beauty winner
Chapter 1255 Symphony No. 2
Taking advantage of the few minutes of rest, several leaders in the auditorium continued to exchange ideas on the development of music art, mainly because the seniors wanted to hear the opinions of young people.Yang Jingxing felt that cultivating and expanding the market was more important than supporting practitioners. Although the seniors had been working hard on the promotion work, such as the introduction of elegant art to the campus, Yang Jingxing still felt that he could seek breakthroughs in methods and methods.
Starting from the present, Wang Jinzhe solemnly introduced the following Symphony No. [-] to President Wu Xin of the Art Center. Everyone from the conductor to the musicians, including himself, thought that this work was very likely to become a "classic", and it might even become a "classic" for several. Of course, there is a prerequisite for the repertoire of the big orchestra, that is, Western audiences can accept Chinese folk music, because there is a gap in the middle after all, but Director Yang is already famous...
Just as they were talking, several leaders looked in the direction of the side door one after another. The seniors of the national orchestra came in one after another. Do they want to be the audience to put pressure on the Philharmonic?As for the practitioners, they consciously kept quiet, but so many people didn't talk much, which made it look a bit weird.At this time, the theater is much quieter than the intermission of a real concert. Even the sound of light footsteps behind the curtain, the sound of conversation and the sound of adjusting instruments can be heard from the front, which seems very tight and orderly.
The people who came to the auditorium were not only people from the national orchestra, but also some players from the Philharmonic. It seemed that those who didn't need to play in the second half came, and there were a few staff members, at least six to seventy people.There is no need for everyone to fight for it. There are so many vacant seats to sit at will, but no one comes to be next to the leader.
Lu Baiyong also came over, and Yang Jingxing, who just nodded and smiled at the performers, got up and gave up his seat: "Lu Zhi."
"Sit down." Lu Baiyong sat down next to Yang Jingxing indifferently, and said, "Let's sum it up."
Yang Jingxing smiled: "You are too diligent."
President Wu also affirmed: "It's very exciting. Just now, Director Wang and Director Yang both praised Commander Lu's command."
Lu Baiyong seemed unable to listen to these nonsense, so he sat down with a little smile.
President Wu was very thoughtful: "What did Captain Wang say?"
Head Wang continued. His strategy is that exporting to domestic sales is a good way in many industries. Many young artists and musicians have already gone on this road intentionally or unintentionally. If Director Yang does the same, he will definitely gain a lot. He has succeeded and reached unprecedented heights, and his influence will no longer be solely his own. If time passes, it is believed that the Puhai Conservatory of Music, the Puhai Chinese Orchestra, the [-] Orchestra, and the Puhai Philharmonic Orchestra will all have a place in the world music scene. a seat.
Hearing what Captain Wang said was serious and not like a joke, Yang Jingxing himself was still embarrassed, and Wen Fujiang discussed it first: "I don't think Director Yang has thought about this, but it's hard to grow a forest alone, that's why he did this Work more. Even though those who are capable work harder, Director Yang cannot put all the burden on Director Yang's shoulders. Director Yang also has a girlfriend, so he should have time to live a happy life."
Ha ha, seniors, but Director Yang doesn't seem to care about making fun of him: "I can't take on too many heavy responsibilities, and I don't dare to be too self-righteous. Only with more friends and partners can we be more courageous when we go on the road together."
President Wu nodded deeply and agreed: "Yes, a single tree is hard to grow into a forest. There is no shortage of outstanding talents in all walks of life in our country. It is rare that Director Yang can still consider popularization and education. The three basic functions of the Art Center of the Grand Theater are popularization and education. Education, original quality. I hope Director Yang doesn’t mind if I ask a layman’s word. On the scale of artistic quality, where does Conductor Lu think this symphony can be ranked?”
Yang Jingxing was a little embarrassed, but Lu Baiyong was serious: "I personally think that after comprehensive consideration, the Second Symphony should be among the most artistically valuable works in the world today."
