I wanted to remind Lao Xie with the intercom question, and be careful that Guanyin jumped out and hurt him, but there was no electromagnetic interference here, and the intercom buzzed continuously, so I was so angry that I had to turn it off.

Meihui tucked the Tibetan knife back into her waist and said, "We have to leave quickly, the lamp oil here must be limited, and the entrance opened by Brother Mouse is not that big, in order to prevent the Guanyin from rushing in, it was covered with stone slabs. There must be a lot of air consumption for people to breathe and to burn so many lamps."

Thinking of this, Meihui and I picked up the mouse and continued to move forward. But this time, there are already lights around me, but I am more careful. I know that this is the real mausoleum of King Khan. If we didn't experience any danger in the empty tomb in front of us, then theoretically all dangers should be waiting for us in this real Khan's mausoleum.

There are still many murals between the left and right lamps. These murals are relatively well preserved, and it is obvious that these murals were not made by the royal painters of the Qing Dynasty. They are nomads on the grasslands.I was afraid of missing some small details, so I started to look at the first picture while helping the mouse. I looked at the left side, and Meihui looked at the right side, trying to understand all the information recorded in the mural in the shortest possible time. I think these It should be the most authentic culture left by the Turghuts at that time, and the message they wanted to express.

The first painting is a beautiful scene of the Torghuts grazing on a green grassland, and there is nothing special about it; the second painting shows two tall men, both of whom are kings in yellow robes. Dressed up, the two seem to be discussing something in a yurt. Judging from the angles at which the two stand, their positions and rights should be equal. Two teams of soldiers in different costumes are patrolling outside the yurt. The people brought by the two leaders, and the yurt they were in, were also temporarily built for their secret meeting.Looking at it like this, they are clearly the Khans of two different nomadic peoples.

The third mural is one of the king Khan leading his own soldiers to press a ball cage. Inside the cage is a flowery girl. Although this is just a static mural, the person in the cage The painting of the woman is amazing. The most beautiful woman I have ever seen is Nan Haiyue, but this woman looks like a fairy descending from the earth, making my eyes reluctant to leave her in the painting, her skin Snow white as jade... It's just too white, so white that there is no blood color, the corners of the mouth are slightly turned up, revealing a strange smile, which makes people shudder.

"Wow... so fucking evil, this little girl looks a bit like a western vampire, she is so beautiful, but also so cold that it makes people daunting. Do you think there is such a beautiful woman in history? Yang Yuhuan? Also Not so slim? Xi Shi? Diao Chan?" The mouse said to himself.

"Fuck off! Don't babble in front of me, is your Xishi Diaochan from that era? Read on!"

In the fourth mural, the woman was pressed in front of the big tent of King Khan of Western Mongolia. The reason why I was sure that she was of the Western Mongolian nationality was because the attendants in the tent were dressed like people from the Western Regions, and the guards still held What we have is a Tibetan knife of the same style as ours.King Khan of this tribe in Western Mongolia was very satisfied after seeing this beautiful woman who descended from a celestial being, and immediately signed a contract with another tribe, but the content of the contract cannot be seen in the murals.

Tap the screen to use advanced tools Tip: You can use left and right keyboard keys to browse between chapters.

You'll Also Like