Mr. President, I will not make an appointment
Chapter 410 Carrots and cabbage, each has his own love
Chapter 410 Carrots and cabbage, each has his own love
Naturally, we don't take Super Chen's joke seriously, but this night, I did inspire a lot.
On the night I went back, I finished reading the book Super Chen gave me overnight.
After reading it, I really benefited a lot.
However, I can't fully understand the whole content of a book after reading it only once.
I can only have a rough understanding first.
In fact, the core idea that this book wants to express is the self-cultivation of actors.
And this is divided into two aspects, one is internal skills and the other is external skills.
Inner skills include several elements, such as attention, communication, emotional memory, imagination, belief and reality, action and purpose, etc.
In external skills, such as the development of physical expression, modeling, voice and articulation, language and grammar, speed and rhythm, control and modification, as well as characterization, moral discipline, etc.
It is not enough for an actor to master internal skills, and it is not enough to only master external skills. Only by mastering all internal and external elements can he establish a correct internal and external self-feeling and create a vivid character image.
If actors cannot obtain the same self-feeling in real life in the fictional time and space, and do not think, act, and feel according to the logic of real life, it is impossible to create vivid and vivid characters.
In fact, this is a bit like a political debate method, or more bluntly, that is, it cannot be fake or divorced from reality.
The role of an actor is to perform a role, but at the same time it is also to create a role. If an actor doesn't like a character, he can't understand it. After forced to perform it, it's just embarrassing acting.
Feelings cannot be forced, the result of coercion is affectation.
You cannot create something that you don't believe in, that you don't even think is real.
Therefore, I no longer doubt myself, and I continue to strengthen my original belief.
I resolutely rejected those red-hot rebirth scripts.
Of course, having said that, whether it is rebirth or time travel, fire must be justified, either to satisfy the market economy, or to satisfy the psychology of the masses.
I can't say whether it's good or bad, I can only say that it's not my thing.
The so-called radish and cabbage have their own preferences, probably so.
It cannot be forced.
So, I became more calm, and after calming down, I found that my life was much more comfortable.
Perhaps, there was an arrangement somewhere, and soon after, I received a new script "Flowers and Full Moon".
This time, it was to my liking.
This is a story that took place in the late Qing Dynasty, and the background of the times alone is very attractive.
It was an era of ignorance and change, and there was new hope hidden in the decay and decay.
The heroine of the story was originally just a very ordinary girl, but under the arrangement of the times and fate, she embarked on the road of doing business step by step.
However, this is not a traditional heroine drama. The heroine is no longer a simple Mary Su character. The intrigue between them, the troubles caused by passers-by, and so on.
In terms of emotional drama, the heroine also quickly married into the mansion, and she immediately drew a clear line with those nowadays who are uniquely favored by thousands of people just because of their looks or personality.
The business war drama in the play is also purely a game of interests and power, and is not led by the emotional drama.
Gengzi's national crisis, country and family, family and country, turbulent current situation, and the road to reform, such a heroine with a meandering growth track is really very exciting.
This script, I took it!
(End of this chapter)
Naturally, we don't take Super Chen's joke seriously, but this night, I did inspire a lot.
On the night I went back, I finished reading the book Super Chen gave me overnight.
After reading it, I really benefited a lot.
However, I can't fully understand the whole content of a book after reading it only once.
I can only have a rough understanding first.
In fact, the core idea that this book wants to express is the self-cultivation of actors.
And this is divided into two aspects, one is internal skills and the other is external skills.
Inner skills include several elements, such as attention, communication, emotional memory, imagination, belief and reality, action and purpose, etc.
In external skills, such as the development of physical expression, modeling, voice and articulation, language and grammar, speed and rhythm, control and modification, as well as characterization, moral discipline, etc.
It is not enough for an actor to master internal skills, and it is not enough to only master external skills. Only by mastering all internal and external elements can he establish a correct internal and external self-feeling and create a vivid character image.
If actors cannot obtain the same self-feeling in real life in the fictional time and space, and do not think, act, and feel according to the logic of real life, it is impossible to create vivid and vivid characters.
In fact, this is a bit like a political debate method, or more bluntly, that is, it cannot be fake or divorced from reality.
The role of an actor is to perform a role, but at the same time it is also to create a role. If an actor doesn't like a character, he can't understand it. After forced to perform it, it's just embarrassing acting.
Feelings cannot be forced, the result of coercion is affectation.
You cannot create something that you don't believe in, that you don't even think is real.
Therefore, I no longer doubt myself, and I continue to strengthen my original belief.
I resolutely rejected those red-hot rebirth scripts.
Of course, having said that, whether it is rebirth or time travel, fire must be justified, either to satisfy the market economy, or to satisfy the psychology of the masses.
I can't say whether it's good or bad, I can only say that it's not my thing.
The so-called radish and cabbage have their own preferences, probably so.
It cannot be forced.
So, I became more calm, and after calming down, I found that my life was much more comfortable.
Perhaps, there was an arrangement somewhere, and soon after, I received a new script "Flowers and Full Moon".
This time, it was to my liking.
This is a story that took place in the late Qing Dynasty, and the background of the times alone is very attractive.
It was an era of ignorance and change, and there was new hope hidden in the decay and decay.
The heroine of the story was originally just a very ordinary girl, but under the arrangement of the times and fate, she embarked on the road of doing business step by step.
However, this is not a traditional heroine drama. The heroine is no longer a simple Mary Su character. The intrigue between them, the troubles caused by passers-by, and so on.
In terms of emotional drama, the heroine also quickly married into the mansion, and she immediately drew a clear line with those nowadays who are uniquely favored by thousands of people just because of their looks or personality.
The business war drama in the play is also purely a game of interests and power, and is not led by the emotional drama.
Gengzi's national crisis, country and family, family and country, turbulent current situation, and the road to reform, such a heroine with a meandering growth track is really very exciting.
This script, I took it!
(End of this chapter)
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