The best perspective expert

Chapter 215
Han Zhenyang has been paying attention to those exhibits from the beginning to the end, even when he was with his uncle, he paid a little attention to this side, just to be able to observe how the aura is bred.

These exhibits did not disappoint him. At three o'clock in the afternoon, when he moved his eyes to one of the themed exhibition halls, he was pleasantly surprised to find that the exhibits in the most prominent booth in the exhibition hall had changed, and there was a trace of light golden aura The curl is born, just like the faint smoke of the angry village in the evening.

It's so faint that you can't notice it unless you look closely, but it's there.

This exhibition hall is based on the theme of Buddhist culture. The exhibits inside are all related to Buddhism. The most are Buddha statues, followed by Buddhist stories and landscapes. On the most central booth is a standing statue of Guanyin Bodhisattva with a height of two meters. Carved from a whole piece of glutinous seed material, although the material can only be considered medium, but the whole body is light green, the color is uniform, and the material is even more delicate. It is very rare for such a large size.

Of course, the material is not the key, the most important thing is the carving.

This statue of Avalokitesvara can be placed on the most central platform, so it is naturally not ordinary.

The two-meter-high Avalokitesvara Bodhisattva has a graceful face and a kind demeanor, with a tall bun and slightly drooping eyes. He holds the robe lightly with his left hand and pinches his right hand with fingers. Refined, there is a half-moon-shaped double-layer waisted lotus seat under the feet, but Han Zhenyang added a roll of waves under the lotus seat, combined with the image of the Bodhisattva with lowered eyebrows, making this standing statue look like he just stepped on the waves from the South China Sea Come and look down at all living beings like a true Bodhisattva.

Coupled with his ingenious carving, every detail of this two-meter-high emerald Bodhisattva is lifelike, not to mention the decoration on the sleeves, even the hair is extremely realistic. If you look closely, you can even see the Bodhisattva's eyelashes , That is really clear, more like real eyelashes than real eyelashes.

When it was first carved, even Qiao Shengnan was stunned. At that time, she thought that the clothes on the statue were cloth put on later, because it was so lifelike, so light that I couldn’t imagine it, and it looked as if it was still fluttering in the wind generally.

This is the reason why Han Zhenyang cleverly used the principle of visual illusion. This kind of visual illusion can make the audience have the illusion that the Bodhisattva is a living person when they face this tall statue of Guanyin Bodhisattva head-on.

The so-called optical illusion principle is to use multiple patterns to induce the focus of human beings to move, so that it produces the illusion that the static image is moving.There are many such patterns on the Internet, which use this technique, and it is said that "Mona Lisa's Smile" also uses this principle.

Up to now, this kind of art technique has become a new art genre, and many artists will specialize in creating this kind of art works, which is called "Op Art".However, most of this kind of art is fine art in a narrow sense, that is, two-dimensional art works such as oil painting and sketching. Han Zhenyang should be the first to apply it to sculpture works. Han Zhenyang doesn’t know if there are other places, but As far as he knows, there is no precedent at home and abroad.

From this aspect, Han Zhenyang can already be regarded as the master of Kaipai.

Of course, skills belong to skills, and a sculpture that can be called a masterpiece cannot only have skills. Even the old man is right, purely showing off skills can't make a big impact.The connotation of these works created by Han Zhenyang is indeed inferior to that of some masters, but it does not mean that they are completely devoid of connotation. After all, he has received his father’s traditional cultural education since he was a child. Before he even realized it, his accomplishment in this aspect has surpassed A lot of professionals out there.

So his works are not only skillful, but in the eyes of Mr. Lian, they are a little bit worse.

In the eyes of Mr. Lian, he was only slightly inferior, but in the eyes of ordinary people, he could be called a master.

Take this standing statue of Guanyin Bodhisattva as an example. When he was sculpting, he specially recited the relevant scriptures of Guanyin Bodhisattva, read through countless related images, and visualized the posture and image of Guanyin Bodhisattva in his mind. , and finally reproduced the result of his visualization on the emerald.

And so much thought is not in vain, this standing statue of Guanyin Bodhisattva proves that, in addition to the ingenious and lifelike carving technique, the calm, beautiful, vivid and vivid image and the charm of bravery, fearlessness, compassion and helping the world are not inferior.

Even the old gentleman was full of praise when he saw him a few days ago, saying that this standing statue of Guanyin Bodhisattva is one of the best in this exhibition hall. If it is used to participate in the competition, a first prize will not be able to escape.The competition the old man mentioned is naturally not a small competition organized by the local association, but a regular national competition, such as the "Tiangong Award" and "Hundred Flowers Award".

Mr. Lian said it was the first prize, so that is the level of the first prize.

When the level is reached, the audience will naturally like it.

The audience may not be so professional, but when a work is good or bad, there will always be the most intuitive evaluation. If you like it, it is good. If you don’t feel it, it is not good. It’s as simple as that.

Obviously, this statue of Avalokitesvara conquered many audiences.

At this very moment, there was an elderly couple kneeling devoutly in front of the statue of Guanyin, chanting words, not knowing whether they were chanting scriptures or making a wish, anyway, they were extremely focused, even ignoring the surprised eyes of other audiences, almost reaching the state of ecstasy— — This is a couple of Buddhists.

Han Zhenyang didn't notice this pair of believers at first, but was thinking about the principle of the aura in the statue.

But he turned the perspective mode to the extreme, and he didn't observe how these auras were produced, as if they appeared out of thin air.When he noticed that the aura in the statue suddenly increased, he realized that there was another believer kneeling in front of the statue.

This is……

Is this the reason for the aura?

what is this?
Incense?merit?belief?or something else?
Seeing this scene, Han Zhenyang suddenly realized how these auras came from, how they were produced, and even the nature of these auras.

If his deduction is correct, the aura in these statues is the belief in the legend, that is, the power of the believers gathered. Of course, incense can also be used. Anyway, they are all one kind of thing, which is the result of human spiritual power and natural aura combined.

The natural emerald contains white aura, pure aura at that time, without any impurities; and the golden aura in the Buddha statue and the golden aura conceived in this Avalokitesvara statue he obtained are auras mixed with human spiritual power .

The longer it is enshrined, the more believers are enshrined, the more spiritual energy in the statue, and the higher the quality.

Han Zhenyang got the purple sand cloth bag Buddha statue in the Confucius Temple in Jinling, and the pure gold medicine Buddha statue in the underground tomb of Xiaoxishan Natural Park, which contains a rich golden aura, which has been enshrined by countless believers for hundreds of years. result.

Now that the essence of the golden aura is clarified, what about the white aura at the dantian?
(End of this chapter)