Superstars start with variety show hosts

Chapter 148 Speech by Master Mei Baojiu (Addition for Dahuitou)

"What is Luo Yiming going to do?"

"Why do I feel that he is trying to destroy Peking Opera?"

"No, no, I think Luo Yiming wants to promote before suppressing. This kid always does not follow the usual path. You will never be able to guess his routine."

"That's right, what Luo Yiming said, I'm really interested in this episode of Peking Opera. In fact, if it wasn't for my best friend, I really wouldn't be interested."

……

The audience in the audience began to discuss.

As for Luo Yiming's opening, Mr. Mei Baojiu also knew why Luo Yiming had to talk to him for so long.

Why did Luo Yiming insist on expressing his support for the new Peking Opera?

Traditional Peking Opera does have the problems Luo Yiming mentioned.

This problem is unavoidable.

When there was no TV, movies were expensive, and cross talk, allegro, and drums were not comprehensive enough, as the mass media with the widest coverage at that time, Peking Opera became the best carrier for ideological propaganda tasks.

Decades ago, everyone got together to discuss Peking Opera, plots, singing styles, stars and so on, all kinds of gossip, all kinds of star chasing, and all kinds of bad things in the circle.

It's the same as today.

From top to bottom, everyone is promoting Peking Opera.

Whether it was administrative, spontaneous, or otherwise, Peking Opera became popular in that era when it was sought after by the whole people.

In the past, Peking Opera was not all old-fashioned wits and beauties, it had various types of films.

Just like today's movies and TV shows, martial arts, criminal investigation, romance, war, history, officialdom, and thrillers are all available.

Peking opera at that time was not all stereotyped.

My father, Mei Lanfang, and other famous actors, Cheng Yanqiu and Shang Xiaoyun, all performed plays in modern costumes, and they were equally popular. There were even imported Peking operas based on Indian folk tales.

The tune music is also advancing with the times.

It is said that Yang Baozhong is a must except Jinghu.

Back then, in plays with modern attire, he could still wear a suit and play the violin accompaniment on stage, and the tunes were all newly created.

Why did I always wear a suit to perform afterwards.

Mr. Mei Baojiu also wants to tell modern audiences that he also has a fashion concept, and he will also innovate Peking Opera.

Therefore, listening to Peking Opera in the past has become listening and watching.

Mr. Mei Baojiu also enriched the form of Peking Opera in performance.

But even so, Luo Yiming pointed out the problems of Peking Opera.

None of the traditional repertoires, characters, and vocals can make a modern audience feel a sense of substitution based on their own life experience.

It's scary.

Nowadays, even senior fanciers are mostly obsessed with techniques, and few can resonate with the characters and emotions expressed in the works themselves.

This is sad.

As Luo Yiming said, more than [-] years ago, people at that time would rather walk for hours than go to a theater.

Now, where are the young people who would do such stupid things.

They should have queued up at the ticket gate just to watch a movie with the female ticket.

Times have passed, Peking Opera has declined.

Although he didn't want to admit it, Luo Yiming's words forced him to wake up.

It's not too late to make up for it.

At that moment, Mr. Mei Baojiu decided to help Luo Yiming advocate young Peking Opera lovers to explore new forms of Peking Opera in this episode of the program.

Perhaps, this is the only way to really save Peking Opera.

While the audience was discussing, Luo Yiming was still talking: "Compared to other folk arts, Peking Opera may be the most unfortunate one."

"The same era has passed. Cross talk still survives in small theaters and online videos. It can still be down-to-earth, and there are good actors and works. What about Peking Opera? Except for senior theater fans, young people seldom watch it. I heard it."

"Even when the Spring Festival Gala broadcasts to Peking Opera, it may be time for everyone to go to the bathroom."

Sure enough, Luo Yiming began to think carefully and began to host in fear.

As soon as he started like this, the audience knew that this show was going to be sublimated.

