Reborn I am the second generation of stars

Chapter 684 Floating Cloud's Nine Scarves

Chapter 684

Xu Qian's bib speeches came out one after another.

He issued several scarves in a row, all of them in the name of Fuyun.

"Everything is for the people. If a literary work is separated from the people, then its existence value will be negligible."

This first scarf is irrefutable, because it stands at the commanding heights.

He is using his own way to deal with his own body. Don't you like to stand on the moral high ground?

The second scarf: "Literary creation should adhere to the line of coming from the people to the people!"

This scarf cannot be refuted, because it is in line with socialist values, very positive energy, and follows the concept of "people-oriented"!

These two scarves are mainly to stand on the commanding heights of morality, and online literature is indeed close to the people, down-to-earth, and everything is for people to read!

Xu Qian wrote these two scarves mainly to satirize some traditional writers who write things that are ungrounded, pretending to be profound, and what they write can't be understood by themselves, and they still play tricks!
"The elites don't reflect on why they can't write down-to-earth works that can reflect human nature. Instead, they blame the masses for being too vulgar and mentally retarded. They scold that period of history all the time, and never reflect on why the stinky old nine was criticized to death."

This is Xu Qian's third scarf.

This is no longer a secret satire, but a direct and explicit satire on those traditional literary writers who are stubborn, conservative and arrogant.

"Where there is well water, you can sing Liu Ci. I don't know if Liu Sanbian's Ci is considered elite or public? Judging the level of literature is based on its value. When did no one care about it become synonymous with quality? , stinky shit like no one likes, but not necessarily elite, in the end, literature is for people to read, not for pretending to be B.”

This is Xu Qian's fourth scarf, and it also directly satirizes those traditional writers who are not worthy of being called elites at all!

And also used a vivid example, that is Liu Yong.

In the eyes of those so-called traditional writers, the so-called popular literature is not a classic, and something as popular as Internet literature is simply rubbish!

But aren’t Liu Yong’s Ci poems considered popular works?In the Song Dynasty, Liu Yong's words could be understood even by old women and children. Even Su Shi, a great writer, was a little envious of Liu Yong's influence!

Liu Yong can be sung wherever there is well water, which is the best evaluation of Liu Yong.

Isn't Liu Yong's words great?Isn't it classic?Obviously not, so it can just refute the other party's point of view!
"I think there are only two kinds of novels in this world-interesting and boring. The commercial success of online novels may not represent its artistic victory, but at least it proves one thing-we write better than those self-proclaimed elites. Our stuff is so much more interesting!"

This is Xu Qian's fifth scarf!

Directly satirizing the things written by those elites can't even be called interesting, and they can't even attract people's attention, because even if it is a masterpiece, there is still an audience, and it's not just a self-admiration, no one cares!

If your work is not even attractive, then it is your own problem. It is by no means that your work is "elite" to a certain extent. The real situation is that your work is not even bullshit.

"No, I also wonder why you guys are elites? What about your cultural achievements? All the speeches at the Yan'an Literature and Art Symposium were copied for nothing??"

This is Xu Qian's sixth scarf.

This is also a satire on those traditional writers who are particularly good at playing tricks. They have nothing to do, hold forums, and just don’t do what writers should do to write!
Gathering folk songs and holding symposiums are called looking for inspiration, but they are actually consumption of public funds and chatting.

And it's too frequent. . . . . . . . .

"The cultural system is like a pyramid. Only when mass culture really prospers and is pushed up layer by layer can we cultivate enough audiences for elite culture. To be honest, the reason why elite culture is shrinking today is because of the post-80s hype. It is too high, and it is increasingly separated from mass culture. In the end, elite culture has been waiting for the audience, and I don’t even think about it, who has really cultivated the audience?”

This is Xu Qian's seventh scarf!

Back in the 80s, traditional culture was still very powerful. At that time, poetry was popular, and various magazines were sold very quickly, and many people became writers from grassroots!
But what about the result?These people are inflated, think they are awesome, and start pursuing so-called art!
They began to believe that the so-called art is a work that people can't understand!

Therefore, they self-righteously write works that others cannot understand. When others say they cannot understand, they will only satirize others' lack of realm!
They put themselves above the people and above the readers, and they can only write a few random words. The readers can't understand and don't like to read them, and they won't change their so-called thinking.

It is also because of their superior attitude that they lost readers.

"Why should mass culture and elite culture be opposed? Why can't mass culture cultivate the public, and the public's taste improves and actively seeks out the elite? Why should the elite be isolated from the public? Great scientists also do science, why can't the elite consciously create for the public, attract, Cultivate and guide them to improve so as to accept and love elite culture? If viewed as a pyramid, mass culture attracts a huge audience, isn’t it also the basis of elite culture?”

This is Xu Qian's eighth scarf!

It satirized those traditional writers who would only blame the audience for not understanding them, instead of reflecting on why they could not write works that are popular with the audience!If you really want to write good works, you should cultivate the audience and write works that the audience loves!

At the same time, why should mass culture and traditional culture be opposed? The two should be complementary to each other, not enemies!

It can only be said that people in the traditional cultural circle are too narrow-minded, and they can't see the good of others!
These eight scarves can be said to be heart-wrenching, and they just don't want to make people in the traditional cultural circle feel better!

Xu Qian's ninth bib is a poem!

"No matter how much you learn
This is an era when the younger generation is generally educated
Please don't be an elite fan

I don't need you to teach me
how difficult life is
I don't need you to teach me
how complicated is human nature

[Aren't we seeing enough in our lives? 】

I don't need you to teach me
what kind of technique

what kind of text

express it
Is
The most stylish

Is
most literary

We just look a little bit in this

impetuous and noisy times

with keyboard

Xingmu
a story teller
Only
You are Chengzhi Hanlin
I am Liu Jingting in the rivers and lakes

It's good to have nothing to do with each other
you want to criticize me

I will beat you
this world
They're all fucking de-elitizing

Let's have a snack
updated
good or not?
Not to mention
you are not
Elite
What

. . . . . . . . . . . . . .

This scarf explains why Xu Qian hates those traditional writers, just to see your displeasure and think that what you are doing is wrong!
Generally speaking, nine is the ultimate, and Xu Qian didn't want to be perfect, so he just distributed nine scarves. If he really wanted to distribute them, he could write more than a dozen scarves!

But there is no need, now the nine scarves can already make those people in the traditional cultural circle eat a pot, of course, the influence of Xu Qian alone is not enough, and the power of the entire Internet circle must be gathered to attract the attention of the whole people ! ! ! ! ! !
(End of this chapter)

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