Tibetan play style

Chapter 303 What's Strange

"Okay, I understand. I can only do my best to investigate, but this time it may take longer." After listening to her request, Gong Wen nodded and agreed. If only to investigate the person's family background and life If you have close contacts around you, you can still do it.

"Well, it's okay to take a little longer. I can wait. I just hope that you can help to investigate in detail."

The investigation cannot be rushed, and only after the investigation is clear can they find clues, but they don't expect to find out the relationship between Bi Yongqing and Ah Mo's mother directly.

Judging from the whole incident before and after, Bi Yongqing must have purposely went to Yunnan to find Amo's mother, perhaps to ask her for help or to do something.According to Ah Mo's recollection, at that time her grandmother looked serious and refused to reveal anything to her, but she took away a lot of materials necessary for refining Gu, as well as a lot of witchcraft.

So Ah Mo deduced from this that Grandma knew that this trip was dangerous, but she still went, there must be some reason why she had to go.

And this reason can only be investigated from Bi Yongqing. At that time, he went to the stockade to take away Grandma, so either he initiated it or was instructed to him.As for who it might be, we have to check his social circle and family background before his death.

After Gong Wen left the coffee shop, Xu Yunhan and Ah Mo also drove home. When they left the house this morning, Aunt Min specially greeted them and asked them to go home for lunch.In order to welcome Ah Mo's return at noon today, Aunt Min made a big table of delicious food.

Chen Xinning also came. She hadn't seen Ah Mo before. When she moved in during the Spring Festival, Ah Mo had already returned to her hometown, so this was the first time she saw Ah Mo who she had only heard about from her mother and Xu Yunhan.

The meal was enjoyable, and although Ah Mo usually doesn't like to talk except when facing her and Dai Xiaobei, it can be seen that she is still in a good mood today.

After the meal, Aunt Min was going to deliver food to the antique shop, and Ah Mo and Chen Xinning went with her. Ah Mo was staying at home and wanted to help in the shop, and Chen Xinning wanted to see what the antique shop was like. of.

So Xu Yunhan was left alone at home, went upstairs to the study for a while, then contacted Professor Song, told him about the re-framing of the picture scroll, and asked him about the professional books he read recently. understand professional issues.

Fortunately, Professor Song happened to be at school at this time, so he asked her to bring the scroll to the school to find him, and he would look at it first.

After hanging up the phone, Xu Yunhan opened the underground safe, walked into the room where antiques, calligraphy and paintings were stored, and took out the scroll, and then went to the room where jewelry and emerald materials were kept, and took out two jade pendants.

They were all made by asking someone to use that piece of black jadeite. One is a black jade safety buckle shaped like an ancient copper coin, and the other is a black jade Guanyin statue.

She found a black silk satin box to put the two jade pendants in, then put them together with the painting scroll in a fashion bag, and took them to the school to find Professor Song.

The Department of Archeology of BJ University is the first department of Archeology established in my country's higher education institutions, and it has a history of 50 years. In the 20s, modern archeology marked by field archeology was introduced into my country.

In 1922, BJ University, which pioneered the trend, established an archaeological laboratory in Guoxuemen (later renamed the Institute of Liberal Arts) with Mr. Ma Heng as the director, and hired Luo Zhenyu, Pelliot and others as archaeological communication tutors.

In 1934, Mr. Ma Heng became the director of the Palace Museum, and Mr. Hu Shi concurrently served as the director of the Archeology Department. In 1946, BJ University returned to Beijing after moving southward for 8 years due to the Japanese invasion of China. It established the Antiquities Collection Office of the Liberal Arts Research Institute with Mr. Xiang Da as the director, hired Liang Siyong and Pei Wenzhong as tutors, and began to recruit archaeological graduate students.

In 1983, the archaeological teaching and academic research of BJ University entered a new stage of development, which was marked by the official establishment of the Department of Archeology of BJ University.

Later, the Department of Archeology cooperated with the State Administration of Cultural Heritage to run the school, and it was renamed "BJ University Archeology Museum (School of Chinese Cultural Relics Museum)".

BJ University's School of Archeology and Museology has grown together with Chinese archaeology.

Professor Song Huaiyi has worked in the Institute of Archeology and Museology for most of his life. He has made many contributions to the development of Chinese archaeology and is a well-known archaeologist in today's archaeological circle.In fact, he had already reached the age of retirement, but the school hired him back as a doctoral supervisor.

He does not teach undergraduate courses, and generally does not accept postgraduate students, but this year is a special case. The doctoral students that Professor Song led originally graduated, and it happened that no students came to apply for his doctoral students this year, so he will accept postgraduate students this year. of.

But only three students were accepted. After all, people in their 60s don't have so much energy.In order to compete for these three places, Xu Yunhan experienced it personally. How many college students who majored in archeology and those who want to engage in archaeology compete fiercely.

