Reborn Jewelry
Chapter 187 Splashed ink and splashed color landscape painting
Chapter 187 Splashed ink and splashed color landscape painting
The next day, Professor Han took the teachers and students of Hanzhou University to the Appreciation College of Capital University.
Xuan Yanxin, the dean of the Appreciation College of Capital University, personally led a team to welcome them.
Because this event is just a small event between the two colleges of the two schools, and many people don’t even know about it, so after consideration by both parties, the venue for this study exchange was not chosen in the grand auditorium of the Capital University. Instead, it was directly chosen in the large conference room of the Appreciation Academy.
It is said to be a large conference room, but it is basically an internal exhibition hall of the Appreciation Academy. It has a large space and is easy to operate. Both parties are very satisfied.
As soon as she entered the Appreciation College of Capital University, Chu Ning saw a painting hanging on the wall facing the entrance of the college.
It was an ink landscape painting.
Ink landscape painting is a landscape painting made purely with ink and without color.
It is developed from literati painting. It uses the technique of ink as the skill, and relies on the ink to be divided into five colors: thick, light, burnt, dry, and wet. Combining pen and ink, it draws a whole set of landscape paintings with the theme of ink and wash, giving full play to the special characteristics of ink and wash. Smudge effect, in order to obtain the unique artistic effect of "water halo ink stamp" and "like multi-color".
In the history of Chinese painting, whether it is pure ink painting or landscape painting, it occupies a very important position.
Once the two are combined, many famous paintings have been handed down from generation to generation.
Chu Ning has seen this ink landscape painting hanging in the Appreciation College of Capital University in many books and materials.
It's really because it's so famous, so famous that Chu Ning recognized its origin as soon as she saw it.
This painting is not a simple ink landscape painting, but a splash-ink landscape painting of another school!
Splashing ink painting is to use a brush to dip ink, splash the ink on the drawing paper, and then improvise according to the different forms of the ink dots on the drawing paper to create paintings.
According to legend, splash-ink painting began with Mr. Wang Wei who was a painter, poet and musician in the Tang Dynasty.
And what Wang Wei is best at is painting plum blossoms with splash-ink painting.
In our country, there are not a few painters who are good at painting landscapes with splash-ink painting, and there is a very famous painter in modern times.
Mr. Zhang Daqian.
Zhang Daqian is the most legendary figure in modern Chinese painting circles.He is omniscient in painting, calligraphy, seal cutting, and poetry. He studied ancient calligraphy and painting in his early days, and lived overseas again. He is very good at landscape painting.
Because of his rich life experience, and in order to enter the international market, Mr. Zhang Daqian combined painting style with work and writing. In the later period, he even integrated heavy color and ink painting, creating a new style of splashing ink and color.
That's right, the landscape painting hanging in front of Chu Ning's eyes is not as single-colored as ordinary ink landscape paintings, but also has rich color expressions. It is clearly the splash-ink-splash-color landscape painting created by Mr. Zhang Daqian!
Moreover, Chu Ning recognized at a glance that this painting is one of Mr. Zhang Daqian's famous works, Night View of Xiqiao!
Evening Scenery at the Bridge was created by Zhang Daqian in 1970 when he was living in California, North America. It is one of the masterpieces of his mature splash-ink and color painting.
The imagery in this painting is somewhat blurred, but if you appreciate it carefully, you can feel the plain and naive scenery of the south of the Yangtze River, such as sloping streams and bridges, fishing boats singing late, and lush trees.
In terms of painting method, this painting is first splashed with light ink, then stone blue paint, then outlined with brush lines, and finally splashed with large areas of light stone green and ochre. The process is extremely complicated and delicate, and it is beyond the ability of ordinary people arrive.
Although the painting method is complicated, the picture after such processing can finally produce a unified tone, and the shades are satisfactory, the layers are clear, and the image is more extraordinary.
This picture of the night view of the brook bridge presents a vast and deep artistic conception as a whole, and the picture is even shrouded in an unspeakable mysterious atmosphere.
It is not only highly sought after by the Chinese people, but also enjoys a high status internationally!
In several years of money, this painting has been worth a lot of money.If it is now, without 5000 million, I dare not say that I am interested in this painting.
Chu Ning did not expect that one day, she would see this painting in the Appreciation College of Capital University!
It's a pity that this painting is a fake, not the real one.
This point, even if Chu Ning didn't look closely, she could still see it.
But thinking about it, if this painting was genuine, it would have been carefully collected by the Capital University long ago, so how could it be hung carelessly in this place where people come and go.
