Jianbao life

Chapter 1052
Chu Chen didn't expect to encounter such an unexpected joy, which made him feel a little bit emotional. If Tao Chunhai hadn't found it just by chance, this Gang Mao would not have been discovered until the year of the monkey, let alone in his hands.

Since this Gang Mao appeared in front of him, Chu Chen had to keep it in his pocket, and it might be because Tao Chunhai's eyesight was limited, and the price was not expensive.Of course, it is much more expensive than the previous sapphire gangmao.

After taking this Gangmao, Chu Chen chose a few more good jewelry and prepared to give them to Wu Ke and the others as gifts. However, he didn't say much when he bought it, otherwise Zhao Qirui would definitely not give it up easily. he.

After the transaction was completed, Tao Chunhai calculated that it was indeed much more expensive than those porcelain ones as Jiang Jiachang said just now.Although he didn't make much money overall, at least he didn't lose money, which was an acceptable result for him.

After Tao Chunhai bid farewell and left, the four of them walked back to the warehouse, ready to finish appraising the remaining porcelain.

Jiang Jiachang asked as he walked, "Mr. Zhao, what did you want to say before?"

"Before..." Zhao Qirui was stunned for a while, and then said: "Oh, you just said that Su Changtou chose to commit suicide by jumping into the sea because he was unwilling to be manipulated by the other party. I don't think it is possible."

"How to say?"

"Gunshot wound, how do you explain the gunshot wound on his body?"

"Uh..." Jiang Jiachang patted his head: "I forgot about this."

Zhao Qirui said: "So, I think it is more likely that Su Changtou caught the other party's handle."

"If that's the case, then why did Chief Su lie to He Lihang?" Jiang Jiachang shook his head, thinking that this possibility should not be high.

Zhao Qirui said: "This is also very easy to explain. For example, Su Zhangtou caught the other party's handle and asked for money, but the other party said that it is okay to ask for money, but first get rid of those seals, so Su Changtou hit the nail on the head on He Lihang."

"Su Changtou is not so stupid." Jiang Jiachang still thinks this is unlikely.

Zhao Qirui said: "I don't know Su Changtou's character, but if he is faced with hundreds of millions or even more money, will he be tempted? Although he is not stupid, he may be overwhelmed by money." Lost head."

Jiang Jiachang was well-informed, and after hearing this, he had to admit that what Zhao Qirui said was reasonable. If Su Changtou could keep a clear head, it would be fine. Anything can happen.

"Forget it, let's not talk about it, let's wait for the police to give the result."

"Then if there is a result at that time, you have to inform me." Zhao Qirui nodded with a smile. Although this matter has nothing to do with him, he is still very curious about the result.

"It's sure to be fine..."

Next, Chu Chen and Zhao Qirui took a random inspection of the remaining porcelain, and everyone began to discuss how to cooperate.

In fact, Chu Chen's idea was to simply buy all these Haidao porcelains, but these porcelains are not as low-grade as those brought by Tao Chunhai, and have much higher collection potential. Therefore, Jiang Jiachang is not willing to sell them. form to handle these salvage porcelain.

Of course, there is another most important factor. Jiang Jiachang is very optimistic about the market of hailao porcelain, and he doesn't want to sell all these porcelain when the current market situation is not too good.His idea is to form a joint stock company. In addition, he also proposed to transport these porcelains to the inland for preservation, so that the storage cost is low and it will be convenient to deal with in the future.

Zhao Qirui and Chu Chen also agreed to this, but in this case, they must not suffer a loss in terms of shares.Finally, after some intense discussions, a satisfactory result was reached.

After dealing with this matter, it was noon, and Jiang Jiachang hurriedly took the three of them to a nearby well-known restaurant for dinner.

After the meal, Zhao Qirui and Chu Chen said goodbye, and were going to the place where Wu Ke and the others played.Just as everyone walked to the door of the hotel, Jiang Jiachang answered a phone call.

"What?! He said it was a fake? It must be impossible...Okay, I'll come over right now."

When Jiang Jiachang hung up the phone, Zhao Qirui asked, "What, something went wrong in the store?"

Jiang Jiachang nodded, frowned and said, "Last time I helped a friend find a work by Fu Baoshi, and he came here today and said that it is a fake. I have let several experts know that painting, How could something go wrong!"

