Tibetan play style

Chapter 271

"This painting was my dowry back then, but they said it was worthless. How could it be worthless? This painting has been preserved for decades in my hands alone. It doesn't mean that things like antiques get older. The more valuable it is, how can it be worthless! What can I do if it is worthless~ My son is still waiting for money to save his life~"

The more the old lady thought about it, the more uncomfortable she felt. If the painting couldn't be sold, what would happen to her third son?Where can I spend so much money to pay for medical expenses, surgery expenses and compensation to others?When the old lady was anxious and flustered, two cute little girls appeared, and the old lady couldn't help complaining to them.

In order not to worry her children about these words, the old lady didn't even mention them in front of her own children.

After Xu Yunhan and Dai Xiaobei learned about the old lady's family, they hurriedly comforted her.

"Don't worry, let me take a look at your painting first. If I like it, I can buy it, and it can be regarded as helping you a little." Xu Yunhan gently stroked the old lady's back, helping her smooth Shun Qi, it is not good for the elderly to fluctuate too much.I made up my mind that no matter how good the painting is, even if it is really worthless, I can still spend some money to buy it, which is considered a small good deed for myself.

Hearing what Xu Yunhan said, the old lady looked at her, thinking that this girl is really kind-hearted, she must have bought her painting because she was pitiful as an old woman.People who specialize in the antique business are not willing to spend money on it. How could such a beautiful girl like such an old and worn-out painting? (After the old lady believed that the painting was worthless, the status of this painting in her eyes naturally dropped greatly) But since the little girl wants to see it, let her see it.

"Look at it if you want, just look at it." The old lady casually handed the cloth bag in her arms to Xu Yunhan.

Xu Yunhan opened the cloth bag, unfolded a part of the painting gently, and then activated the spiritual power in his body, and then the magical perspective ability was activated.

In Xu Yunhan's eyes, even under the bright light outside during the daytime, she could clearly 'see' the aura flowing between the scrolls and paper.

But the strange thing is that the spiritual energy I saw did not originate from this landscape painting, but another painting covered under the landscape painting!

After verifying the previous conjecture, Xu Yunhan felt her throat dry. This was the first time she had seen such a painting. What is this?Is it picture-in-picture? !
When they were still in the antique shop, Xu Yunhan was sitting not far away when Xu Qiangui unfolded the painting to look at it.

At that time, she glanced at this painting, and it was indeed, as Xu Qiangui said, that it was a poor painting technique, and the material of the scroll was rough, generally speaking, it was a painting with no collection value.But maybe it was because of the authenticity of the old lady's words and expressions, Xu Yunhan thought, if it was really the old lady's ancestors, the things passed down by her ancestors should not be so bad, just because of this curiosity, and at the same time she also wanted to test the spiritual power barrier outside. Can you 'see' the painting clearly from a distance, so Xu Yunhan used his spiritual power to look at the painting.

In just a few seconds of perspective, Xu Yunhan was greatly surprised. She actually discovered that there was a spirit in the painting that was judged to be worthless!
But at the same time, it is very strange that the distribution of aura in the painting is only in a very small part of the painting, unlike the top-quality emeralds or real antiques where the aura is evenly distributed and the aura is constantly flowing. In this landscape painting The aura is messy, scattered and scattered.

It's a pity that she didn't look at it for long, Xu Qiangui put away the painting and returned it to the old lady, and the old lady left the antique shop soon.In order to find out what was going on with this strange painting, Xu Yunhan dragged Dai Xiaobei all over the street looking for the old lady.

Now I finally figured it out, this landscape painting is really worthless, the rough painting is obviously not the work of a famous artist, and the materials used are cheap, so there is no merit in it.

But in fact, there is a mystery inside!
Xu Yunhan was amazed, who the hell is so talented!
The real treasure is under the surface of the landscape painting. It is a portrait of a figure. It is estimated that some special technique was used, so even if the outside of the figure painting is pasted with another painting, the portrait of the figure inside has not been damaged in any way.

The landscape painting on the outside is like a cover, which tightly fits the portraits of the characters inside, and the scroll will not look too thick to the touch, and people will only think it is caused by the silk cloth of the scroll.

Just by looking at a figure painting, even a person who doesn't know much about painting can see that this figure painting is far superior to the superficially pasted landscape painting.

The figure in the painting is graceful and magnanimous, with his body leaning forward slightly, his hands in a bow, humble and polite.It can be seen that he is an elderly man with a Confucian scarf on his head, eyes in front of his eyes, and flowing beard and hair.

The inscription on the top of the screen: the portrait of the first teacher Confucius Xingjiao; the inscription on the top right: Demo heaven and earth, Dao crowns the past and the present, deletes the six classics, and hangs down the constitution forever;

The most shocking thing is the inscription on the lower left of the painting, Wu Daozi's pen, and a small square seal attached to it, the word Daoxuan can be vaguely discerned.

Xu Yunhan was stunned when he saw this, Wu Daozi, Daoxuan... This, does this refer to Wu Daozi from the Tang Dynasty?
Xu Yunhan carefully observed the aura contained in the painting, and touched the edge of the painting and the place where the aura dissipated to feel its temperature. She can confirm that the painting inside is indeed from the Tang Dynasty.

The dynasty was determined to be the Tang Dynasty, and the inscription was Wu Daozi, and the word Daoxuan in Xiaoyin can also be corrected. Could it be that this figure painting was really done by Wu Daozi, who was later called the "Painting Saint of the Hundred Generations"?
Wu Daoyuan, courtesy name Daozi, was later named Daoxuan by Emperor Xuanzong of the Tang Dynasty. He was honored as the "Painting Saint" by later generations, the Patriarch by folk painters, and Wu Sheng by the history of painting.

Wu Daozi was born in a poor family and started out as a folk painter. It is said that he learned calligraphy from Zhang Xu and He Zhizhang, and he was famous for his paintings when he was young.Later, he became a lieutenant of Xiaqiu County in Yanzhou, Shandong, and resigned soon.Roaming in Luoyang, engaged in mural creation.At that time, he once painted for General Pei Min, and was called "Three Wonders" at the same time by Zhang Xu's cursive script, Pei Min's sword dancing, and Wu Daozi's painting.During the Kaiyuan period, he was called into the palace by Emperor Xuanzong of the Tang Dynasty for his good paintings. He served successively as enshrinement, doctor of internal education in Zhongshu Province, changed to Daoxuan, and later became official Ning Wangyou (official name). Since then, he has been painting for the court.

Wu Daozi's paintings have a unique style, and he is the ancestor of Chinese landscape painting.He created the "sparse body" of landscapes with far-reaching meanings, making landscapes an independent painting genre, thus ending the subordinate status of landscapes as the background of figure paintings.Su Dongpo said in the article "Book of Wu Daozi's Painting": "Poetry is about Du Zimei (Du Fu), writing is about Han Tuizhi (Han Yu), calligraphy is about Yan Lugong (Yan Zhenqing), painting is about Wu Daozi, and the changes of ancient and modern times are the most important in the world. It's done!" Taoists even called it "Wu Daozhen Monarch" and "Wu Zhenren".

Wu Daozi can be regarded as a master of a generation, which has been passed down through the ages.

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(End of this chapter)