Yang Jingxing laughed dryly: "Lu Zhi, you put a lot of pressure on me."
Lu Baiyong made a detour: "Of course, it needs to be verified by time and audience."
Wang Jinzhe was positive: "I have had a lot of communication with the conductor. Even the conductor thinks that even if the folk music orchestration is changed to a Western instrument, although it will lose the charm, it is still a work that raises the ceiling. The breadth and depth are exactly what today’s orchestras and even the world’s orchestras lack. Therefore, with the support of head Wen and conductor Lu, the two orchestras have worked closely together to ensure the success of this premiere. Of course, conductor Lu is right. , the artistic value of a work requires more people to discover and more time to settle.”
Except for Yang Jingxing, several leaders nodded. President Wu was a little excited: "You're right. In fact, I firmly believe in the artistic value of Director Yang's works. It's hard for me to say something unfeeling."
Not only Yang Jingxing, the head of the regiment and the conductor all expressed their views, just say it...
President Wu was blunt, and said that from next year, the Art Center of the Grand Theater will hold at least [-] public welfare performances every year, and the most expensive tickets for the performances should not exceed [-]. In this way, even if the audience is full, the box office will be around [-].Despite the heavy pressure of losses, the art center still wants to provide high-quality and high-level programs to audiences who buy public welfare tickets as much as possible...
Yang Jingxing immediately stated that it would be an honor for him if his work could be featured on the stage of public welfare performances.The two orchestras also hurriedly proved to the composer that Director Yang's works were basically licensed for free...
President Wu looked very relieved, as if he was sincerely grateful for the benefits he had received.
Don't worry, Yang Jingxing also has an unfeeling request or suggestion for several leaders, hoping that the art center and the orchestra will invest more in the creative process in the future, and support and encourage creators more.Director Yang knows that many students, colleagues and even teachers around him do not get a reasonable remuneration after hard work.
President Wu generously admitted that there are still deficiencies in this aspect, and he also knows that even if the commissioned works created by students abroad are only performed for one performance, they are often paid thousands of dollars...
It was almost a high-level meeting, but the bell rang and the curtain rose.The meeting had to be suspended. The president adjusted his posture and suggested that everyone should enjoy the music and applaud first.
There are 64 performers on the stage. It looks like a typical orchestra layout, but the small, medium and large bass groups are all simplified, and then the pipa group is behind the first small violin group, and the dulcimer is behind the second violin group. The Sanxian group is between the viola and wind instruments, and the erhu is sandwiched between the cello and double bass.
He Peiyuan sat at the end of the Sanxian group, and looked at the auditorium with a slight smile like most actors, but she didn't see the composer very much, and probably glanced over, but she couldn't see the bright smile on the rascal's face clearly.
The host came to the stage full of energy. The opening speech of the second half was a bit long. First, he gave a brief overview of the history of Western music, and then he was proud of the history of Chinese music with more adjectives and interjections. Yang Jingxing's second symphony, let's see what kind of "vast, turbulent, beautiful, and warm" can be produced by the fusion and collision of China and the West.
The number of audience seats has doubled, and most of them are colleagues and acquaintances. The applause welcoming the conductor was quite warm.
Lian Lixin still had nothing to say when he came to the stage. After paying tribute to the audience, he went to the podium and signaled to the orchestra to get ready.Lian Lixin’s personal hobby is that he likes the feeling of parade. When he stands with his back to the audience and doesn’t move much, he must scan the orchestra with his eyes. During the rehearsal, it may last up to 1 minute, but this will not be so artificial, just half a minute , The audience still has the patience to stay on the sidelines.
As the conductor’s right hand was suddenly raised, it paused briefly at the highest point, and then fell very gently. The cello group started first, and the calm melody was accompanied by the plucked strings of the double bass. Feel.When the cello group was about to finish expressing a melody, the woodwind group added it for embellishment, which made the emotional color of the music more vivid, a little more lively and cheerful, and no longer seemed so calm or even monotonous.