As mentioned earlier, Jiang Jiachang’s store mainly sells porcelain and stationery, but because he likes to collect paintings and calligraphy, and has a lot of channels in this area, some of his friends will ask for it if they need it. He helps to find, as long as the request is not too difficult, he will usually agree.

After so many years, he has found many calligraphy and painting works for his friends, and he has never had a problem. Now that there is a problem, it is no wonder that he is very shocked.

Hearing that this was the case, Zhao Qirui said, "Could it be that your friend made a mistake?"

Jiang Jiachang said: "My friend said that he has compared it with the real product. Although it looks similar, there are some differences in some details. But the experts I hired before are all authoritative. One may make mistakes, and all may make mistakes. Sex shouldn't be too big!"

"This is not certain."

Chu Chen said: "Now the means of counterfeiters are too clever. There have been collective counterfeiting and division of labor and cooperation. As far as I know, there is a counterfeiting of division of labor and cooperation in the manufacture of Fu Baoshi. You specialize in painting landscapes, and I specialize in supplementing scenic spots. Your special postscript , He specializes in making seals, and also has a dedicated person to mount them."

"Because counterfeiters are very experienced in this field, encountering such a forgery is really hard to guard against. Therefore, in recent years, there have often been disputes among experts on a certain piece of work. It’s impossible to say for sure whether it’s true or not.”

"so smart!"

Hearing what Chu Chen said, Jiang Jiachang was very surprised, and couldn't help but doubt for a while, whether the painting he helped to find was also faked by this method.

Thinking of this, Jiang Jiachang clasped his fists to Chu Chen in embarrassment, and asked: "Young Master Chu, can I trouble you to take a look with me?"

At this time, of course, Chu Chen couldn't refuse to agree, and it didn't take too long to appraise a painting, so he nodded in agreement.

Jiang Jiachang expressed his thanks again and again, and then he invited Chu Chen and the others into the car.

Ten minutes later, Jiang Jiachang brought Chu Chen and the others to the reception room in his shop. At this time, there was already an old man in his 10s, wearing black-rimmed glasses, who looked quite gentle.

Jiang Jiachang first introduced the two parties. The old man's surname is Gao and he is a professor of medicine.

After exchanging a few pleasantries, everyone got down to business.

Jiang Jiachang said: "Professor Gao, before I gave this painting to you, several experts had seen it, and they all agreed that it was genuine..."

Professor Gao waved his hand, interrupted him, and said, "Xiao Jiang, let's look at the painting first. Since I said there are problems with it, it is also based on facts."

After speaking, Professor Gao took out a scroll from the calligraphy and painting brocade box and unfolded it, and saw two lifelike ladies in front of everyone, which were exactly the "Two Xiangtu" painted by Fu Baoshi.

Fu Baoshi, a famous modern painter, must be known to many people. His original name was Changsheng and Ruilin, and his name was the master of Baoshizhai.He is also good at landscapes, figures, and seal cutting. Landscape paintings use hard brushes to crack mountains and rocks, known as "Baoshi Cun", which has a distinctive personality and a sense of the times.

Most of Fu Baoshi's figure paintings are historical figures and re-creations of the artistic conception of ancient poems. He especially loves Qu Yuan's spirit, so there are many figure paintings related to Qu Yuan.Fu Baoshi's "Erxiang Picture" is based on the "Nine Songs" of the Songs of Chu, which is the author's favorite subject to describe. Xiangjun and Mrs. Xiang are the goddesses of Xiangshui in folklore. They have both human emotions and divine spirituality. Repeatedly depicted by the author.

Judging from the signature, the painting in front of him was made by him in the 20s.The characters in this painting are exquisitely portrayed, tall and slender, with plump faces, delicate texture, well-proportioned flesh and bones, and dignified manners.

His mood is like thinking like admiration, his face is sad, he doesn't see the person he is thinking about, he seems sad or sad, his clothes are strong and elegant like ancient silk sketches, and his colors are light and elegant, clear and clean.

The waves in the lake are specially created by the painter, which has won the artistic conception of "curling in the autumn wind, and the waves in Dongting under the leaves".It is the specific embodiment of Fu Baoshi's creative concept of "writing boldly and tidying up carefully".

While Chu Chen was admiring the work, Professor Gao also pointed out some problems with the work, and finally said: "Besides, my friend told me that he also saw it in a collector's place. The same painting. If so, it doesn't mean that the two paintings are genuine, right?"