Of course, Xu Yunhan heard all this from the side after he was admitted, and he immediately patted his chest and shouted thankfully, it was really the posture of thousands of troops crossing the single-plank bridge.

According to the address that Professor Song told her, he asked several college students on the way, and finally found his office, and knocked lightly on the door.After hearing the word "please come in" from inside, Xu Yunhan pushed open the door and walked in.

Huh?no one?Xu Yunhan entered the office, but he didn't see Professor Song. The furnishings in the office were very simple, with a combined sofa, a coffee table, some green potted plants, a large calligraphy brush hanging on the wall behind the sofa, and a solid wood carved screen next to it...

"Come on, sit down~"

When Xu Yunhan was looking at the furnishings in the room, Professor Song came out from behind the screen, which startled her a little. No wonder why she felt that the office space felt a little small. It turned out that there was another universe behind the screen.

"Hello, haven't you been to other archaeological sites recently?" Professor Song was almost absent from BJ in the past few months. Archeology is actually very hard work, and he often spends at least several months in the wilderness.

"Well, I came back a few days ago. I can rest for a while after finishing the previous work." Professor Song sat down on a single sofa and glanced at the paper bag in her hand, "What painting do you want to reframe?" ?”

Xu Yunhan hurriedly took the scroll out of the paper bag, "It's this landscape painting, and it probably wasn't made by a famous artist. Take a look."

Song Huaiyi took over the scroll and unfolded it. Although he could tell at first glance that the painting was of inferior quality and had no collection value, he still looked at it carefully for a while before putting it down, "Such a painting is not worth the time and effort to recreate Frame it, take it back." As he spoke, he pushed the scroll towards her, implying that he declined her request.

This result was expected by Xu Yunhan, so she had the same expression as before, picked up the scroll and said to Song Huaiyi, "The artistic conception and artistry of this landscape painting are indeed ordinary, but the reason why I want to reframe it is because I found that There seems to be something strange about this scroll..."

"Oh? What's so strange?" Song Huaiyi raised his eyebrows, took a sip from his teacup, and asked.

Xu Yunhan unfolded the scroll and handed it to Professor Song. She glanced at the scroll on it, found the location of a damaged fringe she had made by herself before, and showed him with her finger.

"Look here, this is where I accidentally broke it, and it's because of this that I want to reframe it."

Song Huaiyi took a few glances at the corners of the tattered scroll, but couldn't see anything, but since she was serious about what she said, he picked up the magnifying glass on the table and took a closer look, gently looking at the edge of the damaged scroll with his hand .

After a while, he was shocked and said excitedly, "There is an interlayer inside... This is a long-lost craft technique of 'applying'!" Song Huaiyi took the painting from her hand, admiring it with amazement. A poorly crafted landscape painting holds a different place in his heart.

Mounting is a traditional Chinese industry.It has a history of more than 2000 years.The special name for mounting in ancient times is called "mounting back", also known as "decoration", also known as "mounting pool".

On the "Silk Painting of Characters Yulong" unearthed from the Chu Tomb of the Warring States Period in Hunan in the early years, and the silk painting unearthed from the Han Tomb No. Ribbon, the two lower corners of the middle and lower parts are decorated with cylindrical ribbons woven of fine blue linen."These specific features show the ancient origin of painting and calligraphy mounting.It has a history of more than 2000 years.

In ancient times, a good framer was called a "good worker".Calligraphy and painting mounting, especially when re-mounting old calligraphy and painting, you should be cautious, and you should consult experienced master craftsmen.

In the course of thousands of years of historical development, especially in modern times, with the advent of machines, the traditional manual mounting process is almost lost, and mounting masters have become veritable craftsmen. Without machines, they will not be able to mount calligraphy and paintings.Although machine-mounted paintings are fast, there are many unavoidable problems, such as traditional charm, unmounting and other problems.

Therefore it is very difficult to find a master who understands the traditional hand-mounting process, but even the master mounters with high level are far behind those master mounters in ancient times.

why?
Because many hand-mounted crafts have long since disappeared in the long history...

"At that time, I just felt that there seemed to be another mystery in this painting, so I wanted to unmask it again." Xu Yunhan explained, "What kind of process are you talking about 'applying'? Is it to make the interlayer in the painting?"

Professor Song carefully placed the painting on the coffee table, spread it flat and held a magnifying glass to look at it with a serious and rigorous attitude that did not miss every detail, and replied without raising his head, "It can be understood as you said. , the word "apply" clearly explains its function, which is to add a layer on the front and back of the painting with a special technique. It fits very well and is very thin, and it can't be seen from the outside. It's a pity that this technique How it was done and what materials were used have long been unknown.”

While talking, Professor Song sighed from time to time, what a pity, what a pity...

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(End of this chapter)