Superstars start with variety show hosts

Chapter 143 What I want to promote is the new Peking Opera (ninth update)

Since both of them liked Luo Yiming very much, the two of them chatted while drinking tea.

Luo Yiming's singing skills are good, and his voice is very good. If teacher Mei Baojiu thinks the conditions are right, he can give him advice and ask him to be a singer in Peking Opera.

Speaking of which, there are four lines in Peking Opera, which are born Dan, clean and ugly.

Net refers to a male with a strong or rough personality;
Ugly refers to playing funny characters, clowns with white powder on the bridge of the nose, little painted faces, etc.

And Sheng, Dan, Jing, Chouzhong, Sheng and Dan are the biggest highlights.

Sheng is a man, and he was the biggest spectacle of Peking Opera before the 20s.

But with the danjiao, that is, the appearance of women, and the continuous emergence of outstanding actors, danjiao has become the highlight of Peking Opera.

Master Mei Lanfang was just one of the four famous actors who appeared in the late 20s.

In Dan Xing, there are roles such as Qingyi, Huadan, Wudan, Daomadan, Laodan, Tiedan, and Guidan.

Tsing Yi is also called Ge Dan, and it mainly focuses on singing. What Master Mei Baojiu wants Luo Yiming to do is this Tsing Yi.

Take the bus from Fengtai District to Xicheng Guanyuan, and the people who get off with Luo Yiming are all old men in the capital who love to listen to operas.

They came in groups of twos and threes, and when they saw that they were standing, they got up from their seats in good spirits, hurriedly stumbled to the door, and got out of the car.

Luo Yiming was squeezed to the back, and only after the old man got off the car did Luo Yiming follow him into the viewing garden.

The courtyards in the capital are very particular, surrounded by courtyards, surrounded by old brick walls, blue bricks and gray tiles, and supported by red pillars, it really has an ancient flavor.

Luo Yiming walked along the corridor, and after calling Teacher Hu Yulin, he found out that the two were drinking tea on the stone chair in the backyard.

Seeing Master Mei Baojiu and Teacher Hu Yulin from a distance, Luo Yiming clasped his hands respectfully and worshiped, while walking, he expressed the awe of the younger generation.

Seeing Luo Yiming's politeness, Mei Baojiu got up from the chair and stood up to greet Luo Yiming.

Getting up this time, Luo Yiming was a little at a loss, and Teacher Hu Yulin also took two steps towards him, holding Mr. Mei, so that Luo Yiming didn't feel overwhelmed.

"Luo Yiming, I think you are very nervous. Don't you see me like this?" Hu Yulin joked when he saw Luo Yiming approaching.

Luo Yiming scratched his head. In his previous life, Peking Opera, he always felt that he was not in the same time and space as himself.

As for Master Mei Baojiu, he is even more of an existence that looks up to the mountains.

In this life, standing in front of him, how can you not be nervous.

"Teacher Hu, the main reason is that since I was a child, I have felt that the masters of Peking Opera are very powerful. They inherit the quintessence of our Chinese culture. They can sing, read, fight, and do everything. I can't imagine confronting a master like Teacher Mei." He said, Luo Yiming was laughing.

Master Mei Baojiu naturally felt that Luo Yiming was too flattering.

Today's Peking Opera is not as popular as it was in the Qing Dynasty and the Republic of China.

At that time, Peking Opera was something that entertained the whole people from top to bottom.

But with the popularity of music and songs now, the soil of Peking Opera has been squeezed and there is not much left.

These old artists persisted, but they also knew in their hearts that Peking Opera was weak, and some young people must be needed to inherit it, especially the innovative inheritance.

"Luo Yiming, right? I heard Yulin talk about you. You sing very well. Why do you want to learn Peking Opera?"

Mei Baojiu also wanted to know what the young people were thinking now.

"Teacher Mei." Luo Yiming was still a little nervous, and after he stabilized his emotions, Fang said: "Speaking of which, I study Peking Opera because I want to have a better understanding of our Chinese national quintessence."