After a little bit of activity, the woodwind went down softly with the cello. There was a brief silence, and then the harp, which had been staring at the conductor, began to pluck the strings as it was named. It was a bit strange that there were no singing notes at all, but this strange feeling was in the clarinet After adding softly, it basically disappeared, and then the first violin group started. After a few notes, people can feel that the melody is quite singing.With the unique harp and the weak clarinet as the backdrop, the melody style of the violin is also quickly clear, it is simple, so simple that it makes people feel that the composer is fooling around, but it is a bit solemn and solemn in the simplicity, a little familiar with the business Everyone should be able to immediately think of chant and the Middle Ages.
Instrumental music was still very unpopular in the Middle Ages, so most of the performers on the stage at this time were actually doing nothing, although they all pretended to concentrate.
The violin seemed to be ecstatic in singing the chant, and even the conductor was immersed in the religious music and fiddled with his limbs. But suddenly, Lian Lixin woke up, gestured decisively, and the dulcimer group, which was waiting in full force, started working together.
I don’t know if the melody and harmony are well matched or the dulcimer is a good match with the violin. One of the unique representative timbres of Chinese folk music played in the chant does not make people feel abrupt, and no one in the audience seems to be A little discomfort, but there are surprises and surprises.
In fact, He Peiyuan's worry is a bit unnecessary. Tao Meng would not be able to tell that the dulcimer was presented with the melody material in "Blooming" even if she was at the scene. It makes people who are familiar with "Bloom" feel a little deja vu.
After the dulcimer played, the ten members of the first violin group stopped their hands two by two, and the chant gradually stopped. It felt like giving up the protagonist to the dulcimer, who used the material of "Blooming" as the motivation to interpret the next few bars more and more. The brighter but always simple melody, the color expression of the yangqin here is actually largely out of the tradition, it seems that the yangqin is only used as a simple percussion music.But after all, it is a symphony, so we can’t keep it simple. After the dulcimer’s leading role was determined, the brass pipes started to work, the timpani began to tap lightly, and then the cello group joined in.
Yangqin also became the protagonist of eight bars, and then disappeared from the score, but the music does not make people feel suddenly, everything is logical, and at this time the music has passed a new stage, multi-voiced The department operates collectively, feeling like a symphony orchestra.The composer did not create anything new here. Instead, it reminded his peers of the Flemish and Burgundian schools for the first time, and then over-developed towards secular music. The composer's intention was very obvious, which entered into the literature It's time for a revival.
As a professional academic composer, it should not be very difficult to imitate the style of a specific genre in a specific period. Fortunately, Yang Jingxing imitated or paid tribute to many composers in a short length of time, showing a relatively strong Summarizing the integration ability should not make people doubt that the genius Jiang Lang has exhausted his talents.
The music has already started for more than four minutes, and the Renaissance period, which is fuller and more complicated than the Middle Ages, has come to an end. At an imperceptible turning point, the pipa group who had been sitting for a long time collectively plucked the strings, but the appearance of the pipa It is not as clear and ear-catching as the previous dulcimer group, and it even seems a bit insignificant among multiple groups of instruments, and most listeners will not be surprised.
But Yang Jingxing didn't dare to offend his best friend, so within two bars, Pipa would stand out with its melody and rhythm.Yu Xinting can definitely hear that Pipa used the material of "Tranquility" to quickly gain the leading role or even a dominant position in the orchestra, but although the melody and notes have not changed much, the color is not "Tranquility" at all. The harmony of the pipa and the rhythm of the playing They are all very different from the piano version of "Tranquility" that feels like the new century.How can you lead when you are quiet?So the pipa here, from being unremarkable at the beginning, quickly became a little bit like "House of Flying Daggers", and it is four together, which is simply overwhelming.
