is quite good to write poems. Sometimes once you accept such a setting, Isn't it exciting?"

Wei Zhi: "Hehe."

Wang Wei didn't care about Wei Zhi's sneer, this guy just looked dead, he just took out his own seal and stamped it up, this "Beauty Pond Breaking Willows Walking", Wang Wei Wei himself is very satisfied. The woman in the dark blue gown in the painting is already shockingly beautiful with just a slight smile on her side face.

This is the real beauty of the Tang Dynasty... Wang Wei thought with a little sigh.

However, it seems that this painting can only be collected by himself. If it is seen by those painters who are obsessed with tradition, he will probably be sprayed to death. He remembers that he saw a documentary in his previous life, saying that a missionary came to China. The emperor painted a realistic oil painting, but the Chinese painters thought it lacked charm and artistic conception and was dull and boring. Then the missionaries learned Chinese painting, and finally got approval.

Seeing that his friend still had a cold face, Wang Wei's heart moved, and he said gently: "Yin Qing, besides this painting method, I also have a slightly exaggerated painting method."

Wei Zhi's attention was indeed attracted. He wanted to ignore Wang Wei, but he couldn't help being curious, so he could only ask coldly, "What painting method?"

Wang Wei smiled wickedly, and replied, "Manga."

"Manga?" Wei Zhi looked confused.

"The so-called comics, of course, are casual paintings." Wang Wei said while raising the fine brushwork, "Shi Yun: 'Suddenly turn over the ink on the case, and smear poems and books like old crows', so comics can also be called Make 'graffiti'."

"Where did this poem come from?"

"Uh...don't worry about these details, just read my comics." Wang Wei changed the subject, he couldn't say that the person who wrote this poem hadn't been born yet.

Immediately afterwards, with a few strokes, Wang Wei outlined a very common comic character in modern times, a little lolita, still in the romantic and cute style, and his appearance was based on the girl who bumped into his arms just now, but Wang Wei drew the girl's appearance very q and cute, the two eyeballs are big and round, completely out of proportion to the human body, but I have to admit, it doesn't violate harmony at all, it's quite cute...

What is it called?Cuteness is justice!

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