beauty winner

The second movement is the shortest of the four movements, almost only half of the first movement, and there is no obvious genre feature in the musical structure.

The music starts with a deep and powerful wind instrument, presents a relatively long theme, and then the string instrument makes variations on the theme, and then the wind instrument changes again, with a total of three alternations and five variations.

The composer has shown off his experience and skills here very well, and every time he produced subtle color changes, from calm to grand, then gorgeous after grand, then a little lighter, and can continue to be cheerful, after the final variation After the transition, the music has a gentle but faint rising trend.

The knowledgeable people in the auditorium made some reactions at this time, raising their chins to improve their attention or expressing that they have discovered that the work has begun to move professionally and sensitively. The short period of the second movement The beginning may not be particularly pleasing to the ear, but the sincerity shown by the composer is sufficient, talented and well-crafted, worthy of the devotion on stage and the concentration of the audience.

However, when everyone was looking forward to how the music would develop as expected, the composer was mischievous again, and made the strings "tremble" by surprise, and then the wind instruments also began to "shake".

It is simply unreasonable and contrary to theory. For a short moment, some people may question whether the composer made some mistakes or the orchestra made some mistakes.

Just after a slight relief, the discordant trembling and uneasiness came again, and it intensified and lengthened...then disappeared again.

Some people may think that they will not intensify and do it again?

It really came, and this time it was no longer a trial or brewing, it was real, the strings began to fluctuate violently, and the wind seemed to be swinging uncontrollably.

At this point, the music coming out of the stage is no longer pleasant to most people, and the normal enjoyment of beauty has almost disappeared.

But the music's "appreciation of ugliness" has just begun. In just two bars, the strings changed from fluctuations to tumbling, tumbling to overturning, and the wind music swayed to break, shatter, and fall.

It was too unexpected, and those who read the score seemed to be frightened by the instantaneous collapse of the music image on the stage.Yang Jingxing never did this kind of thing before, his style has always been to make music beautiful and moving to please girls.Of course, more people in the audience are not familiar with Yang Jingxing, but even senior experts should not have been exposed to any works, and they will completely turn their faces in such a short time.

However, the destructive desire on the stage has just begun, and the unexpected shock just now is just an appetizer, and the meal will be officially served next.

After collapsing to the maximum that the combination of all factors can achieve, the music suddenly and without warning started the wind theme at the beginning of the movement, this time the woodwind started first.

The notes are still the same, and the beat has not changed, but the conductor and the musicians still use the remaining space to carefully carve the color of the music, which is not exactly the same as at the beginning. become more apparent.

However, compared to the earth-shaking ones before, the current melody is simply too beautiful.

But it’s just so beautiful, the music seems to be about to expand this calm theme, the style of painting changes suddenly, and the composer’s destruction skills become more proficient. It only takes one bar to separate the original calm, and each part Split from a common theme, and then each part uses its own special skills to present the tearing pain and ugliness, the shrill violin, and the mournful sound of the trumpet...

This is the first main course. Fortunately, the people on the second floor are all well-informed. Only a few laymen showed a little discomfort.

In the second course, the audience seems to be suddenly pulled into the opposite perspective, and the grandeur becomes so insignificant.

For the third course, the composer and the musicians on the stage used a brand-new cooking method to smear the previous gorgeous theme variation as quickly as possible until it was pitch black and merciless.

In the fourth course, the light and flowing theme becomes extremely heavy and difficult, and even completely traps the mud, which is a disaster.

The fifth course continued to play tricks, the cheerful rhythm was interrupted instantly, and it seemed to be frozen forever

The food was served so fast, not to mention eating, the audience didn't even have time to take a closer look, and the next shock came again.It was simply cruel, sections of beautiful melodies, strings of beautiful textures, were shattered and torn alive in front of thousands of listeners, and made a gesture of breaking through.

The sixth dish directly lifted the table, completely cut off the audience's extravagant hope of seeing one or two edible dishes, and then established a terrifying musical image, standing there arrogantly.

In a terrifying atmosphere, the second movement ended, and Jiajia may have been a little frightened.

The whole auditorium was completely different from the end of the first movement. There were various expressions and whispers. It was not known whether they were condemning the composer for his bad attitude, or regretting their own helplessness in the face of ugliness.Whether it's good or bad, it's good to be willing to say it.But the teachers and seniors around him didn't say anything to Yang Jingxing, and didn't even look at him.

It is not easy to cause damage. Even Lixin on the stage seemed to be exhausted by the five or six minutes, but he only had a few seconds to cultivate and adjust his spirit.

The third movement is a combination of rhapsody and march if you have to use a formula. The music has a certain color of the Yanhuang nationality, and some traditional music materials are borrowed, but the music has changed beyond recognition, and only professionals can analyze it.The third movement is still the longest. I heard that the orchestra rehearsed for 15 minutes. This movement also has the most complex color changes, and the composer marked it most frequently in the score.

During most of the second movement, it is frantic and difficult to hold on to Lixin. Now the initial movement is very slow. While turning the score, the head is lowered and the neck is turned slowly. It is extremely artistic.