But the fate of the pipa is the same as that of the dulcimer. It disappears after a while, and it disappears suddenly, which is a bit abrupt.Fortunately, the other voices were not affected much, and successfully entered a new stage.
Wang Rui, who put down her hands on the stage, relaxed, looked at the composer, smiled, and then looked at He Peiyuan who was not far away from her.He Peiyuan seemed to be focusing on being an audience all the time, but a woman's sixth sense made her look back at Wang Rui, and finally took a brief look at her boyfriend in the audience.
Smart colleagues should be able to predict that the next piece of music will enter the Baroque period.Sure enough, the composer continued to show his ability of imitation and induction, paying tribute to Perry, Monteverdi, Scarlatti, Vivaldi... and of course Bach in the next two to three minutes.Even Lixin is really amazing. It seems that the style of body language is also changing according to the intention of the work.
Smart colleagues can definitely imagine that it must be folk music that helped music transition smoothly from the Baroque period to the Classical period.This time it is the erhu that plays the important role. At the end of a brass and percussion chorus that is suspected of paying tribute to Handel, the four erhus are seamlessly connected. The variation theme of "A Picture" is an experience debut. Of course, music The colors are also very different from love songs.Lian Lixin still put his heart into it. He obviously put forward meticulous and tight requirements for the timbre of the erhu, and when there is no requirement in the score, this kind of timbre performance is obviously more suitable for the work than the timbre of "Erquan Yingyue", because of experience Finally, what the erhu needs to show is a bright and calm atmosphere, and even Lixin has a good grasp of it.
Like dulcimer and pipa, the erhu didn't last long before exiting the stage with a characteristic tearing feeling similar to the neighing of the horse in "Horse Racing", but it is longer and more emotional than the neighing of the horse. Small motivation, this is the most avant-garde thing in the first movement of the work, and the erhu group is still practicing quite well.
Entering the period of classicism, there are too many works to express and pay homage to, so the length is slightly longer. The various distinctive features of the Viennese School of Music can be tasted by ordinary audiences without the need for peers.This section can be regarded as the climax of the first movement, it feels a bit gorgeous and brilliant.
There is only one choice, and Sanxian will lead the music from the classical period to the romantic period.When there were still seven or eight bars before her own hands, He Peiyuan finally looked at the composer in the audience firmly. Although it was only two or three seconds, the girl's eyes and expression clearly revealed her seriousness and firmness. The rascal had no choice but to hold back his cheap laugh.
Sanxian appeared after the music had downplayed the toughness and stubbornness of Beethoven. The material of "Only You Know It's a Love Song" is almost intact. The characteristics of the material and the characteristics of the instrument make the Sanxian very well show that it is different from Beethoven. The kind of tenacity that reveals indifferent beauty.
Sanxian has three or four bars more than the previous folk instruments, but it is not too long, and there is no technical difficulty in playing, but He Peiyuan still plays the bullets to the score, after playing her last note in the first movement , the girl continued to look at the music score, and when she raised her eyes again, she was looking directly at the composer.
Yang Jingxing smiled brightly, seeming to infect his girlfriend, and the only female three-stringed virtuoso player on the stage also smiled slightly, and then continued to focus on work.
The music has entered the period of romanticism, the composer started to play, and showed a little melody upstart style, in the last 2 minutes, let the whole orchestra play the initial cello melody, and finally use the cello The fade-out ends the thirteen-four-minute first movement.
Looking at the entire first movement, the composer seems to want to summarize the history of Western music and to leave a good first impression on the audience with the four national instruments. It seems that the content will be noisy, but in fact the structure and content of the whole movement are very Meticulous and harmonious, this kind of meticulous harmony is not only about academics, but also about the feelings of the audience.
Except for the special arrangement, the first movement of "Yang Jingxing's Second Symphony" doesn't seem to have too many novel and shining points for experienced music fans. The content is more expected, and it has laid a good foundation for the audience's comprehension and acceptance.
