Personal Charm Perfect Private Tutorial

Chapter 27 Creating a Magnetic Sound (3)
When the new "easy-to-use low notes" have been practiced for several months like the previous notes, they will also be driven by sympathy to make those notes adjacent to themselves full and powerful, and so on, until the entire note The pronunciation of each scale in the domain has been expanded.

Lesson 43

Good tones are flexible
Every change in pronunciation, whether in conversation or speech, relieves pressure on the nerves in the ear and in the brain of the listener.If this variation reflects the thought and emotion behind the voice, the ability of your words to please and captivate others is multiplied, and even more than that.Little is known about these facts, and we have never seen a single man or woman stick to these exercises naturally, or turn them into a habit of their own.Great singing is one of many things that must be cultivated carefully, but it can also be developed through the development of voice during speech or conversation.An attractive voice should be:
1. Naturally.

2. Adjusted.

3. Flexible and changeable.

Simple ideas should neither be talked about nor exaggerated.If your thoughts are ordinary thoughts that people are used to, whether they come from your own head or other sources, discuss them as natural as possible.

In many cases, the form of expression of high-level ideas is very concise, but the language of rare and outstanding ideas is extremely ordinary.This form of expression works very well. The more simple and simple the expression is, the more natural the impression will be.It's like sitting in an artist's studio and painting your mother to him.

"Oh, as long as you see her clear eyes, kind smile, kind attitude, and angelic face, and feel her soft and beautiful soul unique to women, all these are beautiful impressions that I will never forget! One sentence is Can express all my wishes: she is my beloved mother."

Ordinary thoughts can also be profound, as mentioned above.Even the profound thoughts in ordinary conversation should be respected and valued as they should be.In addressing, reciting, speaking, or reading, the natural style of speech is the most recognizable and pleasing style, but it must be endowed with genuine thought and feeling.

Whether it's through experience or someone else's mentorship, everyone knows that if you don't adjust your pitch when you are talking to someone or giving a speech, you can cause great pain to the listener's nerves.If a person has received relevant training, he can not only make appropriate changes in his pronunciation, but also combine the pitch of his voice with the thoughts and feelings he wants to express.His voice sounds cadenced, and at the same time, he expresses rich connotations with the help of pitch changes.The meanings that can be conveyed by pitch changes can be grouped into the following categories:
pitch up
The pitch needs to be raised when:
1. When thoughts or feelings tend to get out of control.

2. When various interests are stimulated.

3. When there is a tendency to be frivolous or frivolous.

4. When expressing sympathy, tenderness, kindness, or similar emotions.

5. When expressing beauty, pride and victory.

6. When asking, questioning or being insincere.

7. When weak (including submission and obedience).

The voice in which you speak and the atmosphere in which you speak determine the character of the thought or emotion you wish to express.

lowered pitch
The pitch needs to be lowered when:
1. When expressing determination, force, command, or conclusion.

2. When encountering setbacks, expressing surrender or similar emotions.

3. When making a solemn statement.

4. When expressing disobedient or surly emotions.

5. When making a reply or expressing an affirmative claim.

6. When self-restraint.

7. When expressing heavy or serious thoughts and emotions.

8. When you have an advantage.

When we speak in a natural state, the audio frequency fluctuates continuously, that is, the pitch does not rise or fall steadily, but presents two extremes, either rising or falling back and forth in the ascending channel, Either raise or lower back and forth in the descending channel.Anyone who has done this exercise can recognize this fact.

Try the upward adjustment scale for the following sentence:

"He who made the eyes, didn't he see?"

Begin with any of the scales on the nine-step chart (which you can find in the previous lesson) and raise the pitch naturally to indicate an inquiry.Repeat this several times until you can go through the process with ease and comfort.The following two quotes are from Hamlet:
"On high alert tonight?"

"You mean armed?"

To illustrate the rules for raising the pitch, we have prepared a few quotes:

"My dear master, I can go on."

"Insects usually live a happy life."

"We live free from public annoyance,"

"You can talk and laugh among the trees,"

"Reading by the babbling brook,"

"Preach to the stone."

"You can find the good side in all kinds of things."

The first sentence of these few sentences shows the hypocritical side of the speaker, and the next six sentences reflect the beautiful heart of the speaker.Your pitch usually needs to rise in waves when reading these words, but not steadily.

