Fourth Lord's Black Moonlight Queen

Chapter 907 Who writes the pen, draws for Yi Hui

And on the day of Er Niang's death, the whole family was ordered to wear sackcloth and filial piety, and thank guests behind closed doors.

Huang Ama became more and more obsessed with political affairs, sleepless nights, tireless, and more vigorous and vigorous in dealing with political enemies.

The number of officials who ransacked their homes and executed them is too numerous to enumerate. People's evaluation of Huang Ama is almost all harsh.Severe punishment and harsh laws are not humane.

If Erniang was here, she could still persuade her a little bit, but now, even Zhong Tang Zhang Tingyu and her aunt could not persuade Huang Ama.

In her spare time, Huang Ama stared in a daze at the decorative paintings that had been removed from the screen of the "Shenliu Reading Hall" in the Old Summer Palace.

Those are twelve paintings of beauties, recording twelve beauties.

In the form of a single painting of a single person, it depicts [-] palace ladies dressed in Hanfu drinking tea, reading books, meditating, and admiring butterflies.

Everyone is guessing who the twelve beauties whom the emperor faces every day are.

Many people felt that these paintings did not depict the emperor's concubines.If the concubine is directly drawn, according to the convention, it should be called habitually and should be called the main character.

For example, if a certain concubine is happy, and a certain concubine is happy, it should not be called "beauty" directly, that is disrespectful.

What's more, according to court habits, the portraits of concubines are mainly made of Manchu court costumes, and Han people's costumes will not be replaced at will.

Therefore, it is inferred that this group of paintings may be painted by a certain concubine, but he did not say it outright, which may be to avoid suspicion.

Recently, it has been widely rumored in the palace that the Lord Long Live is actually staring at the portraits of Concubine Li in a daze. Yes, those portraits are indeed somewhat similar to Concubine Li.

But everyone has overlooked one point, if the emperor really has feelings for Concubine Qi, why didn't he call her to sleep with her.

Only an old friend who has seen Jingui when he was young can know the secret of these twelve beauties.

The picture of twelve beauties does not depict twelve beauties at all, but only one beauty.

These twelve paintings record this beauty from her youthful youth to her still charming youth.

No one knows who actually painted these beauties, but Lan Qier knows, only Yinzhen.

Only he can engrave Jingui's every frown and smile in his mind.

Even if she is not in front of Yinzhen, Yinzhen can bring her appearance to life on paper with a pen.

However, Su Peisheng knew that the only pleasure of the emperor in his spare time is to draw pictures with a brush.

Apart from the emperor's own mother-in-law and concubine De, the emperor has only painted one woman in his life, and that is sister Jingui.

Zhili County.

A manor located in the outskirts of the county was very lively with lights and festoons.

The name of this academy is very strange, it is called Youjian Academy.

What's even more strange is that the academy only recruits children from poor families, and even wandering beggars and orphans are all invited.

The entrance of the academy is not engraved with the phrases commonly used in ordinary academies that everything is inferior but reading is high.

There are only ten big characters engraved: Heaven rewards hard work, knowledge changes destiny.These short words.

The children who come here to study are all skinny, ragged and poor people with no status or background.

Perhaps the heights they can achieve through unremitting efforts, for the aristocratic class, may be just the starting point after their birth.

Only through their own more tireless efforts, these children can use knowledge to change their humble fate.

In the middle of the academy, Li Jingui stood on a platform made of simple blue bricks, watching every child.

74. This is the sum of the children in the academy. Here, the stereotyped essays in the Four Books and Five Classics will not be the focus of the teaching.

(End of this chapter)