When the trumpet sounded, it seemed that the first note could be heard to be sad, so euphemistically presenting a theme like mourning.Of course the mourning and music should be serious, but the trumpet became chaotic afterward, seemed to be confused, and then lost its reason.

Fortunately, the string music came up, and the wind music followed. Several parts, the melody suddenly became rich and showed off again, but this time it took a sad route. Weeping, the violin is weeping, and the French horn is mourning.

Slowly, the violin, which lost its mind, was pulled back by other voices, and began to synchronize with everyone.

When the whole orchestra finally got together and began to perform together, it was overwhelming sadness, dark despair, and out of control.

Lian Lixin's commanding movements here are simple. Looking from behind, he seems to be holding his hands in front of his chest, with his head raised to the sky. He didn't move for a while, probably he was directing with his eyes.

Before the concert, when Gong Xiaoling suggested that Li Yingzhen prepare tissues or handkerchiefs, Li Yingzhen laughed and said no, she was not bragging, and now it was just a twinkle in her eyes, and she was far from being able to use those things.

The music is still getting worse, and the melody of each part is getting more and more excessive and the coordination is getting better and better, which makes the grief so choppy, even broad and magnificent, that people can't avoid it or ignore it.

Vice-principal He was a little excited, staring at the stage with hatred, and the playlist that he had been holding in his hand trembled a little.

However mournful it may be, the music is at least much more receptive to the ear than that of the second movement.

It can't be sensational all the time. The timpani sounded at some point, and it gradually became louder and louder, and the rhythm became more and more distinct, which then led to the gradual change of other parts.

After the timpani reached the level of sharpness and boldness, the other parts also reached the watershed of emotional transformation, and each made progress and entered the following more complex stage.

First of all, the brass were the first to wake up from the grief, and after ingenious connection, they played the horn of the march. The confidence and strength changed from weak to strong, echoed by the strings, and gradually reached.

But it was very short, the march disappeared, and the music began to mourn again, even panic.

Then the march came up to fiddle with it for a while, and made another small one.

Then another kind of grief began, but this time it ended with a little sense of hope.

The march continues...

The third movement can be regarded as the composer's first show off in terms of technical theory in this work. The first movement is wonderful in melody, and the second movement is novel in conception. Subversive, extraordinary" and other shameless words in the literary and art circles.

With the support of endless wonderful music ideas and exquisite and solid structure, the music is constantly pushed from the small to the big.

The tension and panic of the string music will not stop the wind music, but will become more intense.

In the seemingly endless bass suffering, the middle and high pitch strings will not give up their beliefs, no matter how difficult it is, they will push forward step by step.

……

After enough foreshadowing, the movement is ready to enter the final stage. Encouraged by woodwinds that are soft but brighter each time, the brass chorus becomes more magnificent, brighter and passionate. Time after time, the composer seems to have inexhaustible inspiration until the woodwind After exerting all the strength of feeding, the brass finally exploded to the highest point, and then all the strings played, and the warmth filled the minds of the audience in an instant, and it continued.

After the orchestral music has been warm for a long time, the percussion music begins to lay the groundwork and gradually adds to the scene, while others slowly fade out, and then the percussion music gradually takes the lead.

Almost instantly, the wind and strings strike again at the same time, the wind is enveloping surgingly, the strings are majesticly spurting, all the beauty and light seem to gather and amplify at this moment, making the music so brilliant that the audience has to close their eyes. eyes.

But this one is the shortest, and then the music falls back and enters the end of the movement, and it seems to start to express sadness again, but it is quite different from the beginning, there is no despair, but there is hope.

The orchestra stopped, there was not a single note on the field, what was Lixin still doing lightly around the baton a few times?

There was some applause upstairs and downstairs, but it didn't matter.Gong Xiaoling shook Yang Jingxing's shoulder from behind. Yang Jingxing turned around with a smile and saw Professor Gong's expression of being completely moved by the music, so he quickly restrained himself.

Before Yang Jingxing could respond to all the attention and encouragement around him, the fourth movement on stage began.

The fourth movement, in form, is a misplaced combination of two rondos. The composer played more tricks and cleverly. If freshmen were asked to analyze the structure, they might get dizzy.

But from the perspective of emotional color, the fourth movement and the first movement seem to be a bit repetitive, mainly because of the magnificent and open feeling, and even the duration is similar.It’s just that the fourth movement has a stronger sense of freshness than the first movement. Although the material is different, the emotional expression can be regarded as a luxuriously improved and upgraded version of the first movement. Maybe the composer’s restraint in the first movement is to give the fourth movement Leave more leeway.

There are not many changes in the fourth movement. Basically, it is in place to please the ears of the audience. It is not only pleasant to hear, but also mostly positive music images, only occasionally adjusted, and then changed methods.

If you do an audience survey, maybe the fourth movement is even more popular than the third movement, but if you analyze it in the composition department, the second and third movements can be special, but the connotation of the fourth movement is much shallower.

The first movement has an introduction, the fourth movement has an ending, and the ending is relatively long. At the end, through the cheerful rhythm of string music and the sonorous sound of wind music, it shows the hope of unlimited future and bright future.