The little orgasm is coming!

"Could it be that our national quintessence of art, our Peking Opera, has declined like this?"

"That's how it became a legacy of the sea."

"Could it be that our Peking Opera art really can't replace us when we are young?"

"At least... I like Peking Opera very much, but I don't think that if I like it, you will like it. I don't think that Peking Opera is the quintessence of the country, so you still like it if you don't like it."

"Peking opera will never die."

"Peking Opera will live on."

"In this issue, we have invited the successor of the Mei School of Peking Opera performance art. The son of the famous performing arts master Mei Lanfang, the famous contemporary Peking Opera performing artist, Mr. Mei Baojiu."

"Let him tell us the story of Mei Pai Peking Opera and the future of Peking Opera."

Luo Yiming said what he wanted to express.

And after Master Mei Baojiu finishes his speech, Luo Yiming and Mr. Mei will bring the new song "The Drunken Concubine".

Then, the concept of new Peking Opera will be put forward by Mr. Mei and himself.

In this way, the new Peking Opera will not just be a noun in a program, but will attract the attention of all walks of life, which will really cause a storm.

Luo Yiming wanted to make a little contribution to the innovation and development of Peking Opera.

He is not playing tricks.

As a well-known host, Luo Yiming also felt that it was his duty to contribute a little bit to promote the cause of Peking Opera and revitalize the art of Peking Opera.

At first, the chorus between Mr. Mei Baojiu and Luo Yiming may have been just a partnership.

Ke Luo Yiming preluded with style, and talked about the plight of traditional Peking Opera. After Mei Lao was inspired, he had to think about the future of Peking Opera.

Moreover, if it was used as an excuse to be old and unable to toss around.

Ke Luo Yiming's new Peking Opera dream made Mr. Mei Baojiu full of expectations for the future of Peking Opera.

Luo Yiming is his apprentice. On the road of Peking Opera with his "love apprentice", Mei Baojiu feels that Peking Opera and Mei School art can be pushed to another peak, and then be able to represent young audiences. It will be another prosperous age of Peking Opera art.

Holding an antique gramophone on stage, Mr. Mei Baojiu also wanted to recall the past.

This phonograph is a global "limited edition" made to commemorate the 111th anniversary of Mei Lanfang's birth, and there are only 399 sets in total.

In this phonograph, there are various explorations of master Mei Lanfang's recordings, filming, and promoting the modernization of Peking Opera art.

Mr. Mei Baojiu intends to spread this kind of dialogue across the country and around the world.

His speech was also divided into two parts, the first part was about the brilliance of Mei School art, and the second part was inspired by Luo Yiming, about the future of Peking Opera and the need for new Peking Opera to break ground.

Mr. Mei Baojiu started his lecture.

From Mr. Mei Lanfang's talk, to the brilliance of Mei's Peking Opera art.

From his father's diligence, he was once recognized by the first teacher as "God does not reward food", but he did not give up, but worked harder, worked harder, and adopted the strengths of hundreds of schools to become a generation of masters.

When I was living in Mid-Levels of Xiangjiang, the Japanese shells landed on the bed, and I resolutely refused to let the servants pass by, but let my son discharge the bombs, and if he wanted to blow them up, he would also blow up his own people.

Also, in front of the Japanese, Master Mei Lanfang grew a beard to show off his character.

Mr. Mei Baojiu's speech made everyone excited.

In the end, Mr. Mei Baojiu talked about the new Peking Opera, saying that he is not a conservative person.

He studied with his father since he was a child and insisted on innovation, including foreign records such as "Madame Butterfly" and "Carmen", and he has learned by himself.

Now, it is time to be a pioneer on the road of new Peking Opera.

The program reached its climax of recording.

　PS: In order for you not to criticize me, I have simplified Master Mei Baojiu’s speech, but the effect is not good enough.Looking for rewards and monthly tickets, recommended tickets!
　　
　
(End of this chapter)