Turn your pitch down as you read the following sentences:

"Stop, I order you."

"Life is a dim and fleeting dream."

"The dizzying train meanders like it's about to swoop down a hill."

"Conscience makes cowards of us all."

It is not difficult to find quotations that meet the requirements set out at the beginning of this lesson.Doing this is a great intellectual exercise for students, and these exercises help develop insight.

The following quotes are from Patrick Henry's talk, which is one of the best examples of wave-like audio conditioning.According to eyewitnesses who were present at the time, he often spoke in the following manner very frequently:

"Can we acquire effective means of resistance, lying lazily on our backs, embracing unrealistic fantasies, and waiting for the enemy to bind us hand and foot?"

This quotation consists of four parts.As you read each section, you will generally raise your pitch in the following way:

"Can effective means of resistance be obtained," read the sentence beginning at the lowest pitch, and then gradually raising the pitch by about three or four notes.

"We lay lazily on our backs," read the sentence starting at about the third scale, and gradually raising the pitch by three or four scales.

"Embracing unrealistic fantasies," reads the sentence starting at about the fourth scale, and then gradually raising the pitch three or four scales.

"Waiting for the enemy to bind us hand and foot," read the phrase starting at about the middle or sixth scale, and gradually raising the pitch to the highest note you can.Repeat these inflection exercises so many times that you will eventually find that the entire quotation is a dramatic question.

The second modulation sounds pleasing, and the student is free to choose, here are the words of Richelieu:
"I remade France."

The words "I reinvented" are raised with great force, and the word "France" is changed into a falling intonation.This is the second transposition.

Students can implement these tone transposition exercises according to their own needs, provided that they follow the rules stated earlier in this lesson.

The flexibility of the voice needs to be cultivated from two aspects of intelligence and attractiveness, and it can make your voice extremely mellow.

Lesson 44

The changing voice is the most charming
When we study the pronunciation of talking, reading, or speaking, perhaps the most pleasing and satisfying thing is to develop our own voice with changing characteristics, and to recognize such characteristics when they occur.Attraction arises when your pitch moves from one scale to another; you become aware of attraction when you yourself recognize the pitch of your voice as it jumps from one scale to another.If a person is unattractive, it is impossible for his voice to flexibly and freely change its own characteristics.

Tonal characteristics
More than 99% of people have the following defects in their pronunciation:
1. The scale is monotonous.

2. The tone is too flat.

3. Lack of flexibility.

4. No features.

Even someone with a beautiful voice can feel dull after a few words.

Tonal characteristics are actually the emotions contained in the tone.Often times, people have a hard time expressing their true feelings if the voice is lacking in character.For example, a voice that is useless for expressing the simplest trivialities of life cannot incorporate other higher or better thoughts unless the person has been systematically trained in these lessons.

Without timbre, all expression would be mechanical and artificial, and would become an unnatural art.But we can use the rules of art to explore the deep connotation of nature and reveal its most precious secrets.Then, through practice, we turn them into our qualities, because they are inherently gifted to us.

Our goal is to provide students with a series of exercises to characterize their voice, and then special exercises to make their voice natural.

Having said all that, the student is now invited to engage in one of the most engaging exercises in the field of expressive arts.It is necessary for you to record the number of times each tone is repeated.All exercises take a certain amount of time, some even a week or a month.After repeated trial and error, your ears can begin to identify the real timbre, and it may take hundreds of repetitions to accurately identify each timbre.When you have this ability—and it will surely come—you will experience a wonderful sense of fulfillment.

While there is no singing advice in these classes, hundreds of singers with less distinctive voices have applied and benefited from them over the past 25 years.

All people, whether speaking, reading, talking or singing, should develop their voice.

Voice practice
People's feelings are diverse, and the timbre should adapt to them.The more variety of timbres you can express, the more attractive your voice will be.

Some timbres are easy to develop because they just fit your usual mood.When other timbres are integrated into your voice, you must unify your thoughts and feelings, let your thoughts be stated or implied, and don't let the two timbres have similarities with each other.

The first tone. — Gentle and firm.

"That's impossible, I can't." Voiced words: Impossible, can't.

