Jianbao life

Chapter 158 Unexpected Discovery

However, after turning over, Baojue in his mind started to move, which made Chu Chen suddenly startled, and thought to himself, what's going on?

You know, there is a wall in front of Chu Chen, and the other side of the wall is the outside, and the wall is not thick, so there is no way to put other things in it.

Wait, just because there's no outside, doesn't mean there's no under the bed either!
Just now, Chu Chen has been caught in a misunderstanding of thinking, thinking that only what he sees can cause Baojue's reaction. He never thought that as long as the antique is within his sensing range, there will be a reaction.

Indeed, the previous Baojue could only react to those antiques that he had seen, but Chu Chen forgot that Baojue can be upgraded, just like the distance Baojue feels, it will gradually increase with the accumulation of spiritual energy. Started a lot farther.

Now with the accumulation of psychic energy, Baojue's sensing method has changed, which can be said to be both unexpected and reasonable.

Thinking of this, Chu Chen immediately got up from the bed, took out the flashlight from his backpack, and shone it under the bed.But under the bed, apart from a wooden box, nothing else of value was found.

As for this wooden box, Chu Chen also knew that there were some relatively precious classics in it, but most of these classics were some academic classics from the 60s and [-]s, and a small part were printed books during the Republic of China. It is indeed a bit precious to say Precious, but the value of these books is not to the point where Baojue will feel it.

Even so, Chu Chen took the box out from under the bed, but as soon as his left hand touched the box, the supernatural power reacted, which made him excited, and at the same time he quickly called the box. Inside was the old Chu Chen. When it was sorted out, there was a box of books.

In order to prevent things from being stuck in the book, Chu Chen went through all the classics, but found nothing unusual in them, and the supernatural power didn't respond.

"It's not in the book, so it must be hidden in the box."

Such a box, if you hide things, you can only hide things at the bottom of the box. Knowing this, Chu Chen realized that this box is actually like the pen holder he encountered before, and the depth inside is much shallower, but Chu Chen didn’t care at all before. This, so I haven't thought about it.

Discovering this, Chu Chen tapped the bottom of the box with his hands. Sure enough, when he hit a corner of the box, the sound of the thumping sound had some subtle differences.

"Ha, it's here."

Chu Chen excitedly picked up the flashlight and observed it carefully while shining it. After a while, he saw a not-so-obvious gap around him. As for the gap, it was not obvious because it was covered with a layer of wax. Oil.

The wax oil is easy to remove, as long as it is gently scraped off with a knife.In fact, it is more convenient to have a hair dryer, just put a piece of facial tissue in the place where there is wax oil and blow it with the hair dryer, the wax will be absorbed by the facial tissue after it melts.

After removing the wax on the gap, Chu Chen inserted a knife into the gap and moved slightly. Fortunately, the board responded, indicating that there were no other mechanisms inside, which made Chu Chen heave a sigh of relief.

Although there is no mechanism inside, in order to avoid any accidents with the things inside, Chu Chen was very careful when removing the wooden board, and it took a while to remove the wooden board.

In the dark compartment under the wooden board, there is a round wash that looks like azure glaze, and around the round wash are sawdust cotton and the like, which should play a protective role.

In ancient times, washing is a kind of stationery utensils other than the four treasures of the study, ink, paper, and inkstone. It is a vessel used to hold water and wash pens.

Washing was first seen in green-glazed products in the Western Jin Dynasty. It has an open mouth, wide folded edge, wide belly and straight wall, and flat bottom. The washing edge and the center often depict water ripples. They were all fired after the Song Dynasty.For example, the blue-glazed double fish washing ears, drum nail washing, round washing, single handle washing, sunflower petal washing, committee corner washing, sugarcane segment washing ear listening, lotus washing, peach washing, leaf washing and so on in the style of antique bronze wares.

When Chu Chen saw this azure-glazed round wash, he couldn't help being surprised, because this kind of azure-glazed round wash often represents the word Ru Kiln, and his father solemnly put this The things are placed in the dark compartment of the box. Is this a piece made by Ru Kiln in Song Dynasty?Or even worse, a round washing machine from Ru official kiln?
Ru kiln is one of the five famous porcelains of "Ru, Guan, Ge, Jun and Ding" in the Song Dynasty of my country.It was created and fired in the late Northern Song Dynasty, and it got its name because the kiln site was in Ruzhou.

Because the Ru kiln uses agate as the glaze to form a special color, and it is also covered with incense ash body glaze, which is inferior to other kilns, and it is favored and appreciated by the imperial court of the Northern Song Dynasty. "Be the first", to be famous forever.

The Ru kiln was opened for only 20 years. Due to the short firing time, there were not many handed down from generation to generation. In the Southern Song Dynasty, Ru kiln porcelain was already very rare.There are only more than 60 known authentic products (Ru Guan Kiln) that have been handed down to the present, which are extremely precious.

The glaze color of Ru kiln porcelain is moist, generally in azure color, with thin fetal bones and small nail marks on the bottom.People in the Song Dynasty ranked Ru Kiln at the top of their evaluation of celadon. When the Ming and Qing dynasties appraised the five famous kilns of the Song Dynasty, they also ranked Ru Kiln as the first.

The firing time of Ru kiln is very short. It has been recorded in the Southern Song Dynasty that it is "very rare". In the early Ming Dynasty, the JDZ Deyu Factory once imitated it. burn.

Mr. Feng Xianming once said: "The glaze color of Ru kiln is the most difficult to imitate. It is much more difficult than Ding, Jun, Yao and other kilns, and it is not easy to imitate. Therefore, there is no real one in the handed down products."

The one in front of Chu Chen's eyes is azure-glazed round, with an open mouth, a shallow curved wall, and a slightly outward round foot.The whole body is covered with light azure glaze, the glaze color is bright and moist, and the glaze surface is finely broken.There are three burnt nail marks as small as sesame seeds on the outsole, and the six characters "Shoucheng Palace Queen's Pavilion" are engraved on it.

Among the Ru porcelain utensils handed down from generation to generation, those with inscriptions on the bottom are generally engraved in two periods.Like Chu Chen's azure-glazed round wash, the "Queen's Pavilion of Shoucheng Palace", as well as "Cai" and "Fenghua" are generally engraved in the Song Dynasty.

"Queen's Pavilion of Shoucheng Palace" is the name of the palace in Song Dynasty, the word "Cai" should be related to Cai Jing, the favorite minister of Emperor Huizong of Song Dynasty, and "Fenghua" is related to Concubine Liu Gui according to textual research.

In addition, signs such as "A", "B", "C", and "D", as well as some Qianlong poems, were engraved after they entered the Qing court in Tibet. Favorite antiques are graded, so these marks are left behind.

Generally speaking, to identify whether it is Ru kiln, there are five sentences, "green as the sky, surface as jade, crab claw pattern, morning stars are sparse, sesame seeds are full of nail glaze".

"Blue as the sky", that is, the glaze color is as blue as the rain. "The surface is like jade" means that the surface of the utensil has a jade-like texture, and the glaze is as smooth as jade. When touched by hand, the surface is as moist as beautiful jade. "Crab claw pattern" refers to cracks on the glaze surface, most of which are patchwork and extremely fine patterns, transparent and colorless like ice cracks, commonly known as "crab claw pattern".

(End of this chapter)