At this time, Chu Chen said, "Professor Gao, the situation you mentioned is actually very common in Fu Baoshi's works."

"Ah! How is this possible!" Chu Chen's words surprised Professor Gao, and even suspected that Chu Chen was joking.

"If you know the paper that Fu Baoshi used, you will know that this is not surprising, and we sometimes see two almost identical works of Fu Baoshi in some albums."

Chu Chen explained: "Fu Baoshi likes to use thicker paper, because thicker paper is 'bearable'. His unique way of using brushes: heavy pen, fast speed, vigorous brushing and sweeping, repeated processing, etc. This is from Fu Baoshi. Part of the paper used is as thick as the mounted lenses.”

"Therefore, what he uses the most is a kind of earthen paper called 'vellum paper' produced in the western part of our country. The leather paper is thicker and can be easily peeled off, divided into two, or even divided into three. But this kind of The size of the paper is not very large, and there is no certain size standard, and it is obviously produced in folk workshops."

"Fu Baoshi once took advantage of this feature of parchment paper to reveal the work in two after painting, so that the upper layer of the original work has a particularly bright and watery feeling. Sometimes Fu Baoshi will also make the second layer Processed into paintings. This is the case with Fu Baoshi’s works that are exactly the same as in the album I just mentioned.”

After listening to Chu Chen's explanation, everyone knew that this was the case.

Professor Gao thought for a while and said, "Even if there are two identical paintings, the points I pointed out just now should be good evidence!"

"Professor Gao, with all due respect, the creative control of painting elements 'contrast' and 'relationship' is the key to the unique creation of Fu Baoshi's figure paintings and landscape paintings. The points you mentioned are the most powerful proof of authenticity !"

Chu Chen pointed to the painting and said: "The most captivating part of the characters in Fu Baoshi's paintings is often the expression of eyebrows and eyes. What's more, he changed the ancient lines from neat to flying and scribbled, and used many The broken lines and flying white lines make Fu Baoshi's figure painting skills the same as "Baoshi Cun" in his landscape paintings, showing the characteristics of music."

"Moreover, it is the vague and indescribable brush and ink forms you mentioned that can express the richness, complexity and subtlety of the object more deeply and vividly. At the same time, under the contrast of vague and scribbled brush and ink, the facial features and facial features Only the spirit can show up..."

After describing the characteristics of Fu Baoshi's figure paintings in detail, Chu Chen concluded: "Therefore, I think this painting must be authentic."

Hearing what Chu Chen said clearly and logically, Professor Gao also began to wonder if he had made a mistake, but after a while, he felt that this possibility was unlikely, and he should not have made a mistake, but what Chu Chen said seemed a little bit Reason, what is going on?
Seeing that Professor Gao was still half-believing, Jiang Jiachang asked, "Professor Gao, I don't know why you just don't believe that this painting is authentic?"

Professor Gao said: "Because my elder's painting of Fu Baoshi was given to him by his son on his [-]th birthday, the possibility of it being fake is really unlikely."

Everyone thought that the painting was appraised by a master appraiser, so Professor Gao felt that there was nothing wrong with the painting, but it turned out that it was only because of this reason, which made them very speechless.

It's like someone treats a fake as a genuine product, and then uses the standard of the fake to identify the real product. Isn't this an international joke?
Jiang Jiachang smiled wryly and said: "Professor Gao, it's a bit subjective for you to think so. We can't just compare with a painting to decide which painting is right and which painting is wrong, even if the painting is authentic. Because the style of a painter in each period is different."

"For example, Fu Baoshi's paintings when he was 30 years old are different from those he painted when he was 50 years old. If you compare them like this, do you say that the paintings when he was 30 years old are authentic works, or when he was 50 years old? Is the painting real?"

"Oh, that's true." Professor Gao agreed with these words, and then asked: "Then the painting of my elder, will it be like the situation you said, so there is a difference?"

Jiang Jiachang said: "There is indeed such a possibility, but for the specifics, you will only know after seeing it with your own eyes. Of course, the master who appraised must be an expert like Young Master Chu."

Chu Chen smiled modestly. In fact, based on the few questions that Professor Gao pointed out just now, he felt that the painting that Professor Gao saw was more likely to be a fake. I will not speculate.

　Thanks to "bluelinker" for voting monthly!
　　
　
(End of this chapter)