Jin Yutong
Chapter 103 Cold Mountain
Chapter 103 Cold Mountain Map
Mr. Ma's words did not speak highly of Chen Ran. For a while, everyone present were a little dumbfounded, and their eyes were also focused on Chen Ran. They sized Chen Ran up and down with a hint of doubt. It seems that he wants to see what is different about the young man in front of him, so that Mr. Ma has such a high evaluation... You must know that Mr. Ma will not praise others easily, and now it is not easy to treat the young man in front of him. I praised it, but directly raised it to the same height as Mr. Ma.
Gentle, ordinary... There seems to be nothing special about him. If there is something special about him, it is that his eyes are very bright, or very energetic, so that people can notice his eyes at a glance , rather than other places, such as the clothes on the body, etc.
Apart from this place, there seems to be no special place anymore, and they really couldn't figure out why Mr. Ma would treat him so differently. In terms of knowledge and ability, so young, where can he go? Woolen cloth.
On the other side, Chen Ran also helped Mr. Ma unfold the ancient painting, and carefully laid it on the front of the off-road vehicle. Guo Hai also got out of the car and helped hold it down to avoid being caught. The wind blows.
After unfolding the ancient painting, everyone present also gathered around.
Only then did Chen Ran see the true face of this ancient painting of Lushan Mountain. This is a picture of Hanshan Mountain in a simple and simple style. In the picture, besides the path of Hanshan Mountain, there are also an old man and a young man playing in the forest like urchins... This ancient painting did not leave any inscriptions. Inscriptions are also called inscriptions and inscriptions. They used to refer to the characters cast and engraved on ancient Zhongding Yi vessels, and later generally referred to the titles left by painters on calligraphy and painting works.
The early paintings and calligraphy works before the Sui and Tang Dynasties generally did not leave the artist's signature, and the few calligraphy and painting works with the signature were only some small characters written in inconspicuous places such as tree roots and rocks.
Being good at painting is not necessarily good at calligraphy. Some painters with low calligraphy skills often write their inscriptions on the back of the scroll. They don't want their shameful handwriting to smash their painting signs.
During the Song and Yuan dynasties, literati painters began to write inscriptions on the paintings, and the inscriptions also expanded from only writing the artist’s name and creation time to inscribing poems and essays, stating the gift object, etc. The long inscriptions can reach more than [-] characters.
In the Ming and Qing Dynasties, the works of literati painters must have their inscriptions, and inscriptions have become an indispensable and important component of Huaxia paintings.
Of course, it doesn’t mean that you have to have an inscription. For example, some painters in history have a bad reputation, and it’s not uncommon for them not to leave an inscription. Sometimes, it’s just a work of practicing pens, that is, the painting is painted. After that, the painter was not satisfied, and he would not leave his mark on the painting that satisfied him until he was satisfied with the painting, and those who were not satisfied became the works of practice.
These unsatisfactory paintings are the works of the painter himself, but in this era, they must be masterpieces as well.
"Mr. Ma, look at the material and shape of the scroll, as well as the style of the painting, the material of the paper, the technique of brush and ink, and the charm. Although the style of painting and the technique of brush and ink are somewhat similar to those of the Ming and Qing Dynasties. style, but it’s just an imitation, it’s clearly a fabrication!”
When Mr. Ma was watching with a magnifying glass, Liu Lei pointed at the ancient painting and explained to Mr. Ma and everyone.
The style of calligraphy and painting works is undoubtedly a basic method for distinguishing fake calligraphy and painting. The formation of style characteristics is related to specific methods, tools, materials, ideology, culture and art of calligraphy and painting. The specific identification can start from the common 'nature' of the times and the 'nature' of the author.
Brush and ink is the most basic expression form of Chinese painting and calligraphy art, so it is also the primary basis for distinguishing authenticity.
The technique of brush and ink has experienced a continuous development process in history. Although it has infinite changes in thickness, square, round, dry, wet, and light, it always forms some basic characteristics in each era.
In addition to the style of calligraphy and painting, the content of calligraphy and painting is also a basic method to distinguish the authenticity of calligraphy and painting. Any painting and calligraphy work is the artistic creation of calligraphers and painters in a specific historical period, so it can always reflect some historical and author's personal characteristics. fact.
In addition, the author's inscription seal, as well as paper and silk and other calligraphy and painting materials are also important basis for identifying calligraphy and painting. These things, generally speaking, are different in each era, and they have become the basis for today's identification of calligraphy and painting .
Hearing Liu Lei's words, everyone nodded in agreement. Although they didn't know much, Liu Lei's explanation didn't mean they didn't understand. After nodding, they all looked at Chen Ran, secretly thinking that this young man I'm afraid it's because of the thought of picking up leaks, thinking that it is a real product, but I am a little ignorant, and I don't even think about it. After five experts have identified a fake product, how can it be a real product.
Being looked at by everyone like this, Chen Ran was calm and composed, and Mr. Ma didn't pay attention to Liu Lei. He just bent over and looked at it carefully. After looking at it for a long time, he stood up and let out a long breath. .