Not only Chu Ning, but also the fellow students saw this painting.
For a while, there was a lot of discussion in the team.
Hearing everyone's voices, Professor Han tilted his head and smiled at Dean Xuan, "Dean Xuan, this painting of the bridge at night is a good imitation. I wonder which master it is from?"
Dean Xuan is also very satisfied with this imitation of the evening scenery of Xiqiao, otherwise, he would not have hung it in such a conspicuous place.
"Professor Han, you studied porcelain appreciation. I didn't expect you to be so good at painting." Dean Xuan smiled, and said with nostalgia, "This painting was imitated by Zhang Youwei and everyone in our college. I just got it not long ago. So when you came last time, you didn't see it."
Zhang Youwei, Zhang Dajia, is a famous modern painter, especially good at imitating masterpieces of famous artists.
However, although it is an imitation, Mr. Zhang has superb painting skills and can often incorporate his own personal characteristics. Therefore, there are still a group of fans and markets, and he also has a certain reputation at home and abroad.
However, Mr. Zhang Youwei passed away five years ago.
This painting is obviously Zhang Youwei's posthumous work.
Professor Han had some impressions of Zhang Youwei, and he was quite moved when he heard about it.
After appreciating the imitation of the evening scenery of the Xiqiao, Dean Xuan took everyone upstairs and entered the large conference room that had been prepared earlier.
At this time, the large meeting room had been emptied and divided into two distinct areas.
In each area, there are two rows of chairs for teachers and students to sit.
And between these two areas, there are many painters and exhibition stands, which are naturally used to display various objects.
It is said that it is communication and learning, of course, it cannot be completed by just chatting and talking.
The most direct and effective way is through practice.
After greeting each other politely, they sat down in their respective areas.
Lu Jiafan and other outstanding students sat in the first row together with Professor Han and others.
Chu Ning was studying miscellaneous items, and was the youngest, so she was placed in the second row.
At such a time and occasion, even someone as chatty as Lu Jiafan would not dare to make too much eye contact with Chu Ning, let alone speak in private.
Gu Wei, who was feared by the students of Hanzhou University, was sitting opposite them, even beside Dean Xuan.
Chu Ning took a deep breath.
It seems that this Guwei is more powerful than they imagined.
(End of this chapter)
The next day, Professor Han took the teachers and students of Hanzhou University to the Appreciation College of Capital University.
Xuan Yanxin, the dean of the Appreciation College of Capital University, personally led a team to welcome them.
Because this event is just a small event between the two colleges of the two schools, and many people don’t even know about it, so after consideration by both parties, the venue for this study exchange was not chosen in the grand auditorium of the Capital University. Instead, it was directly chosen in the large conference room of the Appreciation Academy.
It is said to be a large conference room, but it is basically an internal exhibition hall of the Appreciation Academy. It has a large space and is easy to operate. Both parties are very satisfied.
As soon as she entered the Appreciation College of Capital University, Chu Ning saw a painting hanging on the wall facing the entrance of the college.
It was an ink landscape painting.
Ink landscape painting is a landscape painting made purely with ink and without color.
It is developed from literati painting. It uses the technique of ink as the skill, and relies on the ink to be divided into five colors: thick, light, burnt, dry, and wet. Combining pen and ink, it draws a whole set of landscape paintings with the theme of ink and wash, giving full play to the special characteristics of ink and wash. Smudge effect, in order to obtain the unique artistic effect of "water halo ink stamp" and "like multi-color".
In the history of Chinese painting, whether it is pure ink painting or landscape painting, it occupies a very important position.
Once the two are combined, many famous paintings have been handed down from generation to generation.
Chu Ning has seen this ink landscape painting hanging in the Appreciation College of Capital University in many books and materials.
It's really because it's so famous, so famous that Chu Ning recognized its origin as soon as she saw it.
This painting is not a simple ink landscape painting, but a splash-ink landscape painting of another school!
Splashing ink painting is to use a brush to dip ink, splash the ink on the drawing paper, and then improvise according to the different forms of the ink dots on the drawing paper to create paintings.
According to legend, splash-ink painting began with Mr. Wang Wei who was a painter, poet and musician in the Tang Dynasty.
And what Wang Wei is best at is painting plum blossoms with splash-ink painting.
In our country, there are not a few painters who are good at painting landscapes with splash-ink painting, and there is a very famous painter in modern times.
Mr. Zhang Daqian.