Lian Lixin's last movement also had a youthful and lively look, and he paused for only a second or two before turning around to face the auditorium with a slightly haughty smile and his chin tilted a little.

The applause rang out. After all, it was Yang Jingxing who had no status or qualifications. The momentum of the applause was much worse than those of the previous programs. As soon as the program ended, the whole audience immediately began to crackle. It was Yang Jingxing's turn, although the leader also Not too few, but the people following behind seemed to be holding a wait-and-see attitude, not very decisive.

You can't blame others, just look around the composer, Ding Sangpeng didn't do it right away, the principal didn't do it right away, He Hongchui was even less anxious, Li Yingzhen didn't seem to have that kind of meaning at all...it's Professor Gong, and Lu Kaiping also saved face .

However, Lian Lixin should have some status. Judging by his posture, he is getting better and better. We still have to give face when we walk together.So the applause gradually became warmer, and the whole concert hall joined in.Ding Sangpeng raised his old arm, and Li Yingzhen also felt a little bit more interested.

Then more people may remember that this is the finale track, and they will show more face, and the applause will be stronger and more violent.

After half a minute, the people upstairs gradually let go of their hands. After all, almost every show tonight is treated like this. They treat everyone equally, and it's considered encouraging the younger generation.

Yang Jingxing pretended that he slapped the orchestra and the conductor. He wanted to persevere, but he started to accept the congratulations from the surroundings like the headmaster and the others. However, what the headmaster got was compliments, and what Yang Jingxing got was praise.

Tang Qing turned his head, as if he was so young, put his arm on the back of the chair, and said: "One of the few joys in life, what you get is worth what you get, and we are worth what you get. Got something."

Yang Jingxing said: "You also get something for your hard work."

Tang Qing was modest and flattered the young woman by the way: "Teachers are the ones who get something for their hard work. You have worked hard." He flattered Li Yingzhen and ignored He Hongchui.

Li Yingzhen chuckled: "You too... Mr. Ding, are you tired?"

Ding Sangpeng turned around slightly: "It's okay, it's okay."

The headmaster then discussed with Yang Jingxing: "Send Mr. Ding back after a little talk..."

It was arranged above, but the applause downstairs has not stopped. It seems that the group of relatives and friends are working hard. Most of [-] are still repeating mechanically, and looking back or looking up.

Lian Lixin also let go of his posture, became a little more casual, bowed and thanked the audience, and then asked the orchestra to thank the audience as well.

The host is on stage, of course we must hurry up at this late hour...

The people upstairs were really rude, they didn't pay attention to the host's eloquent voice, they just formed a group around Ding Sangpeng.

Ding Sangpeng's first request was to meet Lian Lixin: "...Yang Jingxing, I should be grateful."

It is natural for the teacher to help Yang Jingxing express his opinion, and he must be grateful.As far as tonight's performance is concerned, the Philharmonic's treatment of Yang Jingxing's No. [-] Symphony is obviously more delicate than other pieces, and anyone with a little listening ability can appreciate it.But the other composers didn't seem to express any opinion. The principal and the vice-principal were in a hurry to ask someone to invite the conductor, or to sit in the lounge.

"It's right here, the lingering sound is lingering." Ding Sangpeng actually said a wisecrack, and the smile on his old face was almost bright: "If you have any thoughts and feelings, please share them."

Of course, the government came first. The feeling of the CPPCC is that Mr. Ding’s great contribution to the country’s music industry has been strongly proved today. Why are so many outstanding musicians gathered together? Why are everyone so excited...

People in the old cadre bureau admire Ding Lao's spirit of continuing to shine...

The principal did not follow the government's footsteps, but smiled and said to the old man: "Mr. Tang just said that life is a joy, and I think it would be a joy to have successors."

Tang Qing nodded in agreement.

Ding Sangpeng nodded but said seriously: "There are successors, there have always been... I am very happy to see that you can unite as one to make the music business better."

The principal confessed solemnly and sincerely: "We are all of one mind with you! Professor He, Professor Li, Director Lu, and Professor Gong tried not to make you worry."

He Honghang nodded: "We have already analyzed the work and have a conclusion, but we just haven't had a chance to report it to you."

Ding Sangpeng shook his head and smiled: "No need, the work is left to the audience for evaluation, and what we say doesn't count."

There are still some people who insist that Mr. Ding will let it go, and then they discuss art, and they all praise that tonight is really wonderful, not only the famous composers, but Yang Jingxing's symphony is also refreshing, it is very good, it is extremely rare .

Lu Kaiping finally understood, and confessed to Ding Sangpeng: "The piano department, the composition department, and the school are of the same mind. Professor Li and we must cooperate well in these tasks... Congratulations to the composition department for achieving such a good teaching result. For example, New Zealand cooperates!"

Vice-principal He's vision has long been opened: "Mr. Ding supports, the principal leads, the students strive for success, and the piano department is the same, heh..."

Yang Jingxing wanted to escape, so he applied to Li Yingzhen, "I'll see if the conductor is here."

There were some people with different levels of official pressure, but Li Yingzhen nodded and let her go.