There was an intermission in the movement, and no one around the composer had a good word to say to him. Everyone continued to pay attention to the stage, watching the conductors and performers turn over the score to adjust their status as soon as possible.
Starting from the present, Wang Jinzhe solemnly introduced the following Symphony No. [-] to President Wu Xin of the Art Center. Everyone from the conductor to the musicians, including himself, thought that this work was very likely to become a "classic", and it might even become a "classic" for several. Of course, there is a prerequisite for the repertoire of the big orchestra, that is, Western audiences can accept Chinese folk music, because there is a gap in the middle after all, but Director Yang is already famous...
Just as they were talking, several leaders looked in the direction of the side door one after another. The seniors of the national orchestra came in one after another. Do they want to be the audience to put pressure on the Philharmonic?As for the practitioners, they consciously kept quiet, but so many people didn't talk much, which made it look a bit weird.At this time, the theater is much quieter than the intermission of a real concert. Even the sound of light footsteps behind the curtain, the sound of conversation and the sound of adjusting instruments can be heard from the front, which seems very tight and orderly.
The people who came to the auditorium were not only people from the national orchestra, but also some players from the Philharmonic. It seemed that those who didn't need to play in the second half came, and there were a few staff members, at least six to seventy people.There is no need for everyone to fight for it. There are so many vacant seats to sit at will, but no one comes to be next to the leader.
Lu Baiyong also came over, and Yang Jingxing, who just nodded and smiled at the performers, got up and gave up his seat: "Lu Zhi."
"Sit down." Lu Baiyong sat down next to Yang Jingxing indifferently, and said, "Let's sum it up."
Yang Jingxing smiled: "You are too diligent."
President Wu also affirmed: "It's very exciting. Just now, Director Wang and Director Yang both praised Commander Lu's command."
Lu Baiyong seemed unable to listen to these nonsense, so he sat down with a little smile.
President Wu was very thoughtful: "What did Captain Wang say?"
Head Wang continued. His strategy is that exporting to domestic sales is a good way in many industries. Many young artists and musicians have already gone on this road intentionally or unintentionally. If Director Yang does the same, he will definitely gain a lot. He has succeeded and reached unprecedented heights, and his influence will no longer be solely his own. If time passes, it is believed that the Puhai Conservatory of Music, the Puhai Chinese Orchestra, the [-] Orchestra, and the Puhai Philharmonic Orchestra will all have a place in the world music scene. a seat.
Hearing what Captain Wang said was serious and not like a joke, Yang Jingxing himself was still embarrassed, and Wen Fujiang discussed it first: "I don't think Director Yang has thought about this, but it's hard to grow a forest alone, that's why he did this Work more. Even though those who are capable work harder, Director Yang cannot put all the burden on Director Yang's shoulders. Director Yang also has a girlfriend, so he should have time to live a happy life."
Ha ha, seniors, but Director Yang doesn't seem to care about making fun of him: "I can't take on too many heavy responsibilities, and I don't dare to be too self-righteous. Only with more friends and partners can we be more courageous when we go on the road together."
President Wu nodded deeply and agreed: "Yes, a single tree is hard to grow into a forest. There is no shortage of outstanding talents in all walks of life in our country. It is rare that Director Yang can still consider popularization and education. The three basic functions of the Art Center of the Grand Theater are popularization and education. Education, original quality. I hope Director Yang doesn’t mind if I ask a layman’s word. On the scale of artistic quality, where does Conductor Lu think this symphony can be ranked?”
Yang Jingxing was a little embarrassed, but Lu Baiyong was serious: "I personally think that after comprehensive consideration, the Second Symphony should be among the most artistically valuable works in the world today."
Yang Jingxing laughed dryly: "Lu Zhi, you put a lot of pressure on me."
Lu Baiyong made a detour: "Of course, it needs to be verified by time and audience."
