King of soft rice

Chapter 87 – The Battle of the Niche

Chapter 87 – The Battle of the Niche

After Zhai Nan took a photo with Mr. Xu, he directly posted Weibo and ignored it.

After the two of them finished their makeup, they changed into the Chinese tunic suits prepared by the program team, and then went to communicate with the program team about entering, standing, and order.

In fact, these matters should have been discussed with the program team long ago.It's just that Mr. Xu is old and his status is too high, generally no one would feel like disturbing him.And with Xu Lao's stage experience, basically there will be no mistakes, as long as you explain clearly.

Although Zhai Nan is also a bold person with high skills, according to the rules, he should have come to report long ago.It's just that the grievances between Zhai Nan and the Peking Opera circle can't be explained clearly in a few words.Without Mr. Xu present, Director Ma was really afraid that something would happen.

Therefore, Zhai Nan's treatment has also been raised to the same level as Xu Lao's, and it only came during the final rehearsal.

After communicating with the program team, Zhai Nan also had a general understanding of the program process.In the front, Wu Sheng took the lead, and the opening was lively.Afterwards, Huadan Tsing Yi, who was dressed in Quanxiang, followed closely behind, and then Heng Fei and Zhai Nan, the two young students, saw the dispute between big and small voices.At the end, Mr. Xu made his final appearance.

After Zhai Nan understood the process, he glanced at Ma Long who was still reviewing the program in the audience.

Unexpectedly, this guy is also full of bad water.

Putting me and Hengfei together is to make it clear that we need to make a comparison.

Isn't this guy making trouble on purpose?

In order to create a topic, this guy is also quite unscrupulous.

Seeing that Zhai Nan's complexion was not right, Mr. Xu asked, "Boy, are you scared?"

Zhai Nan snorted softly, "I'm not too scared, I just feel sick."

Mr. Xu smiled and said, "You mean Ma Long?"

Zhai Nan nodded slightly.

Mr. Xu said indifferently: "He is the chief director of the party, so he will naturally try his best to make the party more exciting. Although this matter is a bit unkind, it is also within his responsibility. This kind of thing, I've seen a lot before, and you're sure to see a lot more in the future."

Zhai Nan sighed, "I don't care, I'm not from the Peking Opera circle, so I don't care about anything, but this may drag you into trouble."

But Mr. Xu said indifferently: "I'm so old, I may kick my legs at any time, I don't care what they say. As long as you can stabilize me, don't worry about other things."

Zhai Nan felt relieved when he heard Mr. Xu say that.Mr. Xu doesn't mind, and Zhai Nan doesn't care either, so let's just let go and act.

Afterwards, Zhai Nan, Mr. Xu, and a group of Peking Opera actors all raised their voices from behind.

But after a while, someone announced that he was going to go on stage.

A large group of people hurried over, all waiting behind.

At this time, the previous show was over, and the host took the script and said the routine, and it was time for them, the Beijing opera actors, to come on stage.

The martial arts students who took the lead were actually children, and a large group went up with a huff.Here a group of Monkey Kings are making trouble in the Heavenly Palace, and a group of little Nezhas over there start to come to mind.

A few children are also serious and decent, even Zhai Nan feels ashamed of himself.

Afterwards, the group of children stepped aside, and a Huadan stepped out from the middle, who sang the drunken imperial concubine.It took only a few minutes for Concubine Yang to end, and then Chang'e flew to the moon.

This Chang'e Flying to the Moon actor has a soft appearance and a mellow voice. He looks like a beautiful woman.But Zhai Nan knew that this person was actually a man, and he was also the heir of the famous Mei School.

And the play of Chang'e Flying to the Moon is exactly the "festive play" created by Mr. Mei Lanfang for the Mid-Autumn Festival.

If Director Ma didn't invite Mr. Xu, it's not impossible to use this scene as the finale.But now that Mr. Xu is here, it is safer for Mr. Xu to be the finale.

But in terms of sequence arrangement, Zhai Nan and Heng Fei were arranged after Chang'e flew to the moon, which is a bit intriguing.Apparently, Director Ma wanted to deliberately arrange a dispute between big and small voices, and he was making this arrangement.

When the descendant of the Mei School finished singing, Heng Fei immediately entered the stage, but as soon as he opened his mouth, Zhai Nan's face became ugly.Because what Heng Fei sang was actually Xu Xian from "Legend of the White Snake".

Singing Xu Xian in front of Zhai Nan, isn't it a clear challenge to Zhai Nan!
Even Mr. Xu's face darkened, and he couldn't help saying: "This little brat is really gutsy."

In fact, Heng Fei was also unlucky. He didn't know Zhai Nan was coming back to the Mid-Autumn Festival party, so he prepared "The Legend of the White Snake".It's just that Zhai Nan came here so suddenly and somehow became his uncle.

But now the Mid-Autumn Festival Gala was about to enter the final rehearsal, and it was too late for him to change the repertoire.So now he can only bite the bullet and go up to finish the play.

When Zhai Nan was still looking bad, the assistant director next to him urged, "Mr. Zhai, it's your turn!"

Zhai Nan immediately came back to his senses, and walked quickly onto the stage.After standing still in the middle of the stage, he began to sing: "Don't be strong, general. How can you be stronger than the overlord of Chu? The overlord came to Wujiang to mourn, and Han Xin came to mourn Weiyang. These are all strong generals from the previous dynasty. Which one is strong? What's the end? There's no way to win a battle, so why not take a step back?"

The passage Zhai Nan sang was made by Lu Bu to persuade Liu Bei and Ji Ling to reconcile, which is what Xu Lao meant.I just hope to take this opportunity to make the relationship between Zhai Nan and the Beijing opera circle less tense.

But before Heng Fei sang Xu Xian, it was full of gunpowder, and it was clear that it was aimed at Zhai Nan.Now, when compared with Zhai Nan's paragraph, it seems that Heng Fei is a bit small-minded and endless.

Not to mention their singing skills, Heng Fei couldn't compare with Zhai Nan in terms of bearing alone.

But Zhai Nan didn't think too much about it, he just followed the steps and stepped aside after singing.

Elder Xu, as the finale, stepped onto the stage slowly and steadily. After standing still in Taichung, he sang loudly: "Drinking the celebration wine today, I will never give up my ambition. In the future, I will show my talents and write my spring and autumn with blood!"

In fact, this is a play of old students. Although Mr. Xu can also sing old students, he is best at martial arts.It's just that at Mr. Xu's age, it's inappropriate for people to do somersaults, so it was changed to this paragraph in "Taking Tiger Mountain Out of Wisdom".

Moreover, this section of Spring and Autumn is written with sweet blood and blood, and it is also the most popular section in Peking Opera.Let Xu Lao come to sing now, because the meaning is more important than the situation.

After Mr. Xu finished singing this section, everyone immediately went to the stage together and sang together with Mr. Xu: "Today, I drank the celebration wine to the fullest, and my ambitions are not rewarded. I will never stop swearing. In the future, Fang will show his talents and write the spring and autumn with his blood!"

The scene was brought to a climax in an instant, and the staff around couldn't help applauding.

This is not only because the performances of the crowd are very hard, but also because of Xu Lao's performance, which really adds a lot of color to the party.

Director Ma is naturally very satisfied, not only Xu Lao's performance, but also the dispute between Xiaosheng, can cause a lot of topics, at least it can have a considerable impact on the Peking Opera circle.

(End of this chapter)

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