Zhang Daqian is the most legendary figure in modern Chinese painting circles.He is omniscient in painting, calligraphy, seal cutting, and poetry. He studied ancient calligraphy and painting in his early days, and lived overseas again. He is very good at landscape painting.
Because of his rich life experience, and in order to enter the international market, Mr. Zhang Daqian combined painting style with work and writing. In the later period, he even integrated heavy color and ink painting, creating a new style of splashing ink and color.
That's right, the landscape painting hanging in front of Chu Ning's eyes is not as single-colored as ordinary ink landscape paintings, but also has rich color expressions. It is clearly the splash-ink-splash-color landscape painting created by Mr. Zhang Daqian!
Moreover, Chu Ning recognized at a glance that this painting is one of Mr. Zhang Daqian's famous works, Night View of Xiqiao!
Evening Scenery at the Bridge was created by Zhang Daqian in 1970 when he was living in California, North America. It is one of the masterpieces of his mature splash-ink and color painting.
The imagery in this painting is somewhat blurred, but if you appreciate it carefully, you can feel the plain and naive scenery of the south of the Yangtze River, such as sloping streams and bridges, fishing boats singing late, and lush trees.
In terms of painting method, this painting is first splashed with light ink, then stone blue paint, then outlined with brush lines, and finally splashed with large areas of light stone green and ochre. The process is extremely complicated and delicate, and it is beyond the ability of ordinary people arrive.
Although the painting method is complicated, the picture after such processing can finally produce a unified tone, and the shades are satisfactory, the layers are clear, and the image is more extraordinary.
This picture of the night view of the brook bridge presents a vast and deep artistic conception as a whole, and the picture is even shrouded in an unspeakable mysterious atmosphere.
It is not only highly sought after by the Chinese people, but also enjoys a high status internationally!
In several years of money, this painting has been worth a lot of money.If it is now, without 5000 million, I dare not say that I am interested in this painting.
Chu Ning did not expect that one day, she would see this painting in the Appreciation College of Capital University!
It's a pity that this painting is a fake, not the real one.
This point, even if Chu Ning didn't look closely, she could still see it.
But thinking about it, if this painting was genuine, it would have been carefully collected by the Capital University long ago, so how could it be hung carelessly in this place where people come and go.
Not only Chu Ning, but also the fellow students saw this painting.
For a while, there was a lot of discussion in the team.
Hearing everyone's voices, Professor Han tilted his head and smiled at Dean Xuan, "Dean Xuan, this painting of the bridge at night is a good imitation. I wonder which master it is from?"
Dean Xuan is also very satisfied with this imitation of the evening scenery of Xiqiao, otherwise, he would not have hung it in such a conspicuous place.
"Professor Han, you studied porcelain appreciation. I didn't expect you to be so good at painting." Dean Xuan smiled, and said with nostalgia, "This painting was imitated by Zhang Youwei and everyone in our college. I just got it not long ago. So when you came last time, you didn't see it."
Zhang Youwei, Zhang Dajia, is a famous modern painter, especially good at imitating masterpieces of famous artists.
However, although it is an imitation, Mr. Zhang has superb painting skills and can often incorporate his own personal characteristics. Therefore, there are still a group of fans and markets, and he also has a certain reputation at home and abroad.
However, Mr. Zhang Youwei passed away five years ago.
This painting is obviously Zhang Youwei's posthumous work.
Professor Han had some impressions of Zhang Youwei, and he was quite moved when he heard about it.
After appreciating the imitation of the evening scenery of the Xiqiao, Dean Xuan took everyone upstairs and entered the large conference room that had been prepared earlier.
At this time, the large meeting room had been emptied and divided into two distinct areas.
In each area, there are two rows of chairs for teachers and students to sit.
And between these two areas, there are many painters and exhibition stands, which are naturally used to display various objects.
It is said that it is communication and learning, of course, it cannot be completed by just chatting and talking.
The most direct and effective way is through practice.
After greeting each other politely, they sat down in their respective areas.
Lu Jiafan and other outstanding students sat in the first row together with Professor Han and others.
Chu Ning was studying miscellaneous items, and was the youngest, so she was placed in the second row.
At such a time and occasion, even someone as chatty as Lu Jiafan would not dare to make too much eye contact with Chu Ning, let alone speak in private.
Gu Wei, who was feared by the students of Hanzhou University, was sitting opposite them, even beside Dean Xuan.
Chu Ning took a deep breath.
It seems that this Guwei is more powerful than they imagined.
(End of this chapter)
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