Wang Jinzhe was positive: "I have had a lot of communication with the conductor. Even the conductor thinks that even if the folk music orchestration is changed to a Western instrument, although it will lose the charm, it is still a work that raises the ceiling. The breadth and depth are exactly what today’s orchestras and even the world’s orchestras lack. Therefore, with the support of head Wen and conductor Lu, the two orchestras have worked closely together to ensure the success of this premiere. Of course, conductor Lu is right. , the artistic value of a work requires more people to discover and more time to settle.”
Except for Yang Jingxing, several leaders nodded. President Wu was a little excited: "You're right. In fact, I firmly believe in the artistic value of Director Yang's works. It's hard for me to say something unfeeling."
Not only Yang Jingxing, the head of the regiment and the conductor all expressed their views, just say it...
President Wu was blunt, and said that from next year, the Art Center of the Grand Theater will hold at least [-] public welfare performances every year, and the most expensive tickets for the performances should not exceed [-]. In this way, even if the audience is full, the box office will be around [-].Despite the heavy pressure of losses, the art center still wants to provide high-quality and high-level programs to audiences who buy public welfare tickets as much as possible...
Yang Jingxing immediately stated that it would be an honor for him if his work could be featured on the stage of public welfare performances.The two orchestras also hurriedly proved to the composer that Director Yang's works were basically licensed for free...
President Wu looked very relieved, as if he was sincerely grateful for the benefits he had received.
Don't worry, Yang Jingxing also has an unfeeling request or suggestion for several leaders, hoping that the art center and the orchestra will invest more in the creative process in the future, and support and encourage creators more.Director Yang knows that many students, colleagues and even teachers around him do not get a reasonable remuneration after hard work.
President Wu generously admitted that there are still deficiencies in this aspect, and he also knows that even if the commissioned works created by students abroad are only performed for one performance, they are often paid thousands of dollars...
It was almost a high-level meeting, but the bell rang and the curtain rose.The meeting had to be suspended. The president adjusted his posture and suggested that everyone should enjoy the music and applaud first.
There are 64 performers on the stage. It looks like a typical orchestra layout, but the small, medium and large bass groups are all simplified, and then the pipa group is behind the first small violin group, and the dulcimer is behind the second violin group. The Sanxian group is between the viola and wind instruments, and the erhu is sandwiched between the cello and double bass.
He Peiyuan sat at the end of the Sanxian group, and looked at the auditorium with a slight smile like most actors, but she didn't see the composer very much, and probably glanced over, but she couldn't see the bright smile on the rascal's face clearly.
The host came to the stage full of energy. The opening speech of the second half was a bit long. First, he gave a brief overview of the history of Western music, and then he was proud of the history of Chinese music with more adjectives and interjections. Yang Jingxing's second symphony, let's see what kind of "vast, turbulent, beautiful, and warm" can be produced by the fusion and collision of China and the West.
The number of audience seats has doubled, and most of them are colleagues and acquaintances. The applause welcoming the conductor was quite warm.
Lian Lixin still had nothing to say when he came to the stage. After paying tribute to the audience, he went to the podium and signaled to the orchestra to get ready.Lian Lixin’s personal hobby is that he likes the feeling of parade. When he stands with his back to the audience and doesn’t move much, he must scan the orchestra with his eyes. During the rehearsal, it may last up to 1 minute, but this will not be so artificial, just half a minute , The audience still has the patience to stay on the sidelines.
As the conductor’s right hand was suddenly raised, it paused briefly at the highest point, and then fell very gently. The cello group started first, and the calm melody was accompanied by the plucked strings of the double bass. Feel.When the cello group was about to finish expressing a melody, the woodwind group added it for embellishment, which made the emotional color of the music more vivid, a little more lively and cheerful, and no longer seemed so calm or even monotonous.