Second tone. - Strong and resolute.

"I won't." (Negative) Words that are given a timbre: no.

A third tone. - Strong and resolute.

"I'm going to claim the debt." (Affirmative) Words given timbre: will, debt.

The fourth tone. --be surprised.

"Absent! Go get married!" Words given timbre: absent, married.

Fifth tone. — surprise.

"Oh, what a stream the River Time is!" The tone-given word: wonderful.

The sixth tone. --consternation.

"Why, look there! Look, how it was stolen!" Words endowed with timbre: there, look, steal.

The seventh tone. --praise.

"Look, the floor of heaven is studded with golden sacrificial plates." Words given tone: heaven, full, sacrificial plates, golden.

The eighth tone. — admiration.

"Roll, you deep dark blue sea, roll." Every word in this sentence is evenly given timbre.

Ninth tone. --pride.

"Ha, king worthy in every respect!" Words given timbre: respect, king.

The tenth tone. --arrogant.

"I don't have a brother, I'm not like that brother, I'm myself." A word given a timbre: like, myself.

No.11 timbres. — contempt.

"I'm telling you, you're simply unreasonable." The timbre word: unreasonable.

No.12 timbres. - Sacred and solemn.

"Sir, by God, I believe the time has come." Voiced words: God, to.

No.13 timbres. —Sincere and dignified.

"This first thing, you have to be true to yourself, and come naturally, before you can say you won't be unfaithful to anyone else." Voiced words: this, self, sincerity, whatever.

These previous emotions will make your voice very attractive.

No.14 timbres. --brave.

"Brave lads, now we are completely free! I have complete control over this one-armed arm. Death or freedom! We will not let one of them live!" Timothy words: freedom, control, people.

No.15 timbres. --love.

"Give me someone who is not a slave to passion, and I will keep him in the depths of my heart, indeed, in the heart of my heart, just as I treasure you." Words given timbre: pretend, depth, heart, you .

No.16 timbres. — Greetings to friends.

"Oh, Tom, nice to meet you! It's been 20 years since we last saw each other." Voiced words: happy, twenty, years.

No.17 timbres. - Greetings to the country.

"You mountains and high hills, I will come to you again. I will also hold out to you the hands you saw for the first time, and show you that they are still free." Timed Word: High Gang, mountain, again, you, still.

No.18 timbres. --indifferent.

"Sir, you are not welcome here! I do not wish to enhance our understanding." The words given tone: not welcome, not wished.

No.19 timbres. --indignation.

"You may leave this room now." The timbre word: leave.

No.20 timbres. --ashamed.

"Oh, what a shame! Why don't you blush!" Words with tone: shame, blush.

No.20 is a tone. --angry.

"What the hell do you mean, sir!" Every word in the sentence is evenly given timbre.

No.20 two timbres. — warning.

"Silence! Be quiet in line! Don't say a word—don't say a word, it's a matter of your life!" Words endowed with timbre: silence, quiet, don't, life.

No.20 three timbres. --describe.

"From the dead of winter to the freshness of spring, from the white wings of Nevada to the blossoms, in the morning December stalks; at night June blows the rose silently .” Changing tone.

No.20 four timbres. --belief.

"In the young man's dictionary, there is only vibrant masculinity in life, and there is no word 'failure' at all." Voiced words: youthful, vibrant, none.

One of the greatest performers in the past 30 years, repeated the sentence of practicing No. 20 four tones aloud 20 times.

No.20 five timbres. --eager.

"I long for another life, without which my life would be incomplete. Oh, you, like me, have gone astray, you must develop the good side of your nature, and search for the destination of your heart with all your heart; you Seek like I did, find a broad chest, then a weary heart can rest.” Words endowed with timbre: desire, heart, explore, seek, I, weary.

No.20 six tones. --hope.

"Ah, we all have the good hope that is rooted in the eyes of men; that in the afterlife the angel will remove the stone from their eyes." Words that are given tone: hope, angel, leave.

No.20 seven tones. --serious.

"Oh, you shall become eternity!" The timbre word: eternity.

No.20 eight timbres. —deep and strong.

"You solid and heavy earth cannot hear my footsteps." Every word in this sentence is evenly given timbre.

No.20 nine tones. --solemn.

(End of this chapter)