"Although it is a bit exaggerated to say that I alone can inherit the quintessence of Chinese culture. But I think that I should do something by doing it myself. Including recently I opened a new column."

"In the program I host, I want to recommend young people to learn the quintessence of Peking Opera. This is my responsibility."

Hu Yulin said: "Mr. Mei, you probably don't know that Luo Yiming has a new show in Hu Province?"

At this time, the first episode of Big Name Comes has not yet aired, and Hu Yulin also heard from Luo Xin.

Luo Yiming planned to invite Master Mei Baojiu in the second episode, but now is really not the time.

Mr. Hu pointed it out, and Luo Yiming then said: "Mr. Hu, I did create a column. Speaking of which, to promote our Peking Opera, I also plan to do it on this program. This program is called Big Name Comes."

"Each episode of the program will invite a big name in the industry to give a warm speech, tell their own stories, and at the same time inspire young people today. Let them take on more social responsibilities."

"Okay, very good, such a program is a conscience program. It is good for promoting our country's traditional culture." Teacher Mei said with some seriousness.

After all, there are very few shows like this.

"But, Mr. Mei, my understanding of Peking Opera is very shallow, so I wanted to learn from you. At least, I won't make jokes while promoting our country's national culture."

Luo Yiming has been studying for the past few days, so the joke is naturally modest.

Master Mei Baojiu was hesitant to teach Luo Yiming before he wanted to speak.

But this young man has his heart on the country and promotes China's Beijing opera culture. He, an old man, has not done a good job.

Luo Yiming has this kind of heart, and he needs to support it even more.

"Luo Yiming, originally I didn't plan to take apprentices to learn Peking Opera, but you really want to promote our national quintessence. If you want to learn, I'll teach you."

"Really, thank you, Teacher Mei."

"Don't thank me first, now, I want to hear your voice first, come on, you roar twice first."

Master Mei Baojiu wanted to hear whether Luo Yiming's voice was bright enough.

This is very important for Peking Opera.

"Ah..." Luo Yiming opened his voice.

"Use your highest and brightest voice, shout out."

"Okay." Taking a deep breath, Luo Yiming completely let go, stretched out his arms, relaxed and shouted: "Ah..."

"It's not bad. The foundation of the voice is not bad. I think the most suitable one for you should be Gedan's Tsing Yi. Otherwise, you should learn from Tsing Yi first."

"Tsing Yi?"

That Tsing Yi who is wearing a hand-in-hand long gown, dances his sleeves, and sings a beautiful song?

Of course Luo Yiming wanted to learn, but he knew that Tsing Yi in Peking Opera is the most difficult and requires the most singing skills, so he was only worried that he could not learn well.

"Can I, teacher?"

"Is it possible? You have to ask yourself." Mei Baojiu said seriously.

"Okay, I think I can do it. I'll learn." No matter how difficult it is, Luo Yiming has to try it. He is only 21 years old, and Luo Yiming has plenty of time to figure it out in this life.

The big name of the second issue is here.

Luo Yiming didn't want to deal with it.

Therefore, we can really discuss and communicate with masters on Peking Opera, so that we can truly promote the national quintessence of Peking Opera.

In fact, I had to study Peking Opera at the beginning.

Luo Yiming also felt that he should do something for Peking Opera.

What's more, you can try to promote the development of new Peking Opera in the program.

In the previous life, New Peking Opera emerged in 07. New Peking Opera was initiated by Chu Lanlan and combined with popular music, a new way of performance.

Once launched, the concept of "integration of Chinese quintessence art and modern art and learning from each other" has been unanimously recognized inside and outside the industry.

Luo Yiming wanted to promote Peking Opera, and also adopted a new Peking Opera method.

In this way, Peking Opera can really be revitalized, and the curiosity of young people who are not interested in Peking Opera can be aroused.

The time was in a hurry. With the guidance of Master Mei Baojiu in a week, Luo Yiming felt that his understanding of Peking Opera should not be a big problem when the program started recording.

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(End of this chapter)