After a little bit of activity, the woodwind went down softly with the cello. There was a brief silence, and then the harp, which had been staring at the conductor, began to pluck the strings as it was named. It was a bit strange that there were no singing notes at all, but this strange feeling was in the clarinet After adding softly, it basically disappeared, and then the first violin group started. After a few notes, people can feel that the melody is quite singing.With the unique harp and the weak clarinet as the backdrop, the melody style of the violin is also quickly clear, it is simple, so simple that it makes people feel that the composer is fooling around, but it is a bit solemn and solemn in the simplicity, a little familiar with the business Everyone should be able to immediately think of chant and the Middle Ages.
Instrumental music was still very unpopular in the Middle Ages, so most of the performers on the stage at this time were actually doing nothing, although they all pretended to concentrate.
The violin seemed to be ecstatic in singing the chant, and even the conductor was immersed in the religious music and fiddled with his limbs. But suddenly, Lian Lixin woke up, gestured decisively, and the dulcimer group, which was waiting in full force, started working together.
I don’t know if the melody and harmony are well matched or the dulcimer is a good match with the violin. One of the unique representative timbres of Chinese folk music played in the chant does not make people feel abrupt, and no one in the audience seems to be A little discomfort, but there are surprises and surprises.
In fact, He Peiyuan's worry is a bit unnecessary. Tao Meng would not be able to tell that the dulcimer was presented with the melody material in "Blooming" even if she was at the scene. It makes people who are familiar with "Bloom" feel a little deja vu.
After the dulcimer played, the ten members of the first violin group stopped their hands two by two, and the chant gradually stopped. It felt like giving up the protagonist to the dulcimer, who used the material of "Blooming" as the motivation to interpret the next few bars more and more. The brighter but always simple melody, the color expression of the yangqin here is actually largely out of the tradition, it seems that the yangqin is only used as a simple percussion music.But after all, it is a symphony, so we can’t keep it simple. After the dulcimer’s leading role was determined, the brass pipes started to work, the timpani began to tap lightly, and then the cello group joined in.
Yangqin also became the protagonist of eight bars, and then disappeared from the score, but the music does not make people feel suddenly, everything is logical, and at this time the music has passed a new stage, multi-voiced The department operates collectively, feeling like a symphony orchestra.The composer did not create anything new here. Instead, it reminded his peers of the Flemish and Burgundian schools for the first time, and then over-developed towards secular music. The composer's intention was very obvious, which entered into the literature It's time for a revival.
As a professional academic composer, it should not be very difficult to imitate the style of a specific genre in a specific period. Fortunately, Yang Jingxing imitated or paid tribute to many composers in a short length of time, showing a relatively strong Summarizing the integration ability should not make people doubt that the genius Jiang Lang has exhausted his talents.
The music has already started for more than four minutes, and the Renaissance period, which is fuller and more complicated than the Middle Ages, has come to an end. At an imperceptible turning point, the pipa group who had been sitting for a long time collectively plucked the strings, but the appearance of the pipa It is not as clear and ear-catching as the previous dulcimer group, and it even seems a bit insignificant among multiple groups of instruments, and most listeners will not be surprised.
But Yang Jingxing didn't dare to offend his best friend, so within two bars, Pipa would stand out with its melody and rhythm.Yu Xinting can definitely hear that Pipa used the material of "Tranquility" to quickly gain the leading role or even a dominant position in the orchestra, but although the melody and notes have not changed much, the color is not "Tranquility" at all. The harmony of the pipa and the rhythm of the playing They are all very different from the piano version of "Tranquility" that feels like the new century.How can you lead when you are quiet?So the pipa here, from being unremarkable at the beginning, quickly became a little bit like "House of Flying Daggers", and it is four together, which is simply overwhelming.
But the fate of the pipa is the same as that of the dulcimer. It disappears after a while, and it disappears suddenly, which is a bit abrupt.Fortunately, the other voices were not affected much, and successfully entered a new stage.