After exhaling, he signaled Guo Hai to put the painting away, then turned around and patted Chen Ran heavily on the shoulder.
With this action, everyone thought that the old man was trying to comfort Chen Ran, and they couldn't help laughing inwardly. The old man raised the young man so high just now, and now it happened suddenly. Now, the old man might not be able to step down. .
"Mr. Ma, don't pay too much attention to it. Most people who play collection these days come here with the intention of picking up leaks. It's understandable to want to pick up leaks, but most people are a little blind... Especially these years, entering this There are more and more young people in the group, and they don’t hesitate to punch ten times in exchange for one pick-up, just to play a thrill..."
What Liu Lei said is true. Of course, these people cannot be regarded as people in the collection circle.
"Wait..." Before he finished speaking, he was interrupted by Mr. Ma waving his hand: "I don't care too much about what, what do I care about?"
Just when everyone thought that Mr. Ma would not be able to get off the stage, they heard Mr. Ma suddenly say angrily: "You know why I said, if it were someone else, you five experts have seen it, and I will believe it , but there is one exception, is this exception Xiao Chen?"
Mr. Ma suddenly said such a sentence, which made everyone a little stunned. Who knows what's going on with you?
"Fortunately, you two still claim to be experts, why haven't you even heard of some recent rumors in the industry!" Mr. Ma stared at Wang Zhiqing with his eyes wide open, and said, "Don't you like to collect ancient jade? You have never heard of the famous Longfengyu in the industry, and now Longfengyu is standing in front of you, and you can't recognize it!"
After teaching Wang Zhiqing, Mr. Ma did not let Liu Lei go. He pointed at Liu Lei: "And you, who claim to be a ceramic expert, oh, I almost forgot. Zhan, I also met you. I saw you envious at the time, but now you see the person who transferred the bottom of the porcelain plate to old man Bai. You don’t recognize it, and you don’t know that both of you are What are you eating..."
Mr. Ma suddenly lost his temper, and gave Wang Zhiqing and Liu Lei a lesson, which made everyone present a little dumbfounded for a while, let alone Wang Zhiqing and the others, even Guo Hai and Chen Ran were a little dumbfounded.
Wang Zhiqing reacted quickly. After being stunned, he looked at Chen Ran and asked in surprise: "Brother Chen, are you the champion of this jade carving competition?"
After asking, he suddenly remembered that until now, he didn't know Chen Ran's full name, he only knew that Chen Ran's surname was Chen...
Mr. Ma's words did not speak highly of Chen Ran. For a while, everyone present were a little dumbfounded, and their eyes were also focused on Chen Ran. They sized Chen Ran up and down with a hint of doubt. It seems that he wants to see what is different about the young man in front of him, so that Mr. Ma has such a high evaluation... You must know that Mr. Ma will not praise others easily, and now it is not easy to treat the young man in front of him. I praised it, but directly raised it to the same height as Mr. Ma.
Gentle, ordinary... There seems to be nothing special about him. If there is something special about him, it is that his eyes are very bright, or very energetic, so that people can notice his eyes at a glance , rather than other places, such as the clothes on the body, etc.
Apart from this place, there seems to be no special place anymore, and they really couldn't figure out why Mr. Ma would treat him so differently. In terms of knowledge and ability, so young, where can he go? Woolen cloth.
On the other side, Chen Ran also helped Mr. Ma unfold the ancient painting, and carefully laid it on the front of the off-road vehicle. Guo Hai also got out of the car and helped hold it down to avoid being caught. The wind blows.
After unfolding the ancient painting, everyone present also gathered around.
Only then did Chen Ran see the true face of this ancient painting of Lushan Mountain. This is a picture of Hanshan Mountain in a simple and simple style. In the picture, besides the path of Hanshan Mountain, there are also an old man and a young man playing in the forest like urchins... This ancient painting did not leave any inscriptions. Inscriptions are also called inscriptions and inscriptions. They used to refer to the characters cast and engraved on ancient Zhongding Yi vessels, and later generally referred to the titles left by painters on calligraphy and painting works.
The early paintings and calligraphy works before the Sui and Tang Dynasties generally did not leave the artist's signature, and the few calligraphy and painting works with the signature were only some small characters written in inconspicuous places such as tree roots and rocks.
Being good at painting is not necessarily good at calligraphy. Some painters with low calligraphy skills often write their inscriptions on the back of the scroll. They don't want their shameful handwriting to smash their painting signs.
During the Song and Yuan dynasties, literati painters began to write inscriptions on the paintings, and the inscriptions also expanded from only writing the artist’s name and creation time to inscribing poems and essays, stating the gift object, etc. The long inscriptions can reach more than [-] characters.
In the Ming and Qing Dynasties, the works of literati painters must have their inscriptions, and inscriptions have become an indispensable and important component of Huaxia paintings.
Of course, it doesn’t mean that you have to have an inscription. For example, some painters in history have a bad reputation, and it’s not uncommon for them not to leave an inscription. Sometimes, it’s just a work of practicing pens, that is, the painting is painted. After that, the painter was not satisfied, and he would not leave his mark on the painting that satisfied him until he was satisfied with the painting, and those who were not satisfied became the works of practice.
These unsatisfactory paintings are the works of the painter himself, but in this era, they must be masterpieces as well.
"Mr. Ma, look at the material and shape of the scroll, as well as the style of the painting, the material of the paper, the technique of brush and ink, and the charm. Although the style of painting and the technique of brush and ink are somewhat similar to those of the Ming and Qing Dynasties. style, but it’s just an imitation, it’s clearly a fabrication!”
When Mr. Ma was watching with a magnifying glass, Liu Lei pointed at the ancient painting and explained to Mr. Ma and everyone.
The style of calligraphy and painting works is undoubtedly a basic method for distinguishing fake calligraphy and painting. The formation of style characteristics is related to specific methods, tools, materials, ideology, culture and art of calligraphy and painting. The specific identification can start from the common 'nature' of the times and the 'nature' of the author.
Brush and ink is the most basic expression form of Chinese painting and calligraphy art, so it is also the primary basis for distinguishing authenticity.
The technique of brush and ink has experienced a continuous development process in history. Although it has infinite changes in thickness, square, round, dry, wet, and light, it always forms some basic characteristics in each era.
In addition to the style of calligraphy and painting, the content of calligraphy and painting is also a basic method to distinguish the authenticity of calligraphy and painting. Any painting and calligraphy work is the artistic creation of calligraphers and painters in a specific historical period, so it can always reflect some historical and author's personal characteristics. fact.
In addition, the author's inscription seal, as well as paper and silk and other calligraphy and painting materials are also important basis for identifying calligraphy and painting. These things, generally speaking, are different in each era, and they have become the basis for today's identification of calligraphy and painting .
Hearing Liu Lei's words, everyone nodded in agreement. Although they didn't know much, Liu Lei's explanation didn't mean they didn't understand. After nodding, they all looked at Chen Ran, secretly thinking that this young man I'm afraid it's because of the thought of picking up leaks, thinking that it is a real product, but I am a little ignorant, and I don't even think about it. After five experts have identified a fake product, how can it be a real product.
Being looked at by everyone like this, Chen Ran was calm and composed, and Mr. Ma didn't pay attention to Liu Lei. He just bent over and looked at it carefully. After looking at it for a long time, he stood up and let out a long breath. .
After exhaling, he signaled Guo Hai to put the painting away, then turned around and patted Chen Ran heavily on the shoulder.
With this action, everyone thought that the old man was trying to comfort Chen Ran, and they couldn't help laughing inwardly. The old man raised the young man so high just now, and now it happened suddenly. Now, the old man might not be able to step down. .
"Mr. Ma, don't pay too much attention to it. Most people who play collection these days come here with the intention of picking up leaks. It's understandable to want to pick up leaks, but most people are a little blind... Especially these years, entering this There are more and more young people in the group, and they don’t hesitate to punch ten times in exchange for one pick-up, just to play a thrill..."
What Liu Lei said is true. Of course, these people cannot be regarded as people in the collection circle.
"Wait..." Before he finished speaking, he was interrupted by Mr. Ma waving his hand: "I don't care too much about what, what do I care about?"
Just when everyone thought that Mr. Ma would not be able to get off the stage, they heard Mr. Ma suddenly say angrily: "You know why I said, if it were someone else, you five experts have seen it, and I will believe it , but there is one exception, is this exception Xiao Chen?"
Mr. Ma suddenly said such a sentence, which made everyone a little stunned. Who knows what's going on with you?
"Fortunately, you two still claim to be experts, why haven't you even heard of some recent rumors in the industry!" Mr. Ma stared at Wang Zhiqing with his eyes wide open, and said, "Don't you like to collect ancient jade? You have never heard of the famous Longfengyu in the industry, and now Longfengyu is standing in front of you, and you can't recognize it!"
After teaching Wang Zhiqing, Mr. Ma did not let Liu Lei go. He pointed at Liu Lei: "And you, who claim to be a ceramic expert, oh, I almost forgot. Zhan, I also met you. I saw you envious at the time, but now you see the person who transferred the bottom of the porcelain plate to old man Bai. You don’t recognize it, and you don’t know that both of you are What are you eating..."
Mr. Ma suddenly lost his temper, and gave Wang Zhiqing and Liu Lei a lesson, which made everyone present a little dumbfounded for a while, let alone Wang Zhiqing and the others, even Guo Hai and Chen Ran were a little dumbfounded.
Wang Zhiqing reacted quickly. After being stunned, he looked at Chen Ran and asked in surprise: "Brother Chen, are you the champion of this jade carving competition?"
After asking, he suddenly remembered that until now, he didn't know Chen Ran's full name, he only knew that Chen Ran's surname was Chen...
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