Wang Rui, who put down her hands on the stage, relaxed, looked at the composer, smiled, and then looked at He Peiyuan who was not far away from her.He Peiyuan seemed to be focusing on being an audience all the time, but a woman's sixth sense made her look back at Wang Rui, and finally took a brief look at her boyfriend in the audience.
Smart colleagues should be able to predict that the next piece of music will enter the Baroque period.Sure enough, the composer continued to show his ability of imitation and induction, paying tribute to Perry, Monteverdi, Scarlatti, Vivaldi... and of course Bach in the next two to three minutes.Even Lixin is really amazing. It seems that the style of body language is also changing according to the intention of the work.
Smart colleagues can definitely imagine that it must be folk music that helped music transition smoothly from the Baroque period to the Classical period.This time it is the erhu that plays the important role. At the end of a brass and percussion chorus that is suspected of paying tribute to Handel, the four erhus are seamlessly connected. The variation theme of "A Picture" is an experience debut. Of course, music The colors are also very different from love songs.Lian Lixin still put his heart into it. He obviously put forward meticulous and tight requirements for the timbre of the erhu, and when there is no requirement in the score, this kind of timbre performance is obviously more suitable for the work than the timbre of "Erquan Yingyue", because of experience Finally, what the erhu needs to show is a bright and calm atmosphere, and even Lixin has a good grasp of it.
Like dulcimer and pipa, the erhu didn't last long before exiting the stage with a characteristic tearing feeling similar to the neighing of the horse in "Horse Racing", but it is longer and more emotional than the neighing of the horse. Small motivation, this is the most avant-garde thing in the first movement of the work, and the erhu group is still practicing quite well.
Entering the period of classicism, there are too many works to express and pay homage to, so the length is slightly longer. The various distinctive features of the Viennese School of Music can be tasted by ordinary audiences without the need for peers.This section can be regarded as the climax of the first movement, it feels a bit gorgeous and brilliant.
There is only one choice, and Sanxian will lead the music from the classical period to the romantic period.When there were still seven or eight bars before her own hands, He Peiyuan finally looked at the composer in the audience firmly. Although it was only two or three seconds, the girl's eyes and expression clearly revealed her seriousness and firmness. The rascal had no choice but to hold back his cheap laugh.
Sanxian appeared after the music had downplayed the toughness and stubbornness of Beethoven. The material of "Only You Know It's a Love Song" is almost intact. The characteristics of the material and the characteristics of the instrument make the Sanxian very well show that it is different from Beethoven. The kind of tenacity that reveals indifferent beauty.
Sanxian has three or four bars more than the previous folk instruments, but it is not too long, and there is no technical difficulty in playing, but He Peiyuan still plays the bullets to the score, after playing her last note in the first movement , the girl continued to look at the music score, and when she raised her eyes again, she was looking directly at the composer.
Yang Jingxing smiled brightly, seeming to infect his girlfriend, and the only female three-stringed virtuoso player on the stage also smiled slightly, and then continued to focus on work.
The music has entered the period of romanticism, the composer started to play, and showed a little melody upstart style, in the last 2 minutes, let the whole orchestra play the initial cello melody, and finally use the cello The fade-out ends the thirteen-four-minute first movement.
Looking at the entire first movement, the composer seems to want to summarize the history of Western music and to leave a good first impression on the audience with the four national instruments. It seems that the content will be noisy, but in fact the structure and content of the whole movement are very Meticulous and harmonious, this kind of meticulous harmony is not only about academics, but also about the feelings of the audience.
Except for the special arrangement, the first movement of "Yang Jingxing's Second Symphony" doesn't seem to have too many novel and shining points for experienced music fans. The content is more expected, and it has laid a good foundation for the audience's comprehension and acceptance.
There was an intermission in the movement, and no one around the composer had a good word to say to him. Everyone continued to pay attention to the stage, watching the conductors and performers turn over the score to adjust their